tracks

1. Largo
2. Allegro
3. Largo - Allegro
4. Allegro
5. Largo
6. Allegro
7. Allegro
1. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante
2. Allegro
3. Grave - Andante Largo
4. Allegro
1. Largo
2. Allegro
3. Grave
4. Vivace
5. Allegro
1. Adagio - Allegro
2. Adagio
3. Vivace
4. Allegro
1. Adagio - Allegro - Adagio
2. Adagio
3. Allegro - Adagio
4. Largo - Allegro
1. Adagio
2. Allegro
3. Largo
4. Vivace
5. Allegro
1. Vivace - Allegro
2. Adagio
3. Allegro
4. Andante Largo
5. Allegro
6. Vivace
1. Vivace - Grave, Arcate, Sostenuto E Come Stà
2. Allegro
3. Adagio - Allegro - Adagio
4. Vivace
5. Allegro
6. Largo. Pastorale Ad Libitum
1. Preludio: Largo
2. Allemanda: Allegro
3. Corrente: Vivace
4. Gavotta: Allegro
5. Adagio
6. Minuetto: Vivace
1. Preludio: Andante Largo
2. Allemanda: Allegro
3. Adagio
4. Corrente: Vivace
5. Allegro
6. Minuetto: Vivace
1. Preludio: Andante Largo
2. Allemanda: Allegro
3. Adagio
4. Andante Largo
5. Sarabanda: Largo
6. Giga: Vivace
1. Preludio: Adagio
2. Allegro
3. Adagio
4. Sarabanda: Vivace
5. Giga: Allegro

notes

℗ 1988 Polydor International GmbH, Hamburg.
© 1988 Prof. Franco Piperno.
Made in USA.

Manufactured and marketed by Universal Classics Group, a division of Universal Music Group.

Recording on authentic instruments: London, Henry Wood Hall, 3 &4/1987 (no. 1-3, 7-9, 11); London, Abbey Road Studios, 1/1988 (no. 4-6, 10, 12).

Harpsichord: Adlam Burnett, after Ruckers.
Organ: Peter Collins, built in the 18th-century tradition.
Pitch: a'= 415 Hz; Tuning: unequal temperament.
Keyboard advisor: Maurice Cochrane.

Total timing: - CD1: 64'35" - CD2: 65'06". Issued in a double jewel case with a clear tray

℗ 1988 Polydor International GmbH, Hamburg. Made & printed in Germany.
© 1988 Prof. Franco Piperno (Liner Notes). Digital recording on authentic instruments.
Recorded: London, Henry Wood Hall, 3 & 4/1987 (no. 1-3, 7-9, 11); London, Abbey Road Studios, 1/1988 (no. 4-6, 10, 12).

Instruments: Harpsichord by Adlam Burnett, after Ruckers; Organ: Peter Collins, built in the 18th-century tradition.
Pitch: a'= 415 Hz; Tuning: unequal temperament. Total timing: - CD1: 64'35" - CD2: 65'06".
Cover painting: Giovanni Paolo Pannini: "Piazza Navona", Niedersächsische Landesgalerie, Hannover.

The 20-page glossy booklet contains notes in English, German and French.
The 2 CD's are sheltered by a slim line double jewel case with clear tray.

Date of release is taken from the catalog on the website of Deutsche Grammophon (Archiv).

credits

Art Direction, Design – Nikolaus Boddin
Cello [Concertino] – Jaap ter Linden
Cello [Violoncello] – Jaap ter Linden, Jane Coe (tracks: 1-17 to 1-29, 2-19 to 2-24, 2-31 to 2-35), Richard Webb (tracks: 1-1 to 1-16, 2-1 to 2-16, 2-25 to 2-30)
Composed By – Arcangelo Corelli
Directed By [From The Harpsichord] – Trevor Pinnock
Double Bass – Amanda MacNamara,
Edited By [Editing] – Bruno Nellessen
Engineer [Balance Engineer] – Hans-Peter Schweigmann
Engineer [Recording Engineer] – Ulrich Vette, Volker Martin
Executive-Producer – Charlotte Kriesch, Dr. Andreas Holschneider
Harpsichord – Trevor Pinnock
Liner Notes – Franco Piperno
Liner Notes [English Translation] – Christopher Whyte
Orchestra – The English Concert,
Organ – Ivor Bolton (tracks: 1-1 to 1-11, 1-17 to 2-6, 2-19 to 2-24, 2-31 to 2-35), John Toll (tracks: 1-12 to 1-16, 2-7 to 2-12)
Painting [Cover Painting] – Giovanni Paolo Panini,
Photography By [Artists] – Peter H. Fürst
Producer [Recording Producer] – Dr. Gerd Ploebsch
Theorbo – Nigel North (tracks: 1-1 to 1-11, 1-17 to 2-6, 2-13 to 2-35), Paula Chateauneuf (tracks: 1-12 to 1-16, 2-7 to 2-12)
Viola – Nicola Cleminson (tracks: 1-1 to 1-11, 2-1 to 2-6, 2-13 to 2-18, 2-25 to 2-30), Rupert Bawden (tracks: 1-12 to 1-29, 2-7 to 2-12, 2-19 to 2-24, 2-31 to 2-35), Trevor Jones (4)
Violin [Concertino] – Micaela Comberti, Simon Standage
Violin [I] – Graham Cracknell, Miles Golding, Pauline Nobes, Simon Standage
Violin [Il] – Frances Turner, Margaret Faultless (tracks: 1-17 to 1-29, 2-19 to 2-24, 2-31 to 2-35), Maya Homburger (tracks: 1-1 to 1-11, 2-1 to 2-6, 2-13 to 2-18, 2-25 to 2-30), Micaela Comberti, Nicola Cleminson (tracks: 1-12 to 1-16, 2-7 to 2-12), Walter Reiter
Art Direction, Design – Nikolaus Boddin
Cello – Jaap ter Linden, Jane Coe (tracks: 1-17 to 1-29, 2-19 to 2-24, 2-31 to 2-35), Richard Webb (tracks: 1-1 to 1-16, 2-1 to 2-16, 2-25 to 2-30)
Cello [Concertino] – Jaap ter Linden
Composed By – Arcangelo Corelli
Directed By [From The Harpsichord] – Trevor Pinnock
Double Bass – Amanda MacNamara,
Edited By – Bruno Nellessen
Engineer [Balance Engineer] – Hans-Peter Schweigmann
Engineer [Recording Engineer] – Ulrich Vette, Volker Martin
Executive-Producer – Charlotte Kriesch, Dr. Andreas Holschneider
Harpsichord – Trevor Pinnock
Liner Notes – Franco Piperno
Liner Notes [English Translation] – Christopher Whyte
Liner Notes [French Translation] – Brigitte Olivieri
Liner Notes [German Translation] – Katharina v. Glasenapp
Orchestra – The English Concert,
Organ – Ivor Bolton (tracks: 1-1 to 1-11, 1-17 to 2-6, 2-19 to 2-24, 2-31 to 2-35), John Toll (tracks: 1-12 to 1-16, 2-7 to 2-12)
Other [Keyboard Advisor] – Maurice Cochrane
Painting, Cover – Giovanni Paolo Panini,
Photography By [Artists] – Peter H. Fürst
Producer [Recording] – Dr. Gerd Ploebsch
Theorbo – Nigel North (tracks: 1-1 to 1-11, 1-17 to 2-6, 2-13 to 2-35), Paula Chateauneuf (tracks: 1-12 to 1-16, 2-7 to 2-12)
Viola – Nicola Cleminson (tracks: 1-1 to 1-11, 2-1 to 2-6, 2-13 to 2-18, 2-25 to 2-30), Rupert Bawden (tracks: 1-12 to 1-29, 2-7 to 2-12, 2-19 to 2-24, 2-31 to 2-35), Trevor Jones (4)
Violin [1st] – Graham Cracknell, Miles Golding, Pauline Nobes, Simon Standage
Violin [2nd] – Frances Turner, Margaret Faultless (tracks: 1-17 to 1-29, 2-19 to 2-24, 2-31 to 2-35), Maya Homburger (tracks: 1-1 to 1-11, 2-1 to 2-6, 2-13 to 2-18, 2-25 to 2-30), Micaela Comberti, Nicola Cleminson (tracks: 1-12 to 1-16, 2-7 to 2-12), Walter Reiter
Violin [Concertino] – Micaela Comberti, Simon Standage

companies

Phonographic Copyright (p) – Polydor International GmbH
Manufactured By – Universal Classics Group
Marketed By – Universal Classics Group
Recorded At – Henry Wood Hall, London
Recorded At – Abbey Road Studios
Phonographic Copyright (p) – Polydor International GmbH
Recorded At – Henry Wood Hall, London
Recorded At – Abbey Road Studios
Printed By – Münstermann-Druck
Made By – PMDC, UK

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