tracks

St Qt #1, Op. 7
Nicht Zu Rasch - Kraftig - Langsame Viertel - Massig, Heiter
St Qt #2, Op. 10
Massig
Sehr Rasch
Litanei. Langsam
Entrueckung. Sehr Langsam
Schoenberg: Spoken Comment
St Qt #3, Op. 30
Moderato
Adagio
Intermezzo. Allegro Moderato
Rondo, Molto Moderato
Schoenberg Speaks
St Qt #4, Op. 37
Allegro Molto, Energico
Comodo
Largo
Allegro
St Qt #3, Op. 30
Moderato
Adagio
Intermezzo. Allegro Moderato
Rondo, Molto Moderato
Lyric Suite
Allegro Gioviale
Andante Amoroso
Allegro Misterioso. Trio Estatico
Adagio Appassionato
Presto Delirando. Tenebroso
Largo Desolato
Concerto For Violin And Orchestra, Op. 36
Poco Allegro
Andante Grazioso
Finale. Allegro
Kolisch Interview (Darmstadt, 1964)
Sonata For Solo Violin
Tempo Di Ciaccona
Fuga. Risoluto, Non Troppo Vivo
Melodia. Adagio
Presto
5th String Quartet
Allegro
Adagio Molto
Scherzo
Andante
Finale. Allegro Vivace
Schoenberg: Fantasie, Op. 47
String Quartet In D Major (1897)
Allegro Molto
Intermezzo. Andantino Grazioso
Andante Con Moto
Allegro/Presto
Five Movements For String Quartet, Op. 5
Heftig Bewegt
Sehr Langsam
Sehr Bewegt
Sehr Langsam
In Zarter Bewegung
Six Bagatelles For String Quartet, Op. 9
I Mässig
II Leichtbewegt
III Ziemlich Fliessend
IV Sehr Langsam
V Äusserst Langsam
VI Fliessend
Octet In F Major, Op. 166
Adagio – Allegro
Adagio
Allegro Vivace
Andante
Menuetto. Allegretto
Andante Molto – Allegro

notes

Recordings:
• Los Angeles, 29 Dec. 1936 (track 1-1), 31 Dec. 1936 (tracks 1-2 to 1-5), 30 Dec. 1936 (tracks 2-1 to 2-4), 8 or 9 Jan. 1937 (tracks 2-6 to 2-9)
• WOR Studios in New York, 24 Jan. 1950 (tracks 3-1 to 3-4; released on LP as Dial 4), 2 Feb. 1950 (tracks 3-5 to 3-10; released on LP as Dial 5), 20 Jan. 1950 (tracks 6-1 to 6-11; released on LP on Dial 7)
• Madison, WI, 7 May 1967 (tracks 4-1 to 4-3), 1966 (tracks 4-5 to 4-8), 1966 (track 5-6)
• Washington, D.C., 26 Jan. 1945 (tracks 5-1 to 5-5), 7 Feb. 1952 (tracks 5-7 to 5-10), 14 April 1940 (tracks 6-12 to 6-17)

℗ 2003 Music & Arts Programs Of America, Inc.

credits

Bassoon – Leonard Sharrow (tracks: 6-12 to 6-17)
Cello [Kolisch Quartet] – Benar Heifetz (tracks: 1-1 to 1-5, 2-1 to 2-4, 2-6 to 2-9), Stefan Auber (tracks: 6-12 to 6-17)
Cello [Pro Arte Quartet] – Ernst Fiedlander, (tracks: 3-1 to 3-10, 5-1 to 5-5, 6-1 to 6-11)
Clarinet – Eric Simon (tracks: 6-12 to 6-17)
Conductor – René Leibowitz (tracks: 4-1 to 4-3)
Design – PJBF Design
Double Bass – Anthony Zentrick (tracks: 6-12 to 6-17)
Ensemble – Kolisch Quartet (tracks: 1-1 to 1-5, 2-1 to 2-4, 2-6 to 2-9, 6-12 to 6-17), Pro Arte Quartet Of The University Of Wisconsin, (tracks: 3-1 to 3-10, 5-1 to 5-5, 5-7 to 6-11)
Horn – Wendell Hoss (tracks: 6-12 to 6-17)
Liner Notes – Arnold Schoenberg, Peter Burckhardt, René Leibowitz, Russell Sherman, Sidney Finkelstein, Tully Potter, Will Ogdon
Orchestra – Wisconsin Festival Orchestra (tracks: 4-1 to 4-3)
Piano – Gunnar Johansen (2) (tracks: 5-6)
Technician [Technical Reconstruction] – Maggi Payne
Transferred By [78s Disc-to-tape] – Daniel Greenhouse (tracks: 1-1 to 2-9)
Viola [Kolisch Quartet] – Eugen Lehner, (tracks: 1-1 to 1-5, 2-1 to 2-4, 2-6 to 2-9), Jascha Veissi (tracks: 6-12 to 6-17)
Viola [Pro Arte Quartet] – Bernard Milofsky (tracks: 3-1 to 3-10, 6-1 to 6-11), Germain Prevost, (tracks: 5-1 to 5-5)
Violin – Rudolf Kolisch (tracks: 1-1 to 1-5, 2-1 to 2-4, 2-6 to 4-3, 4-5 to 6-17)
Violin [Kolisch Quartet] – Felix Khuner (tracks: 1-1 to 1-5, 2-1 to 2-4, 2-6 to 2-9, 6-12 to 6-17)
Violin [Pro Arte Quartet] – Albert Rahier

companies

Phonographic Copyright (p) – Music And Arts Programs Of America, Inc.

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