Choir – Beginning The Curtain Rises First Seduction Game: The Shabby Old Rake Second Seduction Game The Shy Youth Appears At The Door. Third Seduction Game The Mandarin Enters; Encounter With The Girl The Girl's Dance She Flees From Him; He Chases Her Wildly. The Mandarin Stumbles, But Catches The Girl; they Fight. The Tramps Leap Out, Seize The Mandarin, Rob Him And Suffocate Him With Pillows. Suddenly The Mandarin's Head Appears.The Tramps Drag Him Out, One Stabs Him Three Times. He Almost Collapses, But Draws Himself Up And Leaps At The Girl. They Drag The Mandarin To The Centre Of The Room And Hang Him On A Lamp Hook. The Lamp Falls To The Floor - Goes Out. The Mandarin's Body Begins To Glow. The Tramps Take Him Down. He Falls To The Floor And At Once Leaps At The Girl. They Embrace. His Longing Stilled, The Mandarin's Wounds Begin To Bleed; He Becomes Weaker And Dies. Two Portraits (One Ideal - One Grotesque) Sz 37 (op. 5) 1. Andante 2. Presto Symphonic Pieces From The Opera "Lulu" (Lulu Suite)
Composed By – 1. Rondo. Andante (Introduzione) – Hymne. Sostenuto 2. Ostinato. Allegro 3. Lied Der Lulu. Comodo
Soprano Vocals – 4. Variationen. Moderato (Grandiso – Grazioso – Funebre – Affetuoso) - Thema. Subito Tempo Moderato 5. Adagio, Sostenuto – Lento – Grave
Composed By – 1. Präludium. Langsam 2. Reigen. Anfangs Etwas Zögernd – Leicht Beschwingt 3. Marsch, Mäßiges Marschtempo 5 Orchesterlieder Nach Ansichtskartentexten von Peter Altenberg = 5 Orchestral Songs To Picture-Postcard Texts By Peter Altenberg Op. 4
Composed By – 1. »Seele, Wie Bist Du Schöner« 2. »Sahst Du Nach Dem Gewitterregen Den Wald« 3. »Über Die Grenzen Des All« 4. »Nichts Ist Gekommen« 5. »Hier Ist Friede« L' Arlésienne Suite No. 1
Composed By – 1. Prélude. Allegro Decisio (Tempo di Marcia) – Andantino – Andate Molto 2. Minuetto. Allegro Giocoso 3. Adagietto. Adagio 4. Carillon. Allegretto Moderato – Andantino – Tempo I L' Arlésienne Suite No. 2
Composed By – 1. Pastorale. Andante Sostenuto Assai – Andantino – Tempo I 2.Intermezzo. Andante Moderato Ma Con Moto – Allegro Moderato 3. Menuet. Andantino Quasi Allegretto 4. Faranadole. Allegro Decisio (Tempo di Marcia) – Allegro Vivo E Deciso Carmen Suite
Composed By – 1. Prélude. Allegro Giocoso 2. Entr'acte. Allegro Moderato (Between Act I & II) 3. Entr'acte. Andantino Quasi Allegretto (Between Act II & III) 4. Entr'acte. Allegro Vivo (between Act III & IV) Carmen
Choir – Prélude Premier Acte | Nº 1 Introduction : « Sur La Place Chacun Passe » (Les Soldats, Moralès) « Regardez Donc Cette Petite » (Moralès, Les Soldats, Micaëla) Nº 2 Marche Et Chœur Des Gamins : « Avec la Garde Montante » (Les Gamins) « Repos ! » (Zuniga, Moralès, Don José) « Allons ! Allons ! » (Zuniga, Les Gamins) « Dites-moi, Brigadier ? » (Zuniga, Don José) Nº 3 Chœur Et Scène : « La Cloche A Sonné » (Les Jeunes Gens, Les Soldats, Les Cigarières) « Mais Nous Ne Voyons Pas la Carmencita » (Micaëla, Don José) « Quand Je Vous Aimerai ? » Nº 4 Havanaise : « L'amour Est Un Oiseau Rebelle » (Carmen) Nº 5 Scène : « Carmen, Sur Tes Pas, Nous Nous Pressons Tous » (Carmen, Chœur) « Monsieur Le Brigadier ? » Nº 6 Duo : « Parle-moi De Ma Mère » (Les Jeunes Gens, Les Cigarières, Don José) « Votre Mère Avec Moi Sortait de la Chapelle » (Micaëla, Don José) « Ma Mère, Je La Vois... » (Don José, Micaëla) « Que Son Fils L'aime Et la Vénère » (Don José, Micaëla) « Eh Bien, Eh Bien ! » (Zuniga) Nº 7 Chœur : « Au Secours ! » (Les Cigarières, Zuniga, Les Soldats) « Voyons, Brigadier... » Nº 8 Chanson Et Mèlodrame : « Tra la la La... » (Carmen, Zuniga, Les Cigarières, Un Soldat, Don José) Nº 9 Chanson (Séguedille) Et Duo : « Près Des Remparts de Séville » (Carmen, Don José) Nº 10 Finale : « Le Lieutenant !... Prenez Garde ! » (Don José, Zuniga, Carmen) Entr'acte Deuxième Acte / Nº 11 Chanson : « Les Tringles Des Sistres Tintaient » (Carmen, Mercédès, Frasquita) « Vous Avez Quelque Chose À Nous Dire » (Zuniga, Pastia, Frasquita, Andrès, Carmen) « Tout Est Bien Alors » (Carmen, Zuniga) Nº 12 Chœur Et Ensemble : « Vivat! Vivat Le Toréro! » (Chœur, Zuniga, Mercédès, Andrès, Frasquita, Pastia) Nº 13 Couplet (Air Du Toréador) : « Votre Toast... Je Peux Vous Le Rendre » (Escamillo, Chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) Nº 13 Bis Chœur : « Toréador, En Garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado) Nº 14 Quintette : « Nous Avons En Tête Une Affaire! » (Dancaïre, Frasquita, Mercédès, Remendado, Carmen) « Amoureuse... Ce N'est Pas Une Raison, Cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) Nº 15 Chanson : « Halte-là ! Qui Va Là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen) Nº 16 Duo : « Je Vais Danser En Votre Honneur » (Carmen, Don José) Air De La Fleur : « La Fleur Que Tu M'avais Jetée » (Don José) « Non, Tu Ne M'aimes Pas ! » (Carmen, Don José) Nº 17 Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Dancaïre, Remendado, Les Bohémiens) « Suis-nous À Travers la Campagne » (Frasquita, Mercédès, Dancaïre, Remendado, Les Bohémiens, Les Bohémiennes) Entr'acte Troisième Acte | Premier Tableau / Nº 18 Introduction : « Écoute, Compagnon, Écoute! » (les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) « Halte! Nous Allons Nous Arrêter Ici... » (Dancaïre, Remendado, Don José, Carmen) Nº 19 Trio : « Mêlons ! » « Mêlons ! » « Coupons ! » (Frasquita, Mercédès) Air Des Cartes : « Carreau ! Pique... La Mort ! » (Carmen) « Parlez Encore, Parlez, Mes Belles » (Frasquita, Mercédès, Carmen) « Eh! Bien, J'avais Raison » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José) Nº 20 Moreceau D'ensemble : « Quant Au Douanier, C'est Notre Affaire ! » (Carmen, Mercédès, Frasquita, Les Bohémiens, Les Bohémiennes, Dancaïre, Remendado « Nous Y Sommes » (Le Guide, Micaëla) Nº 21 Air : « Je Dis Que Rien Ne M'épouvante » (Micaëla) « Mais... Je Ne Me Trompe Pas...» (Micaëla, Escamillo, Don José) Nº 22 Duo : « Je Suis Escamillo, Toréro de Grenade » (Escamillo, Don José) Nº 23 Finale « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, Les Contrebandiers, Les Contrebandières) « Halte!... Quelqu'un Est Là Qui Cherche À Se Cacher » (Remendado, Carmen, Dancaïre, Don José, Micaëla, Chœur, Escamillo) Entr'acte Deuxième Tableau / Nº 24 Chœur : « A Deux Cuartos ! » (Marchandes, Marchands, Un Soldat, Andrès) Nº 25 Chœur Et Scène : « Les Voici ! Voici Le Quadrille ! » (Chœur) « Si Tu M'aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) Nº 25 Final : « C'est Toi ? » / « C'est-moi ! » (Carmen, Don José, Chœur) Symphony No. 4
Composed By – 1. Allegro Non Troppo 2. Andante Moderato 3. Allegro Giocoso – Poco Meno Presto – Tempo I 4. Allegro Energico E Passionato – Più Allegro Tragic Overture
Composed By – Allegro Non Troppo – Molto Più Moderato – Tempo I Piano Concerto No. 1
Composed By – 1. Allegro Maestoso 2. Romance. Larghetto 3. Rondo. Vivace Piano Concerto No. 1
Composed By – 1. Allegro Maestoso 2. Quasi Adagio – Allegretto Vivace – Allegro Animato 3. Allegro Marziale Animato La Demioiselle Élue
Composed By – Début = Beginning = Anfang Chœur : « La Damoiselle Élue S'appuyait » La Damoiselle : « "Je Voudrais Qu'il Fût Déjà Près de Moi » Chœur : « La Lumière Tressaillit ... » Prélude à L'après–midi D'un Faune
Composed By – Très Modére Images Pour Orchestre Nº 2 « Ibéria »
Composed By – 1. Par Les Rues Et Par Les Chemins. Assez Animé 2. Les Parfums de la Nuit. Lent Et Rêveur 3. Le Matin D'un Jour de Fête. Dans Un Rhythme de Marche Lontaine, Alerte Et Joyeuse Symphonic Metamorphosis Of Themes By Carl Maria von Weber
Composed By – 1. Allegro 2. "Turandot, Scherzo". Moderate - Lively 3. Andantino 4. March Sinfonietta
Composed By – 1. Allegretto – Allegro – Maestoso 2. Andante – Allegretto – Maestoso – Tempo I – Allegretto 3. Moderato – Con Moto – Prestissimo – Tempo I – Moderato 4. Allegretto – Adagio – Presto – Andante – Presto – Prestissimo 5. Andante Con Moto – Maestoso – Tempo I – Allegretto – Allegro – Maestoso – Adagio Romeo And Juliet (Excerpts From The Ballet And Suites Nos. 1-3)
Composed By – 1. The Montagues And The Capulets (From Suite No. 2 Op. 64b No. 1) 16. Morning Dance (From Suite No. 3 Op. 101 No. 16) 5. The Quarrel (From Ballet Op. 64, No. 5) 6. The Fight (From Ballet Op. 64, No. 6) 25. Dance With Mandolins (From Ballet Op. 64, No. 25) 4. Dance (From Suite No. 2 Op. 64b No. 4) 19. Aubade = Morning Serenade (From Suite No. 3 Op. 101 No. 19) 6. Dance Of The Maids From The Antilles (From Suite No. 2 Op. 64b No. 6) 7. Death Of Tybalt (From Suite No. 1 Op. 64a No. 7) Symphony No. 3 In A Minor "Scottish" Op. 56
Composed By – 1. Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Come Prima 2. Vivace Non Troppo 3. Adagio 4. Allegro Vivacissimo – Allegro Maestoso Assai Symphony No. 4 In A Major "Italian" Op. 90
Composed By – 1. Allegro Vivace 2. Andante Con Moto 3. Con Moto Moderato 4. Saltarello. Presto Symphony No. 1 In C Minor Op. 11
Composed By – 1. Allegro Di Molto 2. Andante 3. Menuetto. Allegro Molto 4. Allegro Con Fuoco Scherzo In G Minor From The Octet Op. 20 (Orchestral Version By The Composer As Alternative 3rd Movement In Symphony No. 1
Composed By – Sempre Pianissimo E Leggerio A Midsummer's Night's Dream Overture Op. 21
Composed By – Allegro Di Molto
Composed By – The Hebrides ("Fingal's Cave") Op. 26
Composed By – Allegro Moderato - Animato In Tempo
Composed By – Calm Sea And Prosperous Voyage Op. 27
Composed By – Adagio - Molto allegro e vivace Symphony No. 2 In B Flat Major "Hymn Of Praise" Op. 52
Chorus – 1. Sinfonia Maestoso Con Moto – Allegro – Maestoso Con Moto Come I - attacca: Allegretto Un Poco Agitato - Adagio Religioso 2. Allegro Moderato Maestoso – Allegro Di Molto - Chorus: »Alles, Was Odem Hat, Lobe Den Herrn« Molto Più Moderato Ma Con Fuoco »Lobe Den Herrn, Meine Seele« (Soprano I, Women's Chorus) 3. Recitative: »Saget Es, Die Ihr Erlöset Seid Durch Den Herrn« (Tenor) Allegro Moderato - [Aria]: »Er Zählet Unsre Tränen In Der Seit Der Not« (Tenor) 4. A Tempo Moderato - Chorus: »Sagt Es, Die Ihr Erlöset Seid« 5. Andante - Duet & Chorus: »Ich Harrete Des Herrn"« (Soprano I & II) »Wohl Dem, Der Seine Hoffnung Setzt« (Chorus) 6. 6. Allegro Un Poco Agitato – Allegro Assai Agitato – Tempo I Moderato - Aria: »Stricke Des Todes Hatten Uns Umfangen« (Tenor) 7. Allegro Maestoso E Molto Vivace - Chorus: »Die Nacht Ist Vergangen« 8. Andante Con Moto – Un Poco Più Animato - Chorus: »Nun Danket Alle Gott« 9. Andante Sostenuto Assai - [Duet]: »Drum Sing' Ich Mit Meinem Liede Ewig Dein Lob« (Tenor, Soprano II) 10. Allegro Non Troppo – Più Vivace – Maestoso Come I - Final Chorus: »Ihr Völker, Bringet Her Dem Herrn Ehre Und Macht! Danket Dem Herrn Und Rühmt Seinem Namen« Symphony No. 3 In A Minor "Scottish" Op. 56
Composed By – 1. Andante Con Moto – Allegro Un Poco Agitato – Assai Animato – Andante Dome Prima 2. Vivace Non Troppo 3. Adagio 4. Allegro Vivacissimo – Allegro Maestoso Assai The Fair Melusina Op. 32
Composed By – Allegro Con Moto Trumpet Overture Op. 101
Composed By – Allegro Vivace Ruy Blas Op. 95
Composed By – Lento – Allegro Molto Symphony No. 4 In A Major "Italian" Op. 90
Composed By – 1. Allegro Vivace 2. Andante Con Moto 3. Con Moto Moderato 4. Saltarello. Presto Symphony No. 5 In D Major Op. 107 "Reformation"
Composed By – 1. Andante – Allegro Con Fuoco 2. Allegro Vivace 3. Andante 4. Chorale »Ein' Feste Burg Ist Unser Gott« - Andante Con Moto – Allegro Maestoso Overture For Wind Instruments Op. 24
Composed By – Andante Con Moto – Allegro Vivace Symphony No. 40 In G Minor K 550
Composed By – 1. Molto Allegro 2. Andante 3. Menuetto – Allegretto – Trio 4. Allegro Assai Symphony No. 41 In C Major "Jupiter" K 551
Composed By – 1. Allegro Vivace 2. Andante Cantabile 3. Menuetto. Allegretto 4. Molto Allegro Piano Concerto No. 8 In C Major "Lützow" K 246
Cadenza – 1. Allegro Aperto 2. Andante 3. Rondeau (Tempo Di Menuetto) Piano Concerto No. 12 In A Major K 414
Cadenza – 1. Allegro 2. Andante 3. Rondeau. Allegretto Piano Concerto No. 9 In E Flat Major "Jeunehomme" K 271
Cadenza – 1. Allegro 2. Andantino 3. Rondeau. Presto – Menuetto. Cantabile – Tempo I Piano Concerto No. 17 In G Major K 453
Cadenza – 1. Allegro 2. Andante 3. Allegretto – Finale. Presto Piano Concerto No. 15 In B Flat Major K 450
Cadenza – 1. Allegro 2. [Andante] 3. Allegro Piano Concerto No. 22 In E Flat Major K 482
Cadenza – 1. Allegro 2. Andante 3. Allegro – Andantino Cantabile – Tempo I Piano Concerto No. 18 In B Flat Major K 456
Cadenza – 1. Allegro Vivace 2. Andante Un Poco Sostenuto 3. Allegro Vivace Piano Concerto No. 24 In C Minor K 491
Cadenza – 1. Allegro 2. [Larghetto] 3. [Allegretto] Piano Concerto No. 25 in C major K 503
CD 1 · Total time: 42:20 Recordings: London, Kingsway Hall, 10/1982 (Mandarin); London, Walthamstow Town Hall, 2/1983 (Portraits) ℗ 1983 Deutsche Grammophon GmbH, Berlin
CD 2 · ADD · Total time: 66:05 Recording: Denham, Anvil Film Studios, 12/1970 ℗ 1971 Deutsche Grammophon GmbH, Berlin
CD 3 · ADD · Total time: 46:21 Recordings: Edinburgh, George Watson's College, 8/1977 & London, St. John's, Smith Square, 8/1977 (Carmen); London, St. John's, Smith Square, 1/1980 & Walthamstow Town Hall, 9/1980 (L'Arlésienne Suites) ℗ 1978 (Carmen), 1981 (L'Arlésienne Suites) Deutsche Grammophon GmbH, Berlin
CD 4 and CD 5 · ADD · Total time: 78:49 Recordings: Edinburgh, George Watson's College, 8/1977 & London, St. John's, Smith Square, 8/1977 (Carmen) ℗ 1979 Deutsche Grammophon GmbH, Berlin
CD 6 · ADD · Total time: 52:55 Recording: London, EMI Studios, 3/1972 ℗ 1973 (Op. 98), 1977 (Op 81) Deutsche Grammophon GmbH, Berlin
CD 7 · ADD · Total time: 55:37 Recording: London, Walthamstow Town Hall, 2/1968 ℗ 1968 Deutsche Grammophon GmbH, Berlin
CD 8 · Total time: 48:49 Recordings: London, Tooting, All Saints Church, 11/1986 ℗ 1987 Deutsche Grammophon GmbH, Berlin
CD 9 · ADD · Total time: 72:43 Recordings: London, Kingsway Hall, 2/1966 (Prokofiev) & 2/1968 (Hindemith, Janáček) Publishers: Schott Musik International GmbH & Co. KG, Mainz (Hindemith); Boosey & Hawkes Music Publishers Ltd., London (Prokofiev) ℗ 1967 (Prokofiev), 1969 (Hindemith, Janáček) Decca Music Group Limited
CD 10 · ADD · Total time: 66:20 Recording: London, Kingsway Hall, 2/1968 ℗ 1968 Decca Music Group Limited
CD 11 · DDD · Total time: 71:51 Recorded: London, St. John's, Smith Square 2/1984 (opp. 11, 20 21); Walthamstow Town Hall, 2/1985 (opp.26); Tooting, All Saints' Church, 11/1986 (op. 27) ℗ 1985 (opp. 11, 20, 21, 25), 1988 (op. 27) Deutsche Grammophon GmbH, Berlin
CD 12 · DDD · Total time: 74:24 Recorded: London, Walthamstow Town Hall, 2/1985 ℗ 1985 Deutsche Grammophon GmbH, Berlin
CD 13 · DDD · Total time: 70:41 Recorded: London, St. John's, Smith Square 2/1984 (op. 56), 10/1984 (op. 32) ℗ 1985 (opp. 32, 56), 1988 (opp. 95, 101) Deutsche Grammophon GmbH, Berlin
CD 14 · DDD · Total time: 69:01 Recorded: London, St. John's, Smith Square 2/1984 (op. 107), 10/1984 (op. 90, Scherzo); Abbey Road Studios, 11/1986 (op.24) ℗ 1985 (opp. 11, 20, 21, 25), 1988 (op. 27) Deutsche Grammophon GmbH, Berlin
CD 15 · ADD · Total time: 63:42 Recorded: London, St. John's, Smith Square 10/1979 (K 551), 10/1984 (op. 90, Scherzo), 1/1989 (K 550) ℗ 1980 Deutsche Grammophon GmbH, Berlin
CD 16 to CD 22 · DDD · Total Time 49:49 (CD 16); 66:17 (CD 17); 66:21 (CD 18); 64:29 (CD 19); 63:38 (CD 20); 65:16 (CD21); 59:16 (CD 22) Recordings: London, Kingsway Hall, 11/1981 (Nos. 9, 12, 17, 20), 3/1982 (Nos. 21, 23), 3/1983 (nos. 19,25); Watford, Town Hall, 3/1982 (No. 8); Walthamstow Town Hall, 2/1985 (No. 15); St. John's, Smith Square, 10/1984 (No. 22); Henry Wood Hall, 10/1985 (No. 24); Abbey Road Studios, 11/1986 (No. 18) Publishers: (Cadenzas) Breitkopf & Hartel (Nos. 21, 23); Bärenreiter (No. 21) ℗ 1982 (Nos. 9, 12, 17, 20), 1983 (Nos. 21, 23), 1984 (Nos. 8, 19, 25, 27), 1987 (Nos. 15, 18, 22, 24) Deutsche Grammophon GmbH, Berlin
CD 23 · DDD · Total time: 33:04 Recording: London, Kingsway Hall, 11/1981 ℗ 1982 Deutsche Grammophon GmbH, Berlin
CD 24 · DDD · Total time: 42:44 Recording: London, Kingsway Hall, 12/1983 ℗ 1985 Deutsche Grammophon GmbH, Berlin
CD 25 · ADD · Total time: 73:45 Recordings: London, Kingsway Hall, 12/1986 (Chout); Opera Centre, 10/1969 (Symphonies) Publishers: Boosey & Hawkes Music Publishers Ltd., London (Symphonies); Ėditions Gutheil (Chout) ℗ 1967 (Chout), 1970 (Symphonies) Decca Music Group Limited
CD 26 · ADD · Total time: 38:32 Recording: London, Watford, Town Hall, 6/1979 Publishers: Boosey & Hawkes Music Publishers Ltd. ℗ 1980 Deutsche Grammophon GmbH, Berlin
CD 27 · DDD · Total time: 64:29 Recording: London, Watford, Town Hall, 6/1985 ℗ 1986 Deutsche Grammophon GmbH, Berlin
CD 28 · DDD · Total time: 69:59 Recording: London, Tooting, All Saints Church, 11/1988 ℗ 1989 Deutsche Grammophon GmbH, Berlin
CD 29 · DDD · Total time: 64:48 Recordings: London, Kingsway Hall, 11/1981 (29-10); Tooting, All Saints Church, 11/1987 (29-1 to 29-9) ℗ 1982 (10), 1988 (1-4, 7, 9), 1989 (5, 6, 8) Deutsche Grammophon GmbH, Berlin
CD 30 · DDD · Total time: 66:23 Recordings: London, St. John's, Smith Square, 2/1984 (Concerto in G); Abbey Road Studios, 11/1987 (Concerto in D); Tooting, All Saints Church, 11/1987 (Tzigane, Shéhérazade) ℗ 1988 (Concertos), 1989 (Tzigane, Shéhérazade) Deutsche Grammophon GmbH, Berlin
CD 31 · ADD · Total time: 46:28 Recordings: Watford, Town Hall, 9/1971 (1); George Watson's College, 8 & 9/1971 (2); London, Walthamstow Town Hall, 2/1975 (3-6) ℗ 1972 (1, 2), 1975 (3-6) Deutsche Grammophon GmbH, Berlin
CD 32 and CD 33 · ADD · Total time: 71:17 (CD32); 67:30 (CD 33) Recording: Watford, Town Hall, 9/1971 ℗ 1972 Deutsche Grammophon GmbH, Berlin
CD 34 and CD 35 · ADD · Total time: 73:56 (CD 34); 70:51 (CD 35) Recording: Edinburgh, George Watson's College, 8 & 9/1971 ℗ 1972 Deutsche Grammophon GmbH, Berlin
CD 36 · ADD · Total time: 50:00 Recording: Watford, Town Hall, 6/1979 ℗ 1980 Universal International Music B.V.
CD 37 · DDD · Total time: 57:45 Recording: London, Walthamstow Town Hall, 3/1983 (Op. 20); Kingsway Hall, 4/1981 (Opp. 24 and 28) ℗ 1983 Deutsche Grammophon GmbH, Berlin
CD 38 · ADD · Total time: 78:26 Recordings: London, Abbey Road Studio No. 1, 11/1972 (L'Oiseau); Croydon, Fairfield Halls, 10/1974 (Jeu) & 2/1975 (Sacre) Publishers: Boosey & Hawkes Music Publishers Ltd., London (Sacre); B. Schott's Söhne, Mainz (Jeu); J. & W. Chester Ltd., London (L'Oiseau) ℗ 1975 (L'Oiseau, Jeu), 1976 (Sacre) Deutsche Grammophon GmbH, Berlin
CD 39 · ADD · Total time: 73:25 Recordings: London, Henry Wood Hall, 3 & 5/1978 (Pulcinella); Walthamstow Town Hall, 9/1980 (Pétrouchka) Publisher: Boosey & Hawkes Music Publishers Ltd., London ℗ 1979 (Pulcinella), 1981 (Pétrouchka) Deutsche Grammophon GmbH, Berlin
CD 40 · ADD · Total time: 45:44 Recording: Denham, Anvil Film Studios, 12/1970 ℗ 1972 Deutsche Grammophon GmbH, Berlin
CD 41 · DDD · Total time: 37:40 Recording: Watford Town Hall, 6/1985 ℗ 1986 Deutsche Grammophon GmbH, Berlin
CD 42 · ADD · Total time: 44:59 Recording: London, Kingsway Hall, 1/1969 ℗ 1969 Decca Music Group Limited
CD 43 · DDD · Total time: 38:17 Recording:London, St. John's, Smith Square, 2/1980 ℗ 1981 Deutsche Grammophon GmbH, Berlin
CD 44 Bonus · DDD · Total time: 46:59 Live Recording: St. Albans Cathedral (Hertfordshire), 8/1981 ℗ 1982 Deutsche Grammophon GmbH, Berlin
CD 45 Bonus · ADD · Total time: 55:08 Recording: London, Kingsway Hall, 6/1968 ℗ 1969 Decca Music Group Limited
CD 46 Bonus · ADD · Total time: 33:39 Recording: London, Wembley Town Hall, 2/1988 ℗ 1968 Deutsche Grammophon GmbH, Berlin
credits
Compilation Producer – - Alan Newcombe Conductor – - Claudio Abbado Cover, Photography By – - Cordula Groth Design – - Mareike Walter Engineer [Balance Engineer (Tonmeister)] – - Gordon Parry (tracks: 9-1 to 9-9), - Günter Hermanns (tracks: 2-1 to 2-13, 6-1 to 6-5, 38-1 to 38-11, 40-1 to 40-4), - Hans-Peter Schweigmann (tracks: 15-1 to 15-8, 31-1 to 31-6, 32-1 to 32-10, 33-1 to 33-11, 34-1 to 34-17, 35-1 to 35-20, 38-18 to 38-20, 43-1 to 43-12), - Heinz Wildhagen (tracks: 7-1 to 7-6, 38-12 to 38-17), - Karl-August Naegler (tracks: 3-9 to 3-12, 4-1 to 4-26, 5-1 to 5-23, 11-1 to 11-6, 13-1 to 13-4, 14-1 to 14-4, 18-4 to 18-6, 21-1 to 21-3, 44-1 to 44-6), - Klaus Hiemann (tracks: 1-1 to 1-16, 3-1 to 3-8, 8-1 to 8-8, 11-7, 11-8, 12-1 to 12-14, 13-5 to 13-7, 14-5 to 14-9, 16-1 to 16-6, 17-1 to 17-6, 18-1 to 18-6, 19-1 to 19-6, 20-1 to 20-6, 21-4 to 21-6, 22-1 to 22-6, 23-1 to 23-14, 24-1 to 24-12, 26-1 to 26-7, 27-1 to 27-13, 28-1 to 28-32, 29-1 to 29-10, 30-1 to 30-8, 39-1 to 39-34, 41-1 to 41-4), - Michael Gray (5) (tracks: 6-5, 38-12 to 38-17)Engineer [Balance Engineer] – - Kenneth Wilkinson (tracks: 9-10 to 9-18, 25-1 to 25-17), - Volker Straus (tracks: 36-1 to 36-5)Engineer [Recording Engineer] – - Gordon Parry (tracks: 45-1 to 45-8), - James Lock (2) (tracks: 42-1 to 42-5), - Kenneth Wilkinson (tracks: 42-1 to 42-5), - Tryggvi Tryggvason (tracks: 45-1 to 45-8)Executive-Producer – - Günther Breest (tracks: 8-1 to 8-8, 11-8, 13-6, 13-7, 14-9, 21-4 to 21-6, 29-1 to 29-9, 30-4 to 30-8), - Hanno Rinke (tracks: 21-4 to 21-6, 30-1 to 30-4, 41-1 to 41-4), - Karl Faust (tracks: 2-1 to 2-13, 7-1 to 7-6, 31-1 to 31-6, 32-1 to 32-10, 33-1 to 33-11, 34-1 to 34-17, 35-1 to 35-20, 40-1 to 40-4), - Rainer Brock (tracks: 16-1 to 16-6, 17-1 to 17-6, 18-1 to 18-6, 19-4 to 19-6, 20-1 to 20-6, 21-1 to 21-6, 22-1 to 22-6, 23-1 to 23-617-1 to 17-6, 27-1 to 27-13, 30-1 to 30-3, 32-1 to 32-10, 33-1 to 33-11, 37-1 to 37-3, 38-1 to 38-20, 39-1 to 39-20, 41-1 to 41-4)Orchestra – - London Symphony Orchestra * (tracks: CD1 to CD43)Photography By [Artist Photos] – - Clive Barda Producer – - Christopher Alder (tracks: 28-1 to 28-32), - Rainer Brock (tracks: 1-1 to 1-16, 3-1 to 3-12, 4-1 to 4-26, 5-1 to 5-23, 11-1 to 11-7, 12-1 to 12-14, 13-1 to 13-5, 14-1 to 14-8, 15-1 to 15-8, 23-1 to 23-14, 24-1 to 24-12, 26-1 to 26-7, 29-10, 43-1 to 43-12, 44-1 to 44-6), - Volker Straus (tracks: 36-1 to 36-5)Producer [Recording Producer] – - Christopher Alder (tracks: 11-8, 13-6, 13-7, 14-9, 19-1 to 19-3, 29-1 to 29-9, 30-4 to 30-8), - David Harvey (tracks: 9-1 to 9-9), - Hans Weber (tracks: 23-2, 37-3, 38-18 to 38-20), - Hans-Rudolf Müller (tracks: 18-1 to 18-3), - James Mallinson (tracks: 25-1 to 25-8), - Joachim Niss (tracks: 16-1 to 16-3, 20-4 to 20-6, 22-1 to 22-6, 20-1 to 20-3, 21-4 to 21-6), - Jobst Eberhardt (tracks: 19-1 to 19-3), - John Mordler (tracks: 45-1 to 45-8), - Klaus Behrens (tracks: 16-4 to 16-6, 17-1 to 17-6), - Klaus Hiemann (tracks: 41-1 to 41-4), - Rainer Brock (tracks: 2-1 to 2-13, 6-1 to 6-5, 7-1 to 7-6, 17-1 to 17-6, 18-1 to 18-6, 19-4 to 19-6, 20-1 to 20-6, 21-1 to 21-3, 22-1 to 22-6, 23-1 to 23-6, 30-1 to 30-3, 31-1 to 31-6, 32-1 to 32-10, 33-1 to 33-11, 34-1 to 34-17, 35-1 to 35-20, 37-1, 38-1 to 38-17, 29-1 to 39-15, 40-1 to 40-4, 41-1 to 41-4), - Rainer Hoepfner (tracks: 18-4 to 18-6), - Ray Minshull (tracks: 9-10 to 9-18, 25-9 to 25-17, 42-1 to 42-5), - Volker Martin (tracks: 19-4 to 18-6), - Wolfgang Stengel (tracks: 39-16 to 39-34)Product Manager – - Andreas Fischer (3) Recording Supervisor – - Christopher Alder (tracks: 8-1 to 8-8)
companies
Phonographic Copyright Deutsche Grammophon GmbH Phonographic Copyright Universal International Music BV Phonographic Copyright Decca Music Group Limited Copyright Deutsche Grammophon GmbH Copyright Decca Music Group Limited Copyright Cordula Groth Copyright Clive Barda Published By Schott Musik International GmbH amp Co KG Published By Boosey amp Hawkes Music Publishers Ltd Published By Breitkopf amp Hrtel Published By Brenreiter Published By Editions Gutheil Published By B Schottx27s Shne Recorded At Kingsway Hall Recorded At Walthamstow Assembly Hall Recorded At Anvil Films Studio Recorded At George Watsonx27s College, Edinburgh Recorded At St Johnx27s, Smith Square Recorded At EMI Studios, London Recorded At All Saints Church, Tooting, London Recorded At Watford Town Hall Recorded At Abbey Road Studios Recorded At Henry Wood Hall, London Recorded At London Opera Centre Recorded At All Saints Church, Tooting, London Recorded At Fairfield Hall Recorded At St Albans Cathedral Recorded At Wembley Town Hall Glass Mastered at Optimal Media GmbH AK27913Glass Mastered at Optimal Media GmbH AK27915Glass Mastered at Optimal Media GmbH AK27916Glass Mastered at Optimal Media GmbH AK27917Glass Mastered at Optimal Media GmbH AK27918Glass Mastered at Optimal Media GmbH AK27919Glass Mastered at Optimal Media GmbH AK27921Glass Mastered at Optimal Media GmbH AK27922Glass Mastered at Optimal Media GmbH AK27923Glass Mastered at Optimal Media GmbH AK27924Glass Mastered at Optimal Media GmbH AK27925Glass Mastered at Optimal Media GmbH AK27926Glass Mastered at Optimal Media GmbH AK27927Glass Mastered at Optimal Media GmbH AK27928Glass Mastered at Optimal Media GmbH AK27929Glass Mastered at Optimal Media GmbH AK27930Glass Mastered at Optimal Media GmbH AK27932Glass Mastered at Optimal Media GmbH AK27933Glass Mastered at Optimal Media GmbH AK27934Glass Mastered at Optimal Media GmbH AK27936Glass Mastered at Optimal Media GmbH AK27937Glass Mastered at Optimal Media GmbH AK27938Glass Mastered at Optimal Media GmbH AK27939Glass Mastered at Optimal Media GmbH AK27940Glass Mastered at Optimal Media GmbH AK27941Glass Mastered at Optimal Media GmbH AK27942Glass Mastered at Optimal Media GmbH AK27943Glass Mastered at Optimal Media GmbH AK27944Glass Mastered at Optimal Media GmbH AK27946Glass Mastered at Optimal Media GmbH AK27948Glass Mastered at Optimal Media GmbH AK27949Glass Mastered at Optimal Media GmbH AK27950Glass Mastered at Optimal Media GmbH AK27951Glass Mastered at Optimal Media GmbH AK27952Glass Mastered at Optimal Media GmbH AK27953Glass Mastered at Optimal Media GmbH AK27954Glass Mastered at Optimal Media GmbH AK27955Glass Mastered at Optimal Media GmbH AK27956Glass Mastered at Optimal Media GmbH AK27962Glass Mastered at Optimal Media GmbH AK27963Glass Mastered at Optimal Media GmbH AK27964Glass Mastered at Optimal Media GmbH AK27965Glass Mastered at Optimal Media GmbH AK27966
