tracks

Symphony No.7 In E Major
I Allegro Moderato
II Adagio: Sehr Feirlich Und Sehr Langsam
III Scherzo: Sehr Schnell - Trio: Etwas Langsamer
IV Finale: Bewegt, Doch Nicht Zu Schnell
Romeo & Juliet, Fantasy Overture
Francesca Da Rimini, Symphonic Fantasy
Symphony No.5 In E Minor, Op. 64
I Andante - Allegro Con Anima
II Andante Cantabile, Con Alcuna Licenza
III Valse. Allegro Moderato
IV Finale. Andante Maestoso - Allegro Vivace
Carnival Overture, Op. 92
Symphony No.9 In E Minor, Op. 95 From The New World = Dal Nuovo Mondo
I Adagio - Allegro Molto
II Largo
III Scherzo: Molto Vivace
IV Allegro Con Fuoco
Symphony No.3 In A Minor, Op. 56 "Scottish" = "Scozzese" (London Version, 1842)
I Andante Con Moto - Allegro Un Poco Agitato - Assai Animato - Andante Come Prima -
II Vivace Non Troppo -
III Adagio -
IV Allegro Vivacissimo - Allegro Maestoso Assai
Opening Sketch Of "Scottish" Symphony (1829/30)
Piano Concerto No.3 In E Minor (1842/44)
I Allegro
II Andante
III Allegro Brillante
Overture "The Hebrides" = "Le Ebridi", Op. 26 ("Fingal's Cave" = "La Grotta Di Fingal") (Rome Version, 1830)
Guillaume Tell
Il Signor Bruschino
Bianca E Falliero
Il Barbiere Di Siviglia
Armida
Semiramide
L'Inganno Felice
Matilde Di Shabran
Demetrio E Polibio
La Gazza Ladra
Concerto For Orchestra (Sz 116, BB 123)
I Introduzione: Andante Non Troppo - Allegro Vivace
II Giuoco Delle Coppie: Allegretto Scherzando
III Elegia: Andante Non Troppo
IV Intermezzo Interrotto: Allegretto
V Finale: Pesante - Presto
The Miraculous Mandarin = Il Mandarino Meraviglioso, Op. 19 (Sz 73, BB 82) (Pantomime In One Act)
Allegro (Introduction): A Bustling City Street
The Curtain Rises On A Shabby Room In The Slums, Where Three Penniless Tramps Force A Girl To Lure In Prospective Victims From The Street. 2:22 10 Second Decoy Game.
First Decoy Game
The Shabby Old Rake Enters And Makes Comic Gestures Of Love To The Girl Until The Tramps Throw Him Out
Second Decoy Game.
The Shy Young Man Appears In The Door, And The Girl Dances - At First Hesitantly, Then Faster And More Passionately - Until The Tramps Throw Him Out
Third Decoy Game
Horrified, They See A Weird Figure Int He Street, And The Tramps Hide As They Hear Him Coming Up The Stairs
The Mandarin Enters And Standds Immobile In The Doorway; The Girl Flees Terrified To The Other End Of The Room
General Consternation. The Girl Overcomes Her Repugnance And Slowly Entices The Mandarin To Come Closer And Finally Sit In A Chair
At Last She Overcomes Her Reluctance And Begins A Hesistant Dance, Which Gradually Enlivens To A Pitch Of Erotic Frenzy, As The Mandarin Stares At Her Impassively
The Girl Sinks Down To Embrace Him; He Begins To Tremble In Feverish Excitement
She Flees From Him, And He Chases Her More And More Wildly
The Mandarin Catches The Girl, And They Fight
The Tramps Leap Out, Tear The Mandarin Away From The Girl, And Seize His Jewelry And Money
"We Must Kill Him, Stifle Him Under The Pillows On The Bed", The Tramps Decide
They Think He Is Dead, But Suddenly The Mandarin's Head Appears Between The Pillows And He Looks Longingly At The Girl; The Four Shudder And Stand Aghast
At Last The Three Tramps Master Their Horror. They Drag The Mandarin Out And Grip Him Firmly While One Stabs Him Three Times With A Rusty Sword
Suddenly He Draws Himself Up And Leaps At The Girl. The Tramps Stop Him And Hold Him Fast Again. While They Hold Him, The Mandarin Looks Longingly At The Girl
They Drag The Resisting Mandarin To The Centre Of The Room And Hang Him On The Lamp Hook
The Lamp Falls To The Floor, And The Body Of The Mandarin Begins To Glow With A Greenish Blue Light. His Eyes Remain Fixed On The Girl
At Her Insistence, The Tramps Take Him Down. The Mandarin Falls On The Floor And At Once Leaps At The Girl. She Resists No Longer, And They Embrace
The Mandarin's Longing Is Now Stilled, His Woundds Begin To Bleed, And He Dies After A Short Struggle
Rhapsody In Blue (For Two Pianos And Orchestra)
Lullaby (For String Orchestra)
An American In Paris
Cuban Overture
Symphony No.5 In C Sharp Minor
Part I: I Trauermarsch: In Gemessenem Schritt. Streng. Wie Ein Kondukt
Part I: II Stürmisch Bewegt: Mit Größter Vehemenz
Part II: III Scherzo: Kräftig, Nicht Zu Schnell
Part III: IV Adagietto: Sehr Langsam
Part III: V Rondo-Finale: Allegro
Boléro
Sarabande
Danse
Pictures At An Exhibition = Quadri Di Un'Esposizione
Promenade - Gnomus
Promenade - Il Vecchio Castello
Promenade - Tuileries
Bydlo - Promenade
Ballet Of The Unhatched Chicks
Samuel Goldenberg And Schmuyle
Limoges: Le Marché
Catacombae - Cum Mortuis In Lingua Mortua
The Hut On Hen's Legs (Baba Yaga)
The Great Gate Of Kiev
Verklärte Nach = Notte Trasfigurata
5 Orchesterstücke = 5 Pezzi Orchestrali, Op. 16 (1949 Version)
Vorgefühle. Sehr Rasch
Vergangenes. Mässige Viertel
Farben. Mässige Viertel
Peripetie. Sehr Rasch
Das Obligate Rezitativ. Bewegte Achtel
Passacaglia, Op. 1
Sonata, Op. 1 - Mässige Bewegt
Petrushka (1947 Version) (Burlesque In Four Scenes)
Tableau I: The Shrove - Tide Fair
Tableau I: Danse Russe
Tableau II: Petrushka
Tableau III: The Blackmoor
Tableau III: Valse
Tableau IV: The Shrove - Tide Fair
Tableau IV: Wet-Nurses' Dance
Tableau IV: Peasant With Bear
Tableau IV: Gypsies And A Rake Vendor
Tableau IV: Dance Of The Coachmen
Tableau IV: Masqueraders
Tableau IV: The Scuffle
Tableau IV: The Death Of Petrushka
Tableau IV: Police And The Juggler
Tableau IV: Apparition Of Petrushka's Double
Pulcinella (Ballet In One Act)
Ouverture: Allegro Moderato
Serenata: Larghetto 'Mentre L'Erbetta' (Tenor)
Scherzino: Allegro
Allegro
Andantino
Allegro
Ancora Poco Meno: 'Contento Forse Vivere' (Soprano)
Allegro Assai
Allegro - Alla Breve: 'Con Queste Paroline' (Bass)
Andante: 'Sento Dire No'ncè Pace' (Soprano / Tenor / Bass)
Allegro: 'Nce Sta Quaccuna Po' (Soprano) - 'Una Te Fa La Zemprece' (Tenor)
Presto: 'Una Te Fa La Zemprece' (Tenor)
Allegro - Alla Breve
Tarantella
Andantino: 'Se Tu M'ami' (Soprano)
Allegro
Gavotta Con Due Variazioni
Vivo
Tempo Di Minuetto: 'Pupilette, Fiammette D'amore' (Soprano / Tenot / Bass)
Allegro Assai
Tuning Up
Amériques (Original Version)
Poème Électronique
Arcana
Nocturnal
Un Grand Sommeil Noir
The Modification And Instrumentation Of A Famous Hornpipe As A Merry And Altogether Sincere Homage To Uncle Alfred
Contrapunctus XIX (Die Kunst Der Fuge)
Quattro Versioni Originali Della "Ritirata Notturna Di Madrid" (Sovrapposte E Transcritte Per Orchestra)
Variations On The Papageno's Aria "Ein Mädchen Oder Weibchen" (Divertimento Per Mozart)
Rendering For Orchestra
Allegro
Andante
Allegro
Sonata For Clarinet And Orchestra In F Minor, Op. 120 N. 1
Allegro Appassionato
Andante Un Poco Adagio
Allegretto Grazioso
Vivace
Turangalîla-Symphonie (For Piano Solo And Large Orchestra) (1946-48)
I Introduction (Modéré, Un Peu Vif)
II Chant D'Amour 1 (Modéré, Lourd)
III Turangalîla 1 (Presque Lent, Rêveur)
IV Chant D'Amour 2 (Bien Modéré)
V Joie Du Sang Des Étoiles (vif, Passioné, Avec Joie)
VI Jardin Du Sommeil D'Amour (Très Modéré, Très Tendre)
VII Turangalîla 2 (Un Peu Vif)
VIII Développement De L'Amour (Bien Modéré)
IX Turangalîla 3 (Bien Modéré)
X Final (Modéré, Presque Vif, Avec Une Grande Joie)
Moscow-Cheryomushki (Suite From The Operetta, Op. 105)
I A Spin Through Moscow
II Waltz
III Dances (Polka - Galop)
IV Ballet
The Bolt = Il Bullone (Suite From The Ballet, Op. 27a) (1934 Version)
I Introduction
II Polka
III Variations
IV Tango
V Intermezzo
VI Finale
The Gadfly = Il Tafano (Excerpts From The Film Music, Op. 97) (Original Orchestration)
I Overture
II The Cliff
III Youth (Romance)
VII The Slap In The Face
IX Barrel Organ
XIII Contredanse
XIV Galop
XVI The Market Place
XVII Escape
XVIII Montanelli
XIV Finale
XX The Austrians
XXIII Gemma's Room

notes

CD1: Recording: Jesus-Christus-Kirche, Berlin, June 1984; (P) 1985 Decca Music Group Limited.

CD2: (P) 1985 Decca Music Group Limited.

CD3: (P) 1981 Decca Music Group Limited.

CD4: Recording: Concertgebouw, Amsterdam, January 1987; (P) 1988 Decca Music Group Limited.

CD5: Live Recording: Gewandhaus zu Leipzig, September 2006 (Overture), January 2009.
Publishers: Breitkopf & Haertel, Wiesbaden (Symphony), Copyright Control (Sketch), Casa Ricordi, Milano (Concerto), Bärenreiter Edition, Kassel (Overture).
(P) 2009 Decca Music Group Limited.

CD6: Recording: Chiesa della Pace, Milano, February 1995.
Publishers: Casa Ricordi, Milano (1, 3-6, 10), Edition Peters (8), Carish, Milano (2), Edizioni Musicali otos, Firenze (7, 9).
(P) 1996 Decca Music Group Limited.

CD7: Recording: Grotezaal Concertgebouw, Amsterdam, May 1995 (Concerto), May 1997 (Mandarin).
Publishers: Boosey & Hawkes Music Publishers (Concerto), Universal Editions AG, Vienna (Mandarin).
(P) 2001 Decca Music Group Limited.

CD8: Recording: Masonic Auditorium, Cleveland, Ohio, November 1985.
Publishers: Warner/Chappel Music.
(P) 1987 Decca Music Group Limited.

CD9: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1997; (P) 1998 Decca Music Group Limited.

CD10: Recording: Concertgebouw, Amsterdam, August 1986.
Publishers: MCPS (Ravel, Debussy), MCPS/Boosey & Wawkes Music Publishers Ltd. (Mussorgsky).
(P) 1987 Decca Music Group Limited.

CD11: Recording: Jesus-hristus-Kirche, Berlin, April 1987 (1), Grotezaal, Concertgebouw, Amsterdam, December 1990 (2-6), January 1992 (7), May 1995 (8).
Publishers: Universal Edition AG, Wien (7, 8), C.F. Peters Corp. (2-6).
(P) 1987 (1), 1994 (2-7), 1996 (8) Decca Music Group Limited.

CD12: Recording: Grotezaal, Concertgebouw, Amsterdam, October 1992 (Pulcinella), October 1993 (Petrushka).
Publishers: Edition Russe de Musique (Pulcinella), Boosey & Hawkes Inc. (Petrushka).
(P) 1995 Decca Music Group Limited.

CD13: Recording: Concertgebouw, Grotezaal, Amsterdam, April 1992 (Arcana), December 1996 (Amériques, Nocturnal), May 1998 (Turning Up, Un Grand Sommeil Noir).
Publishers: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Noir)
Editions used: Casa Ricordi, Milano; Editions Salabert, SA (Un Grand Sommeil Nori, Orchestral transcription (C) Antony Beaumont).
(P) 1994, 1998 Decca Music Group Limited.

CD14: Recording: Auditorium di Milano, August 2004; Publishing: Casa Ricordi, Milano; (P) 2004 Universal Music Italia srl.

CD15: Recording: Grotezaal, Concertgebouw, Amsterdam, March 1992; Publisher: Durand & Cie, Paris; (P) 1993 Decca Music Group Limited.

CD16: Recording: Giandomenico Studios, Collinswod, New Jersey, December 1995.
Publishers: Boosey & Hawkes Music Publishers ltd (Cheryomushki); Hans Sirorski Musikverlag (Bolt, Gadfly).
(P) 1996 Decca Music Group Limited.

On box:
This product (P) 1981, 1985, 1987, 1988, 1993, 1994, 1995, 1996, 1998, 2001, 2009 Decca Msusic Group Limited
(P) 2004 Universal Music Italia srl.
(C) 2012 Universal Music Italia srl.

Booklet:
Universal Classics & Jazz
A division of Universal Music Italia srl
(P) and (C) 2012 Universal Music Italia srl.
Made in the E.U.

Cardboard box contains the CDs in separate, same artwork, wallets and a 40-page booklet in English and Italian.

credits

Artwork By – Punto E Virgola
Conductor – Riccardo Chailly
Edited By – Ian Watson (3) (tracks: 5-1 to 5-9), Jenni Whiteside (tracks: 5-1 to 5-9, 11-7, 11-8), Sally Drew (tracks: 11-2 to 11-6)
Edited By [Recording Editor] – Caroline Haigh (tracks: 12-1 to 12-35), Ian Watson (3) (tracks: 7-1 to 7-28, 9-1 to 9-5, 13-1 to 13-6), Jenni Whiteside (tracks: 7-1 to 7-28, 13-1 to 13-6), Martin Atkinson (tracks: 13-1 to 13-6), Matthew Hutchinson (2) (tracks: 6-1 to 6-10, 13-1 to 13-6), Sally Drew (tracks: 6-1 to 6-10, 12-1 to 13-6), Timothy Bull (tracks: 16-1 to 16-23)
Engineer – John Dunkerley (tracks: 11-2 to 11-6), Stanley Goodall (tracks: 4-1 to 4-5, 11-1, 11-7)
Engineer [Assistant] – Eike Boehm (tracks: 5-1 to 5-9), Thomas Haendel (tracks: 5-1 to 5-9)
Engineer [Balance] – John Dunkerley (tracks: 7-6 to 7-28, 13-1 to 13-6), John Pellowe (tracks: 7-1 to 7-5, 11-8), Jonathan Stokes (tracks: 9-1 to 9-5), Neil Hutchinson (tracks: 13-1, 13-3, 13-6), Simon Eadon (tracks: 16-1 to 16-23)
Engineer [Location Engineer] – Duncan Mitchell (tracks: 13-1 to 13-6), Graham Meek (tracks: 9-1 to 9-5, 13-1 to 13-6), Krzysztof Jarosz (tracks: 16-1 to 16-23), Martin Atkinson (tracks: 13-1 to 13-6), Michael Mailes (tracks: 11-8), Michael Stuart (2) (tracks: 13-1 to 13-6)
Engineer [Recording] – Colin Moorfoot (tracks: 2-1, 2-2, 6-1 to 6-10, 8-1 to 8-4), John Dunkerley (tracks: 10-1 to 10-13, 15-1 to 15-10), Jonathan Stokes (tracks: 6-1 to 6-10), Chris Jarosz, (tracks: 12-16 to 12-35), Michael Mailes (tracks: 6-1 to 6-10, 12-1 to 12-15), Philip Siney (tracks: 5-1 to 5-9), Simon Eadon (tracks: 5-9, 12-1 to 12-15), Stanley Goodall (tracks: 1-1 to 1-4, 12-16 to 12-35)
Engineer [Sound] – Jonathan Stokes (tracks: 14-1 to 14-11), Simon Eadon (tracks: 3-1 to 3-4)
Engineer [Technical Engineer] – Michael Mailes (tracks: 7-1 to 7-5), Michael Stuart (2) (tracks: 7-6 to 7-28)
Executive-Producer – Andrew Cornall (tracks: 7-1 to 7-28), Oliver Wazola (tracks: 5-1 to 5-9)
Liner Notes – Mauro Balestrazzi
Photography By [Cover] – Gert Mothes
Producer – Andrew Cornall (tracks: 2-1, 2-2, 4-1 to 4-2, 6-1 to 6-10, 9-1 to 9-5, 11-2 to 11-8, 12-1 to 12-15, 14-1 to 16-23), Christopher Raeburn (tracks: 10-1 to 10-13), Michael Haas (3) (tracks: 1-1 to 1-4), Michael Woolcock (tracks: 12-16 to 12-35), Paul Myers (2) (tracks: 8-1 to 8-4, 11-1)
Producer [Recording] – Andrew Cornall (tracks: 5-1 to 5-9, 7-1 to 7-28), Christopher Raeburn

companies

Phonographic Copyright (p) – Decca Music Group Limited
Phonographic Copyright (p) – Universal Music Italia s.r.l.
Copyright (c) – Universal Music Italia s.r.l.
Record Company – Universal Classics & Jazz
Recorded At – Jesus-Christus-Kirche, Berlin
Recorded At – Concertgebouw, Amsterdam
Recorded At – Gewandhaus
Recorded At – Chiesa Della Pace, Milan
Recorded At – Masonic Auditorium, Cleveland
Recorded At – Auditorium di Milano
Recorded At – Giandomenico Studios, Collingswood, New Jersey
Published By – Breitkopf & Härtel
Published By – Copyright Control
Published By – Casa Ricordi
Published By – Bärenreiter-Verlag
Published By – Edition Peters
Published By – Edizioni Carish
Published By – Edizioni Musicali Otos, Firenze
Published By – Boosey & Hawkes Music Publishers Ltd
Published By – Universal Edition AG
Published By – Warner/Chappell Music
Published By – C.F. Peters Corp.
Published By – Édition Russe De Musique
Published By – Boosey & Hawkes, Inc.
Published By – Éditions Salabert
Published By – Durand & Cie.
Published By – Hans Sikorski Musikverlag
Pressed By – EDC, Germany

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