description
Four Impromptus, D899
No. 1 In C Minor · Ut Mineur · C-Moll, Allegro Molto Moderato
No. 2 In E Flat · Mi Bémol Majeur · Es-Dur, Allegro
No. 3 In G Flat Major · Sol Bémol Majeur · Ges-Dur, Andante
No. 4 In A Flat Major · La Bémol Majeur · As-Dur, Allegretto
Four Impromptus, D935
No. 1 In F Minor · Fa Mineur · F-Moll, Allegro Moderato
No. 2 In A Flat Major · La Bémol Majeur · As-Dur, Allegretto
No. 3 In B Flat Major · Si Bémol Majeur · B-Dur, Theme And Variations
No. 4 In F Minor · Fa Mineur . F-Moll, Allegro Scherzando
STEREO
Super Digital Transfer 96kHz 24-bit.
Recording location: Friedrich Ebert Halle, Hamburg, June 1982.
Technical Specification
Mixing desk: STORM
Microphones: Neumann KM83
Monitor speakes: Tannoy "Canterbury"
Monitor amplifier: Quad 50
Recording (tape) machine: Decca Digital 2 track 16-bit 48kHz
STORM
Designed and built by Roy Wallace, it came into service c.1966. Each unit of STORM comprised 6 channels, each channel fully pannable L to R with high frequency and low frequency equalisation and group faders. 4 units each of six channels were used to obtain a maximum of 24 channels with simultaneous 2 track and 4 track working. STORM was later modified to any channel to any group to any track (more versatile), able to be used for simultaneous 2 track and 8 track recordings. 4 sets STORM were eventually in use with Decca for many years (1966 to 1986).
Decca Legends Series
Total timing 66:40.
Made in Germany
℗ 1983 © 1999 The Decca Record Company Limited, London
Art Direction
–
Mark Millington (2)
Booklet Editor
–
Fabian Watkinson
Composed By
–
Franz Schubert
Engineer [Recording]
–
Simon Eadon
Liner Notes
–
Bryce Morrison
Photography By [Booklet]
–
Christian Steiner (6),
Mary Robert
Photography By [Cover]
–
Heiya Okada
Piano
–
Radu Lupu
Producer
–
Michael Haas (3)
Recorded At
–
Friedrich-Ebert-Halle, Hamburg
Phonographic Copyright (p)
–
The Decca Record Company Limited
Copyright (c)
–
The Decca Record Company Limited
Made By
–
Universal M & L, Germany