tracks

Sinfonia
No. 1 Introduzione: “Piano, Pianissimo”
Cavatine: “Ecco, Ridente In Cielo” / Seguito Dell'Introduzione: “Ehi, Fiorello?”
No. 2 Cavatina: “Largo Al Factotum”
No. 3 Canzone: “Se Il Mio Nome”
No. 4 Duetto: “All'Idea Di Quel Metallo”
No. 5 Cavatina: “Una Voce Poco Fa”
No. 6: Aria: “La Calunnia È Un Venticello”
No. 7 Duetto: “Dunque Io Son”
No. 8 Aria: “A Un Dottor Della Mia Sorte”
No. 9 Finale I: “Ehi, Di Casa!”
“Alto Là”
“Ma Signor ...”
No. 10 Duetto: “Pace E Gioia”
No. 11 Aria: “Contro Un Cor”
No. 12 Arietta: “Quando Mi Sei Vicina”
No. 13 Quintetto: “Don Basilio!”
No. 14 Aria: “Il Vecchiotto Cerca Moglie”
No. 15 Temporale/Thunderstorm/Gewittermusik/Musique D'Orage
No. 16 Terzetto: “Ah! Qual Colpo Inaspettato!”
No. 19 Finaletto II: “Di Si Felice Innesto”

notes

The Originals: legendary recordings from the Deutsche Grammophon catalogue.
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Includes a 200 page booklet Libretto.

Il Barbiere di Siviglia - The Barber Of Seville - Der Barber von Sevilla - Le Barbier de Séville

Melodramma buffo in due Atti - Comic opera in two acts - Komischer Oper in zwei Akten - Opéra Comique en deux actes

Libretto/Livret: Cesare Sterbini
da/after/nach/d'après Beaumarchais

Luigi Alva: Il Conte d'Almaviva - Count Almaviva - Graf Almaviva - Le Comte Almaviva
Enzo Dara: Bartolo, Dottore in medicina - A Doctor - Doktor der Medizin - Le Docteur
Teresa Berganza: Rosina, Pupilla di Bartolo - His ward - Sein Mündel - Sa pupille
Hermann Prey: Figaro, Barbiere - A Barber - Barbier
Paolo Montarsolo: Basilio, Maestro di musica - Music teacher - Musikmeister - Maître de musique
Renato Cesari: Fiorello, Servitore d'Almaviva - Servant to the Count - Diener des Grafen - Domestique du Comte
Stefania Malagú: Berta, cameriera di Bartolo - Bartolo's maid - Marzelline, Haushälterin - Marceline, femme de chambre de Bartholo
Luigi Rono: Un ufficiale - A police officer - Ein Offizier - Un commissaire de police

This recording is based on the full score, vocal score and orchestral material published by G. Ricordi & C.S.p.a., Milan;
revised and edited by Alberto Zedda after the sources.

Die vorliegende Aufnahme basiert auf der vom Verlag G. Ricordi & C.S.p.a., Mailand, veröffentlichten Ausgabe der Partitur, des Klavierauszuges und des Orchestermaterials. Es handelt sich um die revidierte Fassung, die Alberto Zeddo nach den Quellen herausgab.

Cet enregistrement se base sur la partition, l'arrangement pour piano et sur le matériel d'orchestre revisés et édités par Alberto Zedda d'après les sources et publiés par les éditions G. Ricordi & C.S.p.a., Milan.

La presente registrazione è basata sull'edizione della paritura, della riduzione per canto e pianoforte, e del materiale orchestrale pubblicata da G. Ricordi & C.S.p.a., Milano. Questa edizione è stata riveduta e curata da Alberto Zedda sulla base della fonti originali dell'opera.

LP released/veröffentlicht/paru/pubblicato 1972
Deutscher Schalltplattenpreis 1972
Recording/Aufnahme/Enregistrement/Registrazione: London, Watford, Town Hall, 9/1971. The Originals: legendary recordings from the Deutsche Grammophon catalogue.
Original-image
Bit-processing
ADD

Includes a 200 page booklet Libretto.

Il Barbiere di Siviglia - The Barber Of Seville - Der Barber von Sevilla - Le Barbier de Séville

Melodramma buffo in due Atti - Comic opera in two acts - Komischer Oper in zwei Akten - Opéra Comique en deux actes

Libretto/Livret: Cesare Sterbini
da/after/nach/d'après Beaumarchais

Luigi Alva: Il Conte d'Almaviva - Count Almaviva - Graf Almaviva - Le Comte Almaviva
Enzo Dara: Bartolo, Dottore in medicina - A Doctor - Doktor der Medizin - Le Docteur
Teresa Berganza: Rosina, Pupilla di Bartolo - His ward - Sein Mündel - Sa pupille
Hermann Prey: Figaro, Barbiere - A Barber - Barbier
Paolo Montarsolo: Basilio, Maestro di musica - Music teacher - Musikmeister - Maître de musique
Renato Cesari: Fiorello, Servitore d'Almaviva - Servant to the Count - Diener des Grafen - Domestique du Comte
Stefania Malagú: Berta, cameriera di Bartolo - Bartolo's maid - Marzelline, Haushälterin - Marceline, femme de chambre de Bartholo
Luigi Rono: Un ufficiale - A police officer - Ein Offizier - Un commissaire de police

This recording is based on the full score, vocal score and orchestral material published by G. Ricordi & C.S.p.a., Milan;
revised and edited by Alberto Zedda after the sources.

Die vorliegende Aufnahme basiert auf der vom Verlag G. Ricordi & C.S.p.a., Mailand, veröffentlichten Ausgabe der Partitur, des Klavierauszuges und des Orchestermaterials. Es handelt sich um die revidierte Fassung, die Alberto Zeddo nach den Quellen herausgab.

Cet enregistrement se base sur la partition, l'arrangement pour piano et sur le matériel d'orchestre revisés et édités par Alberto Zedda d'après les sources et publiés par les éditions G. Ricordi & C.S.p.a., Milan.

La presente registrazione è basata sull'edizione della paritura, della riduzione per canto e pianoforte, e del materiale orchestrale pubblicata da G. Ricordi & C.S.p.a., Milano. Questa edizione è stata riveduta e curata da Alberto Zedda sulla base della fonti originali dell'opera.

LP released/veröffentlicht/paru/pubblicato 1972
Deutscher Schalltplattenpreis 1972
Recording/Aufnahme/Enregistrement/Registrazione: London, Watford, Town Hall, 9/1971.

credits

Art Direction – Hartmut Pfeiffer
Baritone Vocals – Enzo Dara, Hermann Prey, Renato Cesari
Bass Vocals – Luigi Roni, Paolo Montarsolo
Chorus – The Ambrosian Opera Chorus
Chorus Master – John McCarthy
Conductor – Claudio Abbado
Executive-Producer – Karl Faust
Guitar – Barna Kováts
Harpsichord – Theodor Guschlbauer
Illustration – John Günther
Libretto By [English Translation] – George Mead
Libretto By [French Free Translation Based On] – Castil-Blaze,
Libretto By [German Translation] – Günter Rennert,
Liner Notes – Alan Blyth
Liner Notes [French Translation] – Dennis Collins (2)
Liner Notes [German - Italian Translation] – Gabriele Cervone
Liner Notes [German] – Peter Cossé
Liner Notes [Synopsis - French Translation] – Pierre Balascheff
Liner Notes [Synopsis - Italian Translation] – Gabriele Cervone
Liner Notes [Synopsis] – Philip Gossett
Mezzo-soprano Vocals – Stefania Malagú, Teresa Berganza
Orchestra – London Symphony Orchestra,
Photography By [Abbado] – Felicitas Timpe
Photography By [Artists] – Julian Hann
Photography By [Cover] – Mike Evans,
Recorded By [Tonmeister ( Balance Engineer)] – Hans-Peter Schweigmann
Recording Supervisor [Recording Producer] – Rainer Brock
Score Editor [Revised And Edited By] – Alberto Zedda
Tenor Vocals – Luigi Alva
Art Direction – Hartmut Pfeiffer
Baritone Vocals – Enzo Dara, Hermann Prey, Renato Cesari
Bass Vocals – Luigi Roni, Paolo Montarsolo
Chorus – The Ambrosian Opera Chorus
Chorus Master – John McCarthy
Conductor – Claudio Abbado
Executive-Producer – Karl Faust
Guitar – Barna Kováts
Harpsichord – Theodor Guschlbauer
Illustration – John Günther
Libretto By [English Translation] – George Mead
Libretto By [French Free Translation Based On] – Castil-Blaze,
Libretto By [German Translation] – Günter Rennert,
Liner Notes – Alan Blyth
Liner Notes [French Translation] – Dennis Collins (2)
Liner Notes [German - Italian Translation] – Gabriele Cervone
Liner Notes [German] – Peter Cossé
Liner Notes [Synopsis - French Translation] – Pierre Balascheff
Liner Notes [Synopsis - Italian Translation] – Gabriele Cervone
Liner Notes [Synopsis] – Philip Gossett
Mezzo-soprano Vocals – Stefania Malagú, Teresa Berganza
Orchestra – London Symphony Orchestra,
Photography By [Abbado] – Felicitas Timpe
Photography By [Artists] – Julian Hann
Photography By [Cover] – Mike Evans,
Recorded By [Tonmeister ( Balance Engineer)] – Hans-Peter Schweigmann
Recording Supervisor [Recording Producer] – Rainer Brock
Score Editor [Revised And Edited By] – Alberto Zedda
Tenor Vocals – Luigi Alva

companies

Phonographic Copyright (p) – Polydor International GmbH
Copyright (c) – Deutsche Grammophon GmbH
Made By – Sony DADC
Recorded At – Watford Town Hall

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