COMPLETE DEUTSCHE GRAMMOPHON RECORDINGS (BOX) (UK)

ABBADO, CLAUDIO / WIENER PHILHARMONIKER

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Condition: New, UPC: 0289483778488, Publication Date: 02/07/2020, Type: COMPACT DISC, Style: CLASSICAL/ORCHESTRAL & SYMPHONIC,

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Symphony No. 1 In C Major Op. 21

Composed By
– 1. Adagio Molto – Allegro Con Brio
2. Andante cantabile con moto
3. Menuetto. Allegro Molto E Vivace
4. Adagio – Allegro Molto E Vivace
Symphony No. 2 In D Major Op. 36

Composed By
– 1. Adagio Molto – Allegro Con Brio
2. Larghetto
3. Scherzo. Allegro – Trio
4. Allegro Molto
Symphony No. 3 In E Flat Major "Eroica" Op. 55

Composed By
– 1. Allegro Con Brio
2. Marcia Funebre. Adagio Assai
3. Scherzo. Allegro Vivace – Trio
4. Allegro Molto – Poco Andante – Presto
Symphony No. 4 In B Flat, Major Op. 60

Composed By
– 1. Adagio – Allegro Vivace
2. Adagio
3. Allegro Vivace – Trio. Un Poco Meno Allegro
4. Allegro Ma Non Troppo
Symphony No. 5 In C Minor Op. 67

Composed By
– 1. Allegro Con Brio
2. Andante Con Moto
3. Allegro
4. Allegro
Meerestille Und Glückliche Fahrt, Op.112

Chorus
– 1. Sostenuto
2. Allegro Vivace
Symphony No. 6 In F Major "Pastorale" Op. 68

Composed By
– 1. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande
2. Szene Am Bach
3. Lustiges Zusammensein Der Landleute
4. Gewitter – Sturm
5. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm
Fantasia For Piano, Chorus And Orchestra In C Minor, Op.80

Alto Vocals
– Adagio
Finale: Allegro – Meno Allegro – Allegro Molto -
Adagio Ma Non Troppo -
Marcia – Assai Vivace – Allegro -
Allegretto, Ma Non Troppo (Quasi Andante Con Moto) -
Presto
Symphony No. 7 In A Major Op. 92

Composed By
– 1. Poco Sostenuto – Vivace
2. Allegretto
3. Presto
4. Allegro Con Brio
Symphony No. 8 In F Major Op. 93

Composed By
– 1. Allegro Vivace E Con Brio
2. Allegretto Scherzando
3. Tempo Di Menuetto
4. Allegro Vivace
Symphony No. 9 In D Minor "Choral" Op. 125

Composed By
– 1. Allegro Ma Non Troppo, Un Poco Maestoso
2. Molto Vivace – Presto
3. Adagio Molto E Cantabile
4. Presto – Allegro Assai – Presto – »O Freunde, Nicht Diese Töne!« – Allegro Assai

Baritone Vocals
– Overtures

Composed By
– Overture "Die Geschöpfe Des Prometheus" Op. 43
Overture "König Stephan" Op. 117
Overture "Die Ruinen von Athen" Op. 113
Overture "Die Weihe Des Hauses" Op. 124
Overture "Zur Namensfeier" Op. 115
Overture "Coriolan" Op. 62
Overture "Egmont" Op. 84
Overture "Fidelio" Op. 72
Overture "Leonore I" Op. 138
Overture "Leonore II" Op. 72a
Overture "Leonore III" Op. 72b
Symphony No. 7 In A Major,Op. 92

Composed By
– 1. Poco Sostenuto – Vivace
2. Allegretto
3. Presto
4. Allegro Con Brio
Overture "Die Geschöpfe Des Prometheus" Op. 43

Composed By
– Adagio – Allegro Molto Con Brio
Symphony No. 8 In F Major Op. 93

Composed By
– 1. Allegro Vivace E Con Brio
2. Allegretto Scherzando
3. Tempo Di Menuetto
4. Allegro Vivace
Seven Early Songs (Orchestral Verson, 1928)

Composed By
– 1. Nacht
2. Schilflied
3. Die Nachtigall
4. Traumgekrönt
5. Im Zimmer
6. Liebesode
7. Sommertage
Der Wein (Concert Aria For Soprano And Orchestra)

Composed By
– Die Seele Des Weines – Der Wein Der Liebenden – Der Wein Des Einsamen
Three Orchestral Pieces Op. 6

Composed By
– 1. Präludium. Langsam
2. Reigen. Anfangs Etwas Zögernd – Leicht Beschwingt
3. Marsch. Mäßiges Marschtempo
Altenberg-Lieder Op. 4 (Orchestral Songs To Picture-postcard Texts By Peter Altenberg)

Composed By
– 1. »Seele, Wie Bist Du Schöner«
2. »Sahst Du Nach Dem Gewitterregen Den Wald«
3. »Über Die Grenzen Des All«
4. »Nichts Ist Gekommen«
5. »Hier Ist Friede«
Three Pieces From The "Lyric Suite" (Version For String Orchestra, 1928)

Composed By
– 1. Andante Amoroso
2. Allegro Misterioso – Trio Estatico
3. Adagio Appasionato
Lulu-suite (Symphonic Pieces From The Opera "Lulu")

Composed By
– 1. Rondo. Andante (Introduzione) – Hymne. Sostenuto
2. Ostinato. Allegro
3. Lied Der Lulu. Comodo (»Wenn Sich Die Menschen Um Meinetwillen Umgrebache Haben«)
4. Variationen. Moderato (Grandioso – Grazioso – Funebre – Affetuoso) – Thema. Subito Tempo Moderato
5. Adagio. Sostenuto – Lento – Grave (»Lulu! Mein Engel!«)
Wozzeck Op. 7

Choir
– Erster Akt, Szene 1 = Act One, Scene 1. »Langsam, Wozzeck, Langsam!« (Hauptmann, Wozzeck)
Erster Akt, Szene 2 = Act One, Scene 2. »Du, Der Platz Ist Verflucht!« (Wozzeck, Andres)
Erster Akt, Szene 3 = Act One, Scene 3. »Tschin Bum ...! Hörst Bub? Da Kommen Sie!« (Marie, Margret, Wozzeck)
Erster Akt, Szene 4 = Act One, Scene 4. »Was Erleb' Ich, Wozzeck?« (Doktor, Wozzeck)
Erster Akt, Szene 5 = Act One, Scene 5. »Geh Einmal Vor Dich Hin! ...« (Marie, Tambourmajor)
Zweiter Akt, Szene 1 = Act Two, Scene 1. »Was Die Steine Glänzen!« (Marie, Wozzeck)
Zweiter Akt, Szene 2 = Act Two, Scene 2. »Wohin So Eilig, Geehrtester Herr Sargnagel?« (Hauptmann, Doktor, Wozzeck)
Zweiter Akt, Szene 3 = Act Two, Scene 3. »Guten Tag, Franz« / »Ich Seh' Nichts« (Marie, Wozzeck)
Zweiter Akt, Szene 4 = Act Two, Scene 4. »Ich Hab' Ein Hemdlein An, Das Ist Nicht Mein...« (1. & 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr)
Zweiter Akt, Szene 5 = Act Two, Scene 5. »Oh, Oh, Andres! Ich Kann Nicht Schlafen« (Soldaten, Wozzeck, Andres, Tambourmajor)
Dritter Akt, Szene 1 = Act Two, Scene 1. »Und Ist Kein Betrug In Seinem Munde Erfunden Worde« (Marie)
»Und Kniete Hin Zu Seinen Füßen« (Marie)
Dritter Akt, Szene 2 = Act Two, Scene 2. »Dort Links Geht's In Die Stadt« (Marie, Wozzeck)
Dritter Akt, Szene 3 = Act Two, Scene 3. »Tanzt Alle; Tanzt Nur Zu...!« (Wozzeck, Margret, Burschen, Dirnen)
Dritter Akt, Szene 4 = Act Two, Scene 4. »Das Messer? Wo Ist Das Messer?« (Wozzeck, Hauptmann, Doktor)
Dritter Akt, Szene 5 = Act Two, Scene 5. »Ringel, Ringel, Rosenkranz, Ringelreih'n!« (Kinder, Mariens Knabe)
Symphony No. 1 In C Minor Op. 68

Composed By
– 1. Un Poco Sostenuto – Allegro
2. Andante Sostenuto
3. Un Poco Allegretto E Grazioso
4. Adagio – Più Andante – Allegro Non Troppo, Ma Con Brio
Concerto For Piano And Orchestra No. 2 In B-flat Major, Op. 83

Cello, Soloist
– 1. Allegro Non Troppo
2. Allegro Appassionato
3. Andante – Più Adagio
4. Allegro Grazioso – Un Poco Più Presto
Hungarian Dances WoO 1

Composed By
– No. 1 In G Minor

Orchestrated By [Orch.]
– No. 2 In D Minor

Orchestrated By [Orch.]
– No. 3 In F Major

Orchestrated By [Orch.]
– No. 4 In F Sharp Minor

Orchestrated By [Orch.]
– No. 5 In G Minor

Orchestrated By [Orch.]
– No. 6 In D Flat Major

Orchestrated By [Orch.]
– No. 7 In F Major

Orchestrated By [Orch.]
– No. 8 In A Minor

Orchestrated By [Orch.]
– No. 9 In E Minor

Orchestrated By [Orch.]
– No. 10 In F Major

Orchestrated By [Orch.]
– No. 11 In D Minor

Orchestrated By [Orch.]
– No. 12 In D Minor

Orchestrated By [Orch.]
– No. 13 In D Major

Orchestrated By [Orch.]
– No. 14 In D Minor

Orchestrated By [Orch.]
– No. 15 In B Flat Major

Orchestrated By [Orch.]
– No. 16 In F Minor

Orchestrated By [Orch.]
– No. 17 In F Sharp Minor

Orchestrated By [Orch.]
– No. 18 In D Major

Orchestrated By [Orch.]
– No. 19 In B Minor

Orchestrated By [Orch.]
– No. 20 In E Minor

Orchestrated By [Orch.]
– No. 21 In E Minor

Orchestrated By [Orch.]
– Symphony No. 1 In C Minor (1866 Linz Version)

Composed By
– 1. Allegro
2. Adagio
3. Scherzo. Schnell – Trio. Langsamer
4. Finale. Bewegt, Feurig
Symphony No. 4 In E-flat Major "Romantic" (1878/80 Version)

Composed By
– 1. Bewegt, Nicht Zu Schnell
2. Andante, Quasi Allegretto
3. Scherzo. Bewegt – Trio. Nicht Zu Schnell. Keineswegs Schleppend
4. Finale. Bewegt, Doch Nicht Zu Schnell
Symphony No. 5 In B Flat Major

Composed By
– 1. Introduktion. Adagio – Allegro
2. Adagio. Sehr Langsam
3. Scherzo. Molto Vivace (Schnell)
4. Finale. Adagio
Symphony No. 7 In E Major

Composed By
– 1. Allegro Moderato
2. Adagio. Sehr Feierlich Und Sehr Langsam
3. Scherzo. Sehr Schnell – Trio. Etwas Langsamer
4. Finale. Bewegt, Doch Nicht Schnell
Symphony No. 9 In D Minor

Composed By
– 1. Feierlich, Misterioso
2. Scherzo. Bewegt, Lebhaft – Trio. Schnell
3. Adagio. Langsam, Feierlich
Symphony No. 1 In C Minor (1866 Linz Version)

Composed By
– 1. Allegro
2. Adagio
3. Scherzo. Schnell – Trio. Langsamer
4. Finale. Bewegt, Feurig
Pelléas Et Mélisande

Choir
– Premiere Acte | « Je Ne Pourrai Plus Sortir de Cette Forêt » (Golaud)
« Pourquoi Pleures-tu ? » (Golaud, Mélisande)
« Je Suis Perdu Aussi » (Golaud)
« Voici Ce Qu'il Écrit À Son Frère Pelléas » (Geneviève)
« Qu'en Dites-vous ? » (Geneviève, Arkel, Pelléas)
Interlude
« Il Fait Sombre Dans Les Jardins » (Mélisande, Geneviève, Pelléas)
« Hoé ! Hisse Hoé ! » (marins, Mélisande, Pelléas, Geneviève)
Deuxième Acte | « Vous Ne Savez Pas Où Je Vous Ai Menée ? » (Pelléas, Mélisande)
« C'est Au Bord D'une Fontaine » (Pelléas, Mélisande)
Interlude
« Ah ! Ah ! Tout Va Bien » (Golaud, Mélisande)
« Voyons, Donne-moi Ta Main » (Golaud, Mélisande)
Interlude
« Oui, C'est Ici, Nous Y Sommes » (Pelléas, Mélisande)
Troisième Acte | « Mes Longs Cheveux Descendent Jusqu'au Seuil de la Tour » (Mélisande, Pelléas)
« Je Les Tiens Dans Les Mains » (Pelléas, Mélisande)
« Que Faites-vous Ici ? » (Golaud, Pelléas)
« Prenez Garde; Par Ici, Par Ici » (Golaud, Pelléas)
Interlude ... « Ah! Je Respire Enfin ! » (Pelléas, Golaud)
Interlude
« Viens, Nous Allons Nous Asseoir Ici, Yniold » (Golaud, Yniold)
« Qu'ils S'embrassent, Petit Père ? » (Yniold, Golaud)
Quatrième Acte | « Où Vas-tu ? » (Pelléas, Mélisande)
« Maintenant Que Le Père de Pelléas Est Sauvé » (Arkel, Mélisande)
« Pelléas Part Ce Soir » (Golaud, Arkel, Mélisande)
« Ne Mettez Pas Ainsi Voire Main à la Gorge » (Golaud, Arkel, Mélisande)
Interlude
« Oh! Cette Pierre Est Lourde » (Yniold, Un Berger)
« C'est Le Dernier Soir » (Pelléas, Mélisande)
« Nous Sommes Venus Ici Il y A Bien Longtemps » (Mélisande, Pelléas)
« On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)
« Quel Est Ce Bruit ? » (Pelléas, Mélisande)
Cinquième Acte | « Ce N'est Pas de Cette Petite Blessure Qu'elle Peut Mourir » (Le Médecin, Arkel, Golaud)
« Attention ; Je Crois Qu'elle S'éveille » (Le Médecin, Mélisande, Arkel, Golaud)
« Mélisande, As-tu Pitié de Moi Comme J'ai Pitié Da Toi ? » (Golaud, Mélisande)
« Non, Non, Nous N'avons Pas été Coupables » (Mélisande, Golaud)
« Qu'avez-vous Fait ? » (Arkel, Golaud, Mélisande)
« Qu'y A-til » (Golaud, Le Médecin, Arkel)
« Attention... Attention. Il Faut Parlet à Voix Basse, Maintenant » (Arkel, Le Médecin, Golaud)
Symphony No. 10 (Unfinished): Adagio

Composed By
– Andante – Adagio
Andante Come Prima [bar 40]
[bar 105]
[bar 178]
A Tempo [bar 217]
Symphony No. 2 "Resurrection"

Choir
– 1. Allegro Maestoso [Totenfeier]. Mit Durchaus Ernstem Und Feierlichem Ausdruck
Sehr Mäßig Und Zurückhaltend [fig. 7]
Schnell [fig. 15]
Tempo I [5 Bars After Fig. 20]
Tempo Sostenuto [fig. 24]
2. Andante Moderato. Sehr Gemächlich
Nicht Eilen. Sehr Gemächlich [1 Bar Before Fig. 3]
In Tempo I Zurückkehren [fig. 5]
Energisch Bewegt [fig. 6]
Wieder Ins Tempo Zurückgehen. Tempo I [fig. 12]
3. [Scherzo]. In Ruhig Fließender Bewegung
Sehr Getragen Und Gesangvoll [fig. 40]
Zum Tempo I Zurückkehren [fig. 43]
4. »Urlicht«. Sehr Feierlich, Aber Schlicht. »O Röschen Rot!« (Contralto Solo) (Text: Des Knaben Wunderhorn)
5. Im Tempo Des Scherzos. Wild Herausfahrend
Langsam [fig. 3]
Im Angang Sehr Zurückgehalten [fig. 7]
Wieder Sehr Breit [fig. 10]
Molto Ritenuto. Maestoso [3 Bars Before Fig. 14]
Wieder Zurückhaltend [fig. 21]
Sehr Langsam Und Gedehnt [fig. 29]
Langsam. Misterioso [fig. 31]. »Aufersteh'n, Ja Aufersteh'n Wirst Du« (Soprano Solo, Chorus)

Text By
– Langsam ppp. Nicht Schleppen [fig. 35]. »Wieder Aufzublühn, Wirst Du Gesät« (Soprano Solo, Chorus)

Text By
– Etwas Bewegter [fig. 39]. »O Glaube, Mein Herz, O Glaube« (Contralto Solo, Soprano Solo, Chorus)

Text By
– Mit Aufschwung, Aber Nicht Eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (Contralto Solo, Soprano Solo, Chorus)

Text By
– Symphony No. 3

Choir
– Part I | 1. Kräftig. Entschieden
Langsam. Schwer [fig. 13]
Tempo I [fig. 18]
A tempo [fig. 29]
Immer Dasselbe Tempo (Marsch) [fig. 43]
(Allegro Moderato) [3 Bars After Fig. 54]
Tempo I [fig. 62]
Part II. | 2. Tempo di Menuetto. Sehr Mäßig
A Tempo [fig. 6]
Ganz Plötzlich Gemächlich. Tempo di Menuetto [fig. 14]
3. Comodo. Scherzando. Ohne Hast
Wieder Sehr Gemächlich, Wie Zu Anfang [fig. 6]
Sehr Gemächlich (Posthorn) [fig. 14]
Tempo I [2 Bars Before Fig. 17]
Wieder sehr gemächlich, beinahe langsam [fig. 27]
4. Sehr Langsam. Misterioso. Durchaus ppp. »O Mensch! Gib Acht!« (Contralto Solo)

Text By
– Più Mosso Subito [6 Bars After Fig. 6]
5. Lustig Im Tempo Und Keck Im Ausdruck. »Bimm Bamm / Es Sungen Drei Engel« (Chorus, Contralto Solo) (Text: Des Knaben Wunderhorn)
6. Langsam. Ruhevoll. Empfunden
Nicht Mehr So Breit [fig. 4]
6. Langsam. Ruhevoll. Empfunden
A Tempo (Etwas Bewegter) [fig. 14]
Tempo I [fig. 21]
Langsam. Tempo I [fig. 25]
Symphony No. 4

Composed By
– 1. Bedächtig. Nicht Eilen
2. In Gemächlicher Bewegung. Ohne Hast
3. Ruhevoll. Poco Adagio
Sehr Behaglich. »Wir Genießen Die Himmlischen Freuden« (Text: Des Knaben Wunderhorn)
Symphony No. 9

Composed By
– 1. Andante Comodo
Etwas Frischer [bar 80]
Tempo I [bar 148]
Mit Wut. Allegro Risoluto [bar 174]
Leidenschaftlich [bar 211]
Schattenhaft [bar 254]
Etwas Fließender [bar 279]
Wie von Anfang [bar 347]
Schon Ganz Langsam [bar 406]
2. Im Tempo Eines Gemächlichen Ländlers. Etwas Täppisch Und Sehr Derb
Poco Più Mosso Subito (Tempo Ii) [bar 90]
Tempo III [bar 218]
A Tempo II [bar 261]
Tempo I [bar 369]
Tempo II [bar 423]
8 Bars Before: Tempo I Subito [bar 515]
Rondo Burleske. Allegro Assai
L'istesso Tempo [bar 109]
Sempre L'istesso Tempo [bar 180]
Sempre L'istesso Tempo [bar 311]
(clarinets/Klarinetten/clarinetti) [bar 444]
Tempo I. Subito [bar 522]
Più Stretto [bar 617]
4. Adagio. Sehr Langsam Und Noch Zurückhaltend
Plötzlich Wieder Sehr Langsam (wie Zu Anfang) Und Etwas Zögernd
Molto Adagio Subito [bar 49]
A Tempo (Molto Adagio) [bar 64]
Stets Sehr Gehalten [bar 88]
Fließender, Doch Durchaus Nicht Eilend [bar 107]
Tempo I. Molto adagio [bar 126]
Adagissimo [bar 159]
Concerto For Piano And Orchestra No. 14 In E Flat Major K 449

Composed By
– 1. Allegro Vivace

Cadenza
– 2. Andantino
3. Allegro Ma Non Troppo
Concerto For Piano And Orchestra No. 26 In D Major "Coronation" K 537

Composed By
– 1. Allegro

Cadenza
– 2. (Larghetto)
3. (Allegretto)
Concerto For Piano And Orchestra No. 20 In D Minor K 466

Composed By
– 1. Allegro

Cadenza
– 2. Romance
Rondo. (Allegro Assai)

Cadenza [Cadenza I]
– Concerto For Piano And Orchestra No. 21 In C Major K 467

Composed By
– 1. Allegro

Cadenza
– 2. Andante
3. Allegro Vivace Assai

Cadenza
– Concerto for Piano and Orchestra no. 25 in C major K 503

Composed By
– 1. Allegro Maestoso

Cadenza
– 2. Andante
3. Allegro

Cadenza
– Concerto For Piano And Orchestra No. 27 In B–flat Major K 595

Composed By
– 1. Allegro

Cadenza
– 2. Larghetto
3. Allegro

Cadenza [Cadenza I]
– Missa Solemnis "Waisenhaus" K 139

Bass Vocals
– Kyrie | "Kyrie Eleison"
"Kyrie Eleison"
"Christe Eleison"
"Kyrie Eleison"
Gloria | "Gloria In Excelsis Deo"
"Laudamus Te"
"Gratias Agimus"
"Domnie Deus"
"Qui Tollis Peccata Mundi"
"Quoniam Tu Solus Sanctus"
"Cum Sancto Spiritu"
Credo - "Credo In Unum Deum"
"Et Incarnatus Est"
"Crucifixus Etiam Pro Nobis"
"Et Resurrexit"
"Et In Spiritum Sanctum"
"Et In Unum Sanctam"
Sanctus - "Sanctus, Sanctus, Sanctus Dominus"
"Pleni Sunt Coeli" / "Osanna In Excelsis"
"Benedictus"
"Osanna In Excelsis"
Agnus Dei - "Agnus Dei, Qui Tollis Peccata Mundi"
"Dona Nobis Pacem"
Le Nozze di Figaro, K 492

Choir
– Sinfonia
Atto Primo | N. 1 Duettino: "Cinque... Dieci... Venti... Trenta" (Figaro, Susanna)
Recitativo: "Cosa Stai Misurando" (Susanna, Figaro)
N. 2 Duettino: "Se A Caso Madama la Notte Ti Chiama" (Figaro, Susanna)
Recitativo: "Or Bene, Ascolta E Taci" (Susanna, Figaro)
"Bravo, Signor Padrone!" (Figaro)
N. 3 Cavatina: "Se Vuol Ballare, Signor Contino" (Figaro)
Recitativo: "Ed Aspettaste Il Giorno" (Bartolo, Marcellina)
N. 4 Aria: "La Vendetta, Oh, La Vendetta" (Bartolo)
Recitativo: "Tutto Ancor Non Ho Perso" (Marcellina, Susanna)
N. 5 Duettino: "Via, Resti Servita" (Marcellina, Susanna)
Recitativo: "Va' Là, Vecchia Pedante" (Susanna, Cherubino)
N. 6 Aria: "Non So Più Cosa Son, Cosa Faccio" (Cherubino)
Recitativo: "Ah, Son Perduto!" ... "Susanna, Il Ciel Vi Salvi!" (Cherubino, Susanna, Conte, Basilio)
N. 7 Terzetto: "Cosa Sento! Tosto Andate" (Conte, Basilio, Susanna)
Recitativo: "Basilio, In Traccia Tosto Di Figaro" (Conte, Susanna, Cherubino, Basilio)
N. 8 Coro: "Giovani Liete, Fiori Spargete" (Contadini, Contadine)
Recitativo: "Cos'è Questa Commedia?" (Conte, Figaro, Susanna)
N. 9 Coro: "Giovani Liete, Fiori Spargete" (Sontadini, Contadine)
Recitativo: "Evviva!" ... "E Voi Non Applaudite?" (Figaro, Susanna, Basilio, Cherubino, Conte)
N. 10 Aria: "Non Più Andrai, Farfallone Amoroso" (Figaro)
Atto Secondo | N. 11 Cavatina: "Porgi, Amor, Qualche, Ristoro" (Contessa)
Recitativo: "Vieni, Cara Susanna" (Contessa, Susanna, Figaro)
Recitativo: "Quanto Duolmi, Susanna" (Contessa, Susanna, Cherubino)
N. 12 Arietta: "Voi Che Sapete Che Cosa è Amor" (Cherubino)
Recitativo: "Bravo! Che Bella Voce!" (Contessa, Susanna, Cherubino)
N. 13 Aria: "Venite, Inginocchiatevi" (Susanna)
Recitativo: "Quante Buffonerie!" ... "Chi Picchia Alla Mia Porta?" (Contessa, Susanna, Cherubino, Conte)
"Che Novità! Non Fu Mai Vostra Usanza" (Conte, Contessa)
N. 14 Terzetto: "Susanna, Or Via Sortite" (Conte, Contessa, Susanna)
Recitativo: "Dunque, Voi Non Aprite?" (Conte, Contessa)
N. 15 Duettino: "Aprite, Presto, Aprite" (Susanna, Cherubino)
Recitativo: "Oh Guarda Il Demonietto" (Susanna)
Recitativo: "Tutto è Come Il Lasciai" (Conte, Contessa)
N. 16 Finale | "Esci Omai, Garzon Malnato" (Conte, Contessa)
"Signore! Cos'è Quel Stupore?" (Susanna, Conte, Contessa)
"Susanna, Son Morta" (Contessa, Susanna, Conte)
"Signori, Di Fuori Son Già I Suonatori" (Figaro, Conte, Susanna, Contessa)
"Conoscete, Signor Figaro" (Conte, Figaro, Susanna, Contessa)
"Ah Signor! Signor" / "Cos'è Stato?" (Antonio, Conte, Contessa, Susanna, Figaro)
"Vostre Dunque Saran Queste Carte" (Antonio, Conte, Figaro Susanna, Contessa)
"Voi, Signor, Che Giusto Siete" (Marcellina, Basilio, Bartolo, Conte, Contessa, Figaro, Susanna)
Atto Terzo | Recitativo: "Che Imbarazzo È Mai Questo" ... "Via, Fatti Core" (Conte, Contessa, Susanna)
N. 17 Duettino: "Crudel! Perché Finora, Farmi Languir Così?" (Conte, Susanna)
Recitativo: "E Perché Fosti Meco Stamattina Sì Austera?" ... "Ehi, Susanna, Ove Vai?" (Conte, Susanna, Figaro)
N. 18 Recitativo Ed Aria: "Hai Già Vinta La Causa!" (Conte)
"Vedrò Mentr'io Sospiro" (Conte)
Recitativo: "Andiam, Andiam, Bel Paggio" (Barbarina, Cherubino)
N. 20 Recitativo Ed Aria: "E Susanna Non Vien!" (Contessa)
"Dove Sono I Bei Momenti" (Contessa)
Recitativo: "È Decisa La Lite" (Don Curzio, Marcellina, Figaro, Conte, Bartolo)
N. 19 Sestetto: "Riconosci In Questo Amplesso" (Marcellina, Figaro, Bartolo, Don Curzio, Conte, Susanna)
Recitativo: "Eccovi, O Caro Amico" (Marcellina, Bartolo, Susanna, Figaro)
Recitativo: "Io Vi Dico, Signor" ... "Cosa Mi Narri!" (Antonio, Conte, Contessa, Susanna)
N. 21 Duettino: "Sull'aria" ... "Che soave zeffiretto" (Contessa, Susanna)
Recitativo: "Piegato È Il Foglio" (Susanna, Contessa)
N. 22 Coro: "Ricevete, O Padroncina" (Contadinelle)
Recitativo: "Queste Sono, Madama, Le Ragazze Del Loco" ... "Eh Cospettaccio!" ... "Signor, Se Trattenete" (Barbarina, Contessa, Susanna, Antonio, Conte, Figaro, Cherubino)
N. 23 Finale | "Ecco La Marcia, Andiamo" (Figaro, Susanna, Conte, Contessa)
"Amanti Costanti" (Due Contadine, Coro)
"Eh Già, Solita Usanza" (Conte, Figaro)
"Andate, Amici" (Conte, Coro)
Atto Quarto | N. 24 Cavatina: "L'ho Perduta, Me Meschina!" (Barbarina)
Recitativo: "Barbarina, Cos'hai?" ... "Madre" / "Figlio" ... "Presto, Avvertiam Susanna!" (Figaro, Barbarina, Marcellina)
N. 25 Aria: "Il Capro E la Capretta" (Marcellina)
Recitativo: "Nel Padiglione A Manca" ... "È Barbarina. Chi Va Là?" ... "Ha I Diavoli Nel Corpo" (Barbarina, Figaro, Basilio, Bartolo)
N. 26 Aria: "In Quegli Anni In Cui Val Poco" (Basilio)
N. 27 Recitativo Ed Aria: "Tutto è Disposto" …
"Oh Susanna, Susanna, Quanta Pena Mi Costi!" (Figaro)
"Aprite Un Po' Quegli Occhi" (Figaro)
Recitativo: "Signora, Ella Mi Disse" ... "Madama, Voi Tremate" (Susanna, Marcellina, Contessa, Figaro)
N. 28 Recitativo Ed Aria: "Giunse Alfin Il Momento" ... (Susanna)
"Deh Vieni, Non Tardar, O Gioia Bella" (Susanna)
Recitativo: "Perfida! E In Quella Forma Meco Mentia?" (Figaro, Cherubino, Contessa)
N. 29 Finale | "Pian Pianin Le Andrò Più Presso" (Cherubino, Contessa)
"Ecco Qui La Mia Susanna" (Conte, Susanna, Figaro, Cherubino, Contessa)
"Tutto È Tranquillo E Placido" (Figaro, Susanna)
"Pace, Pace, Mio Dolce Tesoro" ... "Non La Trovo" (Figaro, Susanna, Conte)
"Gente, Gente, All'armi, All'armi" (Conte, Figaro, Basilio, Antonio, Susanna, Contessa, Coro)
Appendice | N. 13a Arietta K 579: "Un Moto di Gioia" (Susanna)
N. 28a Rondò, K 577 "Al Desio di Chi T'adora" (Susanna)
Khovanshchina

Choir
– Prelude: Dawn Over The River Moscow
Act One | «Podojdu, Podojdu... Pod Ivangorod» (Kuzka, 2nd Strelyets, 1st Strelyets, Scribe)
«Ėj!... Ej Ty, Stročilo!» (Shaklovity, Scribe, Muscovites)
«Aj! Prjamaja Pogibel'...» (Scribe, Streltsy, Shaklovity)
«A My živem Nyne V Pochoronkach» (Shaklovity, Scribe)
«Da Čto Ty Straščaeš?» (Scribe, Shaklovity, Muscovites)
«Čto B Čto Na Moskve Takoe Priključilos'?» (Muscovites, Scribe)
«Žil Da Byl Pod'jačij Sem'desjat Godov» (Muscovites, Scribe)
«Stojte, Stojte, Okajannye!» (Scribe, Muscovites)
«Och Ty, Rodnaja Matuška Rus'» (Muscovites)
«Aj Da! Veselo! » (Boys, Women, Muscovites, Scribe, Streltsy)
«Ljudi Pravoslavnye, Ljudi Rossijskie» (Streltsy)
«Deti, Deti Moi!» (Prince Ivan Khovansky, People, Streltsy)
«Slava Lebedju, Slava Belomu» (People, Streltsy)
«Pustite, Pustite!» (Emma, Prince Andrei Khovansky)
«Otdajsja Mne! ... Ne Pytaj Menja!» (Andrei Khovansky, Emma, Marfa)
«Tak, Tak, Knjaže!» (Marfa, Emma, Andrei Khovansky, People, Streltsy)
«Slava Lebedju» (People, Emma, Streltsy)
«Čto Takoe?» (Ivan Khovansky, Andrei Khovansky, Streltsy, Dosifei, Emma)
«Marfa, Svedi-ko Ljuterku Domoj» (Dosifei, Marfa)
«Strel'cy! Živo! V Krem'!» (Ivan Khovansky, Streltsy, Dosifei)
«Bože Vsesil'nyj» (Old Believers, Dosifei)
Act Two | «Svet Moj, Bratec Vasen'ka» (Golitsyn)
«Kto Tam?» (Golitsyn, Varsonofiev, Marfa)
«Postav'!» (Golitsyn, Marfa)
«Vot V Čem Rešen'e Sud'by Moej» (Golitsyn)
«A My Bez Dokladu, Knjaz', Vot Kak!» (Ivan Khovansky, Golitsyn)
«Ne Tebe Sudit' Moi Postupki!» (Golitsyn, Ivan Khovansky, Dosifei)
«Pobedichom, Pobedichom, Posramichom» (Old Believers, Ivan Khovansky, Dosifei, Golitsyn)
«Knjaže, Knjaže!» (Marfa, Golitsyn, Ivan Khovansky, Dosifei, Varsonofiev)
«Knjaz'ja!» (Shaklovity, Ivan Khovansky, Dosifei)
Act Three | «Posramichom, Prerekochom» (Old Believers)
«Ischodila Mladešen'ka» (Marfa)
«Grech! Tjažkij, Neiskupimyj Grech» (Susanna, Marfa)
«Esli B Ty Togda Ponjat' Mogla» (Marfa, Susanna)
«Ty... Ty Iskusila Menja» (Susanna)
«Pocto Mjatešisja» (Dosifei, Marfa, Susanna)
«Beliala I Besov Ugodnica» (Dosifei, Marfa)
«Strašnaja Pytka Ljubov' Moja» (Marfa, Dosifei)
«Spit Streleckoe Gnezdo» (Shaklovity)
«Podnimajsja, Molodcy!» (Streltsy, Shaklovity)
«Vali Valom!» (Streltsy)
«Ach, Okajannye Propojcy» (Streltsy Women, Streltsy)
«Oj, Da Achti ž» (Streltsy, Streltsy Women, Kuzka)
«Och, Mne Nevmogotu, Och, Vot» (Kuzka, Streltsy Women, Streltsy)
«Beda, Beda ... Ach, Zlejšaja!» (Scribe, Streltsy, Streltsy Women)
«... Mernyj Dal'nij Topot» (Scribe, Streltsy, Streltsy Women)
«Strel'cy! Sprosim Batju» (Kuzka, Streltsy Women, Streltsy)
«Zdorovo, Detki» (Ivan Khovansky, Streltsy Women, Streltsy)
Act Four | Scene 1 | «Vozle Recki Na Lužocke» (Peasant Girls, Ivan Khovansky)
«Ty Zacem?» (Ivan Khovansky, Confidant)
Dances Of The Persian Slave Girls
«Ty Zacem?» (Ivan Khovansky, Shaklovity)
«Plyvet, Plyvet Lebeduška» (Peasant Girls, Shaklovity)
Scene 2 | «Glijan'-ko! Vezut, Vezut Kak Est'!» (Muscovites)
«Sveršilosja Rešenie Sud'by» (Dosifei, Marfa)
«Cto Ž, Proznala Ty, Golubka» (Dosifei, Marfa)
«A, Ty Zdes', Zlodejka!» (Andrei Khovansky, Marfa)
«Vidnom Ty Ne Čujal, Knjaže» (Marfa, Andrei Khovansky)
«Ja Ne Verju Tebe» (Andrei Khovansky, Marfa)
«Gospodi, Bože Moj!» (Andrei Khovansky, Marfa, Streltsy Women, Streltsy)
Preobrazhensky March
«Strel'cy! Cari I Gosudari Ivan I Petr» (Streshnev)
Act Five | «Zdes', Na Čtom Meste Svjate» (Dosifei, Old Believers)
«Oblekajtesja V Rizy Svetlye» (Dosifei)
«Vrag Čelovekov» (Old Believers, Marfa)
«Gde Ty, Moja Volijuška?» (Andrei Khovansky, Marfa)
«Ja Ne Ostavlju Tebja» (Marfa)
«Truba Predvečnogo!» (Dosifei, Marfa, Andrei Khovansky)
«Gospodi Slavy» (Old Believers, Dosifei)
«Gospod' Spaset Mja» (Old Believers, Dosifei)
«I Gospod' Moj, Spaset Mja» (Andrei Khovansky, Old Believers, Dosifei, Marfa)
Closing Applause
L'italiana In Algeri

Choir
– Sinfonia (Ouverture)
Atto I | N. 1 Introduzione: "Serenate Il Mesto Ciglio" (Coro, Elvira, Zulma, Haly, Mustafà)
Recitativo: "Ritiratevi Tutti" (Mustafà, Haly)
N. 2 Cavatina: "Languir Per Una Bella" (Lindoro)
Recitativo: "Ah, Quando Fia Ch'io Possa" (Lindoro, Mustafà)
N. 3 Duetto: "Se Inclinassi A Prender Moglie" (Lindoro, Mustafà)
N. 4 Coro E Cavatina: "Quanta Roba! Quanti Schiavi!" (Coro, Haly)
"Cruda Sorte! Amor Tiranno!" (Isabella, Taddeo, Haly)
Recitativo: "Già Ci Siam" (Isabella, Taddeo, Haly)
Recitativo: "Ah! Isabella... Siam Giunti A Mal Partito" (Taddeo, Isabella)
N. 5 Duetto: "Ai Capricci Della Sorte" (Isabella, Taddeo)
Recitativo: "Ascoltami, Italiano" (Mustafà, Lindoro)
Recitativo: "Dunque Degg'io Lasciarvi?" (Elvira, Mustafà, Haly)
N. 6 Aria: "Già d'insolito ardore" (Mustafà)
Recitativo: "Vi Dico Il Ver" (Zulma, Elvira, Lindoro)
N. 7 Finale I: "Viva, Viva Il Flagel Delle Donne" (Coro, Haly, Mustafà, Isabella, Taddeo)
"Pria di Dividerci Da Voi, Signore" (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo)
Stretta Del Finale I: "Va Sossopra Il Mio Cervello" (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, Coro)
Atto Ii. | N. 8 Introduzione: "Uno Stupido, Uno Stolto" (Coro, Elvira, Zulma, Haly)
Recitativo: "Amiche, Andate A Dire All'italiana" (Mustafà, Zulma, Elvira, Haly)
Recitativo: "Qual Disdetta è la Mia!" (Isabella, Lindoro)
N. 9 Cavatina: "Oh, Come Il Cor di Giubilo" (Lindoro)
Recitativo: "Ah! Se Da Solo A Sola" (Mustafà, Taddeo)
N. 10 Coro, Recitativo Ed Aria: "Viva Il Grande Kaimakan" (Coro)
"Kaimakan! Io Non Capisco Niente" (Taddeo, Mustafà)
"Ho Un Gran Peso Sulla Testa" (Taddeo, Coro)
Recitativo: "Dunque A Momenti" (Isabella, Lindoro, Elvira, Zulma)
N. 11 Cavatina: "Per Lui Che Adoro" (Isabella, Mustafà, Taddeo, Lindoro)
Recitativo: "Io Non Resisto Più" (Mustafà, Taddeo, Lindoro)
N. 12 Quintetto: "Ti Presento di Mia Man" (Mustafà, Isabella, Taddeo, Lindoro, Elvira)
Recitativo: "Con Tutta la Sua Boria" (Haly)
N. 13 Aria: "La Femmine D'Italia" (Haly)
Recitativo: "E Tu Speri di Togliere Isabella" (Taddeo, Lindoro, Mustafà)
N. 14 Terzetto: "Pappataci! Che Mai Sento!" (Mustafà, Lindoro, Taddeo)
Recitativo: "Tutti I Nostri Italiani" (Taddeo, Lindoro)
N. 15 Coro, Recitativo E Rondò: "Pronti Abbiamo E Ferri E Mani" (Coro)
N. 15 Coro, Recitativo E Rondò: "Amici, In Ogni Evento ... Pensa Alla Patria" (Isabella, Coro)
Recitativo: "Che Bel Core Ha Costei!" (Taddeo, Mustafà)
N. 16 Finale Ii: "Dei Pappataci S'avanza Il Coro" (Lindoro, Coro, Taddeo, Mustafà, Isabella)
"Son L'aure Seconde, Son Placide, L'onde" (Coro, Lindoro, Isabella, Taddeo, Mustafà)
"Mio Signore" / "Mio Marito" (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, Coro)
Gurre-Lieder

Choir
– Erster Teil. Orchestervorspiel
»Nun Dämpft Die Dämmrung Jeden Ton« (Waldemar)
»O, Wenn Des Mondes Strahlen Milde Gleiten« (Tove)
»Ross! Mein Ross! Was Schleichst Du So Träg!« (Waldemar)
»Sterne Jubeln, Das Meer, Es Leuchtet« (Tove)
»So Tanzen Die Engel Vor Gottes Thron Nicht« (Waldemar)
»Nun Sag Ich Dir Zum Ersten Mal« (Tove)
»Es Ist Mitternachtszeit« (Waldemar)
»Du Sendest Mir Einen Liebesblick« (Tove)
»Du Wunderliche Tove!« (Waldemar)
Orchesterzwischenspiel
»Tauden Von Gurre!« (Waldtaube)
Zweiter Teil | »Herrgott. Weißt Du, Was Du Tastest« (Waldemar)
Dritter Teil | »Erwacht, König Waldemars Mannen Wert!« (Waldemar)
»Deckel Des Sarges Klappert Und Klappt« (Bauer)
»Gegrüßt, O König, An Gurresees Strand!« (Waldemars Mannen)
»Mit Troves Stimme Flüstert Der Wald« (Waldemar)
»Ein Seltsamer Vogel Ist So'n Aal« (Klaus–Narr)
»Du Strenger Richter Droben« (Waldemar)
»Der Hahn Erhebt Den Kopf Zur Kraht« (Waldemars Mannen)
Des Sommerwindes Wilde Jagd (Melodram) | [Orchestervorspiel]
»Herr Gänsefuß, Frau Gänsekraut« (Sprecherin)
»Seht die Sonne!« (Chor)
Symmphony No. 8 In B Minor "Unfinished" D 759

Composed By
– 1. Allegro Moderato
2. Andante Con Moto
Symphony No. 5 In B Flat Major D 485

Composed By
– 1. Allegro
2. Andante Con Moto
3. Menuetto. Allegro Molto
4. Allegro Vivace
5:59

notes

This edition ℗ 2020 Deutsche Grammophon GmbH, Stralauer Allee 1, 10245 Berlin
© 2020 Deutsche Grammophon GmbH
Made in the EU
Cover Photo © Felix Broede
Artist Photos © Felix Broede (pp. 4-5, 28), © Felicitas Time (p. 12), © Siegfried Lauterwasser (p. 21)

118-page booklet with essays, photographs and tracklisting.
Liner Notes in English, German, and Italian.

CD 1
Live recordings: Vienna, Musikverein, Großer Saal, 2/1987 (No. 2), 1/1988 (No. 1)
℗ 1988 (No. 2), 1989 (No. 1) Deutsche Grammophon GmbH, Berlin
Total time: 61:10

CD 2
Live recording: Vienna, Musikverein, Großer Saal, 6/1985
℗ 1986 Deutsche Grammophon GmbH, Berlin
Total time: 52:04

CD 3
Live recordings: Vienna, Musikverein, Großer Saal, 10/1987 (No. 5), 5/1988 (No. 4)
℗ 1988 (No. 5), 1989 (No. 4) Deutsche Grammophon GmbH, Berlin
Total time: 69:18

CD 4
Recording: Vienna, Musikverein, Großer Saal, 9/1986
℗ 1987 (opp. 68 & 112), 1988 (op. 80) Deutsche Grammophon GmbH, Berlin
Total time: 70:25

CD 5
Live recording: Vienna, Musikverein, Großer Saal, 2/1987
℗ 1988 Deutsche Grammophon GmbH, Berlin
Total time: 67:01

CD 6
Live recording: Vienna, Musikverein, Großer Saal, 5/1986
℗ 1987 Deutsche Grammophon GmbH, Berlin
Total time: 72:17

CD 7
Recordings: Vienna, Musikverein, Großer Saal, 6/1985 (op. 62), 2/1987 (op. 84), 10/1989 (op. 124), 10/1990 (op. 115); Vienna Konzerthaus, 12/1988 (opp. 43, 117, 113)
℗ 1986 (op. 62), 1989 (op. 84), 1991 (opp. 43, 113, 115, 117, 124) Deutsche Grammophon GmbH, Berlin
Total time: 49:39

CD 8
Recordings: Vienna, Musikverein, Großer Saal, 9/1986 (op. 72), 10/1989 (opp. 138, 72a. 72b)
℗ 1989 (op. 72a), 1991 (opp. 72, 72b, 138) Deutsche Grammophon GmbH, Berlin
Total time: 44:37

CD 9
Recordings: Vienna, Sofiensaal, 4/1966 (op. 92), 5/1966 (op.43), 11/1968 (op. 93)
℗ 1966 (opp. 92 & 43), 1972 (op. 93) Decca Music Group Ltd.
Total time: 73:08

CD 10
Recordings: Vienna, Musikverein, Großer Saal, 4/1992 (op. 6), 4/1993 (7 frühe Lieder) & 10/1933 (Der Wein)
℗ 1995 Deutsche Grammophon GmbH, Berlin
Publisher: Universal Edition, Vienna (7 frühe Lieder)
Total time: 49:06

CD 11
Recording: Vienna, Musikverein, Großer Saal, 11/1994 (Lulu-Suite live)
℗ 1996 Deutsche Grammophon GmbH, Berlin
Total time: 59:50

CD 12 and 13
Live recording: Vienna, Staatsoper, 6/1987
℗ 1988 Deutsche Grammophon GmbH, Berlin
Total time: CD 12 33:35, CD 13 55:10

CD 14
Recording: Vienna, Musikverein, Großer Saal, 3/1972
℗ 1972 Deutsche Grammophon GmbH, Berlin
Total time: 47:37

CD 15
Recording: Vienna, Musikverein, Großer Saal, 5/1976
℗ 1977 Deutsche Grammophon GmbH, Berlin
Total time: 48:02

CD 16
Recording: Vienna, Sofiensaal, 6/1982
Publisher: Anton J. Benjamin, Hamburg (8, 9)
℗ 1983 Deutsche Grammophon GmbH, Berlin
Total time: 47:15

CD 17
Live Recording: Vienna, Musikverein, Großer Saal, 1/1996
℗ 1997 Deutsche Grammophon GmbH, Berlin
Total time: 48:27

CD 18
Recording: Vienna, Musikverein, Großer Saal, 10/1990
℗ 1991 Deutsche Grammophon GmbH, Berlin
Total time: 68:19

CD 19
Live Recording: Vienna, Musikverein, Großer Saal, 10/1993
℗ 1995 Deutsche Grammophon GmbH, Berlin
Total time: 71:50

CD 20
Recording: Vienna, Musikverein, Großer Saal, 3 & 4/1992
℗ 1994 Deutsche Grammophon GmbH, Berlin
Total time: 64:22

CD 21
Live Recording: Vienna, Musikverein, Großer Saal, 11/1996
℗ 2001 Deutsche Grammophon GmbH, Berlin
Total time: 60:22

CD 22
Recording: Vienna, Musikverein, Großer Saal, 11 & 12/1969
℗ 2001 Decca Music Group Ltd.
Total time: 46:07

CD 23 and CD 24
Recording: Wien, Konzerthaus, Grosser Saal, 1/1991
Total time: CD 23 75:20, CD 24 75:08
℗ 1992 Deutsche Grammophon GmbH, Berlin

CD 25 and CD 26
Live Recording: Vienna, Musikverein, Großer Saal, 9/1986 (Symphony No. 10), 11/1992 (Symphony No. 9)
Total time: CD 25 46:48, CD 26 64:46
℗ 1988 (Symphony No. 10), 1994 (Symphony No. 2) Deutsche Grammophon GmbH, Berlin

CD 27 and CD 28
Recording: Vienna, Musikverein, Großer Saal, 9/1980
Total time: CD 27 60:41, CD 28 41:50
℗ 1982 Deutsche Grammophon GmbH, Berlin

CD 29
Recording: Vienna, Musikverein, Großer Saal, 5/1977
Total time: 57:45
℗ 1978 Deutsche Grammophon GmbH, Berlin

CD 30
Live recording: Vienna, Musikverein, Großer Saal, 5/1987
Total time: 79:37
℗ 1988 Deutsche Grammophon GmbH, Berlin

CD 31
Recordings: Salzburg, Großes Festspielhaus, 4/1990 (No. 26, live recording); Vienna, Musikverein, Großer Saal, 3/1992 (No. 14)
Publisher (Cadenza to K 537): Bärenreiter Verlag
Total time: 51:35
℗ 1993 Deutsche Grammophon GmbH, Berlin

CD 32
Recording: Vienna, Musikverein, Großer Saal, 9/1974
Total time: 62:19
℗ 1975 Deutsche Grammophon GmbH, Berlin

CD 33
Recording: Vienna, Musikverein, Großer Saal, 5/1975
Total time: 67:01
℗ 1976 Deutsche Grammophon GmbH, Berlin

CD 34
Recording: Vienna, Musikverein, Großer Saal, 10/1975
Total time: 44:58
℗ 1976 Deutsche Grammophon GmbH, Berlin

CD 35 to CD 37
Recording: Vienna, Musikverein, Großer Saal, 1 & 2/1994
Total time: CD 35 64:46, CD 36 57:40, CD 37 46:35
℗ 1994 Deutsche Grammophon GmbH, Berlin

CD 38 to CD 40
Live recording: Vienna, Staatsoper, 9/1989
Total time: CD 38 46:03, CD 39 67:02, CD 37 57:11
℗ 1990 Deutsche Grammophon GmbH, Berlin

CD 41 and CD 42
Recording: Vienna, Musikverein, Großer Saal, 9 & 10/1987
Total time: CD 41 65:10, CD 42:60:46
℗ 1989 Deutsche Grammophon GmbH, Berlin

CD 43 and CD 44
Recording: Vienna, Musikverein, Großer Saal, 5/1992
Total time: CD 43 59:50, CD 44 46:54
℗ 1995 Deutsche Grammophon GmbH, Berlin

CD 45
Live recording: Vienna, Musikverein, Großer Saal, 31 May 1971
A recording of Österreischer Rundfunk / Radio Österreich 1
Total time: 55:17
℗ 2018 Deutsche Grammophon GmbH, Berlin

CD 46
Live recording: Vienna, Musikverein, Großer Saal, 11/1986
Total time: 56:39
℗ 1988 Deutsche Grammophon GmbH, Berlin

CD 47
Live recording: Vienna, Musikverein, Großer Saal, 1/1988
Total time: 81:45
℗ 1988 (1-3, 6-17), 1992 (4, 5) Deutsche Grammophon GmbH, Berlin

CD 48
Live recording: Vienna, Musikverein, Großer Saal, 1/1991
Total time: 72:44
Publishers: Ludwig Krenn, Vienna (Strauss/Schönherr), Edizioni Suvini Zerboni, S.p.A., Milan (Schubert/Maderna)
℗ 1991 Deutsche Grammophon GmbH, Berlin

CD 49
Recording: Vienna, Musikverein, Großer Saal, 8/1975
Total time: 41:28
℗ 1976 Deutsche Grammophon GmbH, Berlin

CD 50
Recording: Vienna, Musikverein, Großer Saal, 10/1973
Total time: 45:01
℗ 1974 Deutsche Grammophon GmbH, Berlin

CD 51
Recording: Vienna, Musikverein, Großer Saal, 9/1972
Total time: 45:01
℗ 1973 Deutsche Grammophon GmbH, Berlin

CD 52 and CD 53
Recordings: Vienna, Musikverein, Großer Saal, Live 10/1991 (Pezzi), 11/1991 (Requiem)
Total time: CD 52 57:35; CD 53 68:41
℗ 1993 Deutsche Grammophon GmbH, Berlin

CD 54, CD 55 and CD 56
Recordings: Vienna, Musikverein, Großer Saal, 11/1991; 5 & 6, 1992
Total time: CD 54: 73:52; CD 55 72:11; CD 56 65:06
℗ 1994 Deutsche Grammophon GmbH, Berlin

CD 57
Recording: Vienna, Musikverein, Großer Saal, 5/9189 (1), 4/1990 (2-14), 4/1992 (15)
Total time: 49:47
Publishers: Universal Edition, Vienna (1)
℗ 1993 Deutsche Grammophon GmbH, Berlin

CD 58
Live recording: Vienna, Musikverein, Großer Saal, 10/1998
Total time: 45:31
Publishers: Universal Edition, Vienna (1,2); Universal Edition, London (5-8); B. Schott's Söhne, Mainz (3); Ars Viva Verlag, Mainz (4)
℗ 1990 Deutsche Grammophon GmbH, Berlin

credits

Booklet Editor – - Annette Nubbemeyer
Co-producer – - Claudia Hamann (tracks: 39-1 to 39-15, 40-1 to 40-10, 41-1 to 41-16, 42-1 to 41-22)Compiled By [Compilation] – - Alan Newcombe
Conductor – - Claudio Abbado
Coordinator – - Ewald Markl (tracks: 20-1 to 20-4)Design – - Mareike Walter
Engineer [Balance Engineer (Tonmeister)] – - Colin Moorfoot (tracks: 22-1 to 22-4), - Gregor Zielinsky (tracks: 57-1, 58-1 to 58-8), - Günter Hermanns (tracks: 1-1 to 1-4, 3-1 to 3-4, 14-1 to 14-4, 29-1 to 29-4, 32-1 to 32-6, 33-1 to 33-6, 34-1 to 34-23, 48-1 to 48-17, 49-1 to 49-4, 50-1 to 50-4, 51-1 to 51-6, 57-2 to 57-14), - Hans-Wilhelm Nagel (tracks: 31-1 to 31-3), - Jobst Eberhardt (tracks: 31-1 to 31-6), - Karl-August Naegler (tracks: 1-5 to 1-8, 2-1 to 2-4, 3-5 to 3-8, 5-1 to 5-8, 6-1 to 6-4, 7-1 to 7-7, 8-1 to 8-4, 25-1 to 25-5, 30-1 to 30-31, 47-1 to 47-16), - Klaus Behrens (tracks: 31-1 to 31-3), - Klaus Heimann (2) (tracks: 11-1 to 11-5, 12-1 to 12-11, 2-1 to 2-4, 14-1 to 14-4, 16-1 to 16-21, 18-1 to 18-4, 23-1 to 23-19, 24-1 to 24-21, 39-1 to 39-15, 40-1 to 40-10, 41-1 to 41-16, 42-1 to 41-22, 46-1 to 46-16, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11), - Rainer Maillard (tracks: 10-1 to 10-7, 35-1 to 35-33, 36-1 to 36-29, 37-1 to 37-19, 52-1 to 52-11, 53-1 to 53-4, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11), - Reinhard Lagemann (tracks: 31-4 to 3-6), - Ulrich Vette (tracks: 10-8 to 10-11, 11-1 to 11-13, 17-1 to 17-4, 19-1 to 19-4, 20-1 to 20-4, 21-1 to 21-4, 25-6 to 25-10, 26-1 to 26-20, 43-1 to 43-12, 44-1 to 44-11, 52-1 to 52-11, 53-1 to 53-8, 57-15), - Wolfgang Mitlehner (tracks: 4-1 to 4-13)Executive-Producer – - Christopher Alder (tracks: 7-1 to 7-5, 8-2 to 8-4, 10-1 to 10-11, 11-1 to 11-13, 21-1 to 21-4, 35-1 to35-33, 36-1 to 36-29, 37-1 to 37-19, 43-1 to 43-12, 44-1 to 44-11, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11), - Cord Garben (tracks: 41-1 to 41-16, 42-1 to 41-22), - Ewald Markl (tracks: 11-1 to 11-13, 21-1 to 21-4), - Günther Breest (tracks: 1-1 to 1-8, 3-1 to 3-8, 4-1 to 4-13, 5-1 to 5-8, 6-1 to 6-4, 7-7, 8-1, 11-1 to 11-5, 12-1 to 12-11, 30-1 to 30-31, 46-1 to 46-16, 47-1 to 47-16), - Pål Christian Moe (tracks: 35-1 to 35-33, 36-1 to 36-29, 37-1 to 37-19, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11), - Rainer Brock (tracks: 7-6)Liner Notes [A Tribute From Clemens Hellsberg, German] – - Prof. Dr. Clemens Hellsberg *
Liner Notes [The Viennese Abbado, German] – - Friedemann Pestel , - Silvia Kargl
Liner Notes [Traduzione Italiana] – - Paola Simonetti
Musical Assistance [Language Consultant] – - Victor Borovsky (tracks: 39-1 to 39-15, 40-1 to 40-10)Orchestra – - Wiener Philharmoniker
Photography By – - Siegfried Lauterwasser
Photography By [Box Cover Photo] – - Felix Broede
Photography By [Cover, Artists, pp. 4-5, 28] – - Felix Broede
Photography By [p. 12] – - Felicitas Timpe
Producer – - Christopher Alder (tracks: 17-1 to 17-4, 18-1 to 18-4, 19-1 to 19-4, 20-1 to 20-4, 23-1 to 23-19, 24-1 to 24-21, 25-6 to 25-10, 26-1 to 26-20, 31-1 to 31-6, 38-1 to 10, 39-1 to 39-15, 40-1 to 40-10, 41-1 to 41-16, 42-1 to 41-22, 48-1 to 48-17, 52-1 to 52-11, 53-1 to 53-8, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11, 57-1 to 57-15, 58-1 to 58-8), - John Mordler (tracks: 22-1 to 22-4), - Rainer Brock (tracks: 2-1 to 2-4, 14-1 to 14-4, 15-1 to 15-4, 16-1 to 16-21, 25-1 to 25-5, 27-1 to 27-15, 28-1 to 28-9, 29-1 to 29-4, 32-1 to 32-6, 33-1 to 33-6, 34-1 to 34-23, 49-1 to 49-4, 50-1 to 50-4, 51-1 to 51-6)Producer [Associate Producer] – - Ewald Markl (tracks: 10-9 to 10-11, 17-1 to 17-4, 19-1 to 19-4, 25-6 to 25-10, 26-1 to 26-20, 35-1 to 35-33, 36-1 to 36-29, 37-1 to 37-19, 43-1 to 43-12, 44-1 to 44-11, 54-1 to 54-15, 55-1 to 55-12, 56-1 to 56-11), - Pål Christian Moe (tracks: 10-1 to 10-8, 25-6 to 25-10, 26-1 to 26-20, 43-1 to 43-12, 44-1 to 44-11)Producer [Recording Producer] – - Christopher Alder (tracks: 10-8 to 10-11, 11-1 to 11-13, 21-1 to 21-4, 30-1 to 30-31, 35-1 to 35-33, 36-1 to 36-29, 37-1 to 37-19, 46-1 to 46-16, 47-1 to 47-16), - Colin Moorfoot (tracks: 9-6 to 9-9), - Hans Weber (tracks: 43-1 to 43-12, 44-1 to 44-11), - Karl-August Naegler (tracks: 10-1 to 10-7), - Ray Minshull (tracks: 9-1 to 9-5), - Werner Mayer (tracks: 1-1 to 1-8, 3-1 to 3-8, 4-1 to 4-13, 5-1 to 5-8, 6-1 to 6-4, 7-1 to 7-7, 8-1 to 8-4, 11-1 to 11-5, 12-1 to 12-11)Product Manager – - Andreas Fischer (3)
Recorded By – - Österreichischer Rundfunk (tracks: 45-1 to 45-6)Recording Supervisor [Recording Coordinator] – - Dr. Olympia Gineri * (tracks: 41-1 to 41-16, 42-1 to 41-22)

companies

Record Company Universal Music
Phonographic Copyright Deutsche Grammophon GmbH
Phonographic Copyright Decca Music Group Limited
Copyright Felix Broede
Copyright Felicitas Timpe
Copyright Siegfried Lauterwasser
Published By Anton J Benjamin
Published By Universal Edition Wien
Published By BrenreiterVerlag
Published By Russian State Music Publishing Corporation
Published By Ludwig Krenn
Published By Edizioni Suvini Zerboni
Published By Universal Edition London Ltd
Published By B Schottx27s Shne
Published By Ars Viva Verlag
Recorded At Groer Saal, Wiener Musikverein
Recorded At Wiener Konzerthaus
Recorded At Sofiensaal
Recorded At Wiener Staatsoper
Recorded At Groes Festspielhaus, Salzburg
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