Chorus – I Introitus Et Kyrie II Graduale III Dies Irae IV Offertorium V Sanctus VI Pie Jesu VII Agnus Dei Mass In C Major, KV 317 'Kronungsmesse'
Bass Vocals – I Kyrie II Gloria III Credo IV Sanctus V Benedictus VI Agnus Dei Symphony No. 34 In C Major, KV 338
Composed By – I Allegro Vivace II Andante Di Molto IIa Minuet (K 409) III Finale (Allegro Vivace) Symphony No. 38 In D Major, KV 504 'Prague'
Composed By – I Adagio – Allegro II Andante III Finale (Presto) Symphony No. 35 In D Major, KV 385 'Haffner'
Composed By – I Allegro Con Spirito II Andante III Menuetto IV Finale (Presto) Sinfonia In G Major
Arranged By – I Allegro II Andante III Allegro Bassoon Concerto In B Flat Major, KV 191
Bassoon – I Allegro
Cadenza – II Andante Ma Adagio III Rondo (Tempo Di Menuetto) Sinfonia Concertante In B Flat Major, Hob. I:105
Bassoon – I Allegro II Andante III Allegro Con Spirito Concerto for 2 Flutes in G major
Composed By – I Allegro II Largo III Rondo. Allegretto Ma Non Tanto Symphony No. 3 In D Major, D. 200
Composed By – I Adagio Maestoso – Allegro Con Brio II Allegretto III Menuetto (Vivace) V. Presto. Vivace Overture: Egmont, Op. 84 Overture: Leonore III Overture: Fidelio, Op. 72 Overture: Coriolan, Op. 62 Overture: Zur Namensfeier, Op. 115 Overture: Die Wiehe Des Hauses, Op. 124 Symphony No. 3 In E Flat Major, Op. 55 'Eroica'
Composed By – I Allegro Con Brio II Marcia Funebre: Adagio Assai III Scherzo:Allegro Vivace – Trio IV Finale: Allegro Molto – Poco Andante – Presto Symphony No. 6 In F Major, Op. 68 'Pastoral'
Composed By – I Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo) II Szene Am Bach (Andante Molto Mosso) III Lustiges Zusammensein Der Landleute (Allegro) IV Gewitter, Sturm (Allegro) V Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm (Allegretto) Symphony No. 1 In C Minor, Op. 68
Composed By – I Un Poco Sostenuto - Allegro - Meno Allegro II Andante Sostenuto III Un Poco Allegretto E Grazioso IV Adagio - Più Andante - Allegro Non Troppo, Ma Con Brio - Più Allegro Symphony No. 4 In E Minor, Op. 98
Composed By – I. Allegro Non Troppo II Andante Moderato III Allegro Giocoso – Poco Meno Presto – Tempo I IV Allegro Energico E Passionato – Più Allegro Harold En Italie, Op. 16
Composed By – I Harold Aux Montagnes (Adagio – Allegro) II Marche Des Pèlerins (Allegretto) III Sérénade (Allegro Assai – Allegretto) IV Orgie De Brigands (Allegro Frenetico – Adagio – Allegro, Tempo I) Symphonie Fantastique Op. 14
Composed By – I Rêveries – Passions (Largo – Allegro Agitato E Appassionato Assai) II Un Bal (Valse. Allegro Non Troppo) III Scène Aux Champs (Adagio) IV Marche Au Supplice (Allegretto Non Troppo) V Songe D'Une Nuit Du Sabbat (Larghetto – Allegro) Anacréon: Overture La Muette De Portici, S. 16
Composed By – Ouverture La Damnation De Faust, Op. 24
Baritone Vocals [Méphistophélès] – Part I / Scène 1: Plaines de Hongrie | Introduction: 'Le Viel Hiver A Fait Place Au Printemps' (Faust) Scène 2 | Ronde Des Paysans: 'Les Bergers Quittent' – (Chœur, Faust) Scène 3 | 'Mais D'un Éclat Guerrier' (Faust) Marche Hongroise Part II / Scène 4 : Nord de L'Allemagne | 'Sans Regrets J'ai Quitté Les Riantes Campagnes' (Faust) Chant De La Fête De Pâques: 'Christ Vient De Ressusciter !' (Chœur, Faust) Scène 5 | 'O Pure Émotion! Enfant Du Saint Parvis !' (Méphistophélès, Faust) Scène 6 : La Cave D'auerbach À Leipzig | Chœur De Buveurs: 'A Boire Encore ! Du Vin' (Chœur, Méphistophélès, Brander) Chanson De Brander: 'Certain Rat, Dans Une Cuisine' (Brander, Chœur, Méphistophélès) Fugue Sur Le Thème De La Chanson De Brander: 'Amen' (Brander, Chœur, Méphistophélès) Chanson De Méphistophélès: 'Une Puce Gentille' (Chœur, Méphistophélès, Faust) Scène 7 : Bosquets Et Prairie Du Bord De L'Elbe | Air De Méphistophélès: 'Voici Des Roses' (Méphistophélès) Songe De Faust – Chœur De Gnomes Et Sylphes: 'Dors! Heureux Faust !' (Chœur, Méphistophélès, Faust) Ballet Des Sylphes: 'Margarita ! Oh! Qu' Ai-Je Vu ?' (Faust, Méphistophélès) Scène 8. Finale | Chœur De Soldats: 'Villes Entourées De Murs Et Remparts' – (Chœur) Chanson D'Etudiants : 'Jam Nox Stellata Velamina Pandit' (Chœur, Faust, Méphistophélès) Part III | Prélude: Tambours Et Trompettes Sonnent La Retraite Scène 9 | Air De Faust: 'Merci, Doux Crépuscule !' – (Faust) Scène 10 | 'J'entends !' (Méphistophélès, Faust) Scène 11 | 'Que L'air Est Étouffant!' (Marguerite) Le Roi De Thulé (Chanson Gothique) 'Autrefois Un Roi De Thulé' (Marguerite) Scène 12 | Evocation: 'Espirits Des Flammes Inconstantes' (Méphistophélès) Menuet Des Feux Follets: 'Maintenant, Chantons À Chette Belle ...' (Méphistophélès) Sérénade De Méphistophélès Avec Chœur De Feux Follets: 'Devant La Maison' (Méphistophélès, Chœur) Scène 13 | Duo: 'Grand Dieu ! Que Vois-Je ?' (Marguerite, Faust) Scène 14 | Trio Et Chœur: 'Allons, Il Est Trop Tard !' – 'Je Connais Donc Enfin' (Méphistophélès, Marguerite, Faust, Chœur) Scène 15 | Romance. 'D'amour L'ardente Flamme' (Marguerite) 'Au Son Trompettes' (Chœur, Marguerite) Scène 16 | Invocation À La Nature: 'Nature Immense, Impénétrable Et Fière' (Faust) Scène 17 | Récitatif Et Chasse: 'A La Voûte Azurée' (Méphistophélès, Faust) Scène 18 | La Course À La Abîme: 'Dans Mon Cœur Retentit Sa Voix' (Faust, Chœur, Méphistophélès) Scène 19 | Pandaemonium (Chœur En Langue Infernale): 'Has ! Irimiru Karabrao !' (Chœur, Méphistophélès) Epilogue / Sur la Terre | 'Allors L'Enfer Se Tut' (Une Voix, Chœur) Scène 20 / Dans Le Ciel | Epilogue: 'Laus! Hosanna !' – (Chœur, Une Voix) Apothéose De Marguerite: 'Remonte Au Ciel, Âme Naïve' (Chœur, Une Voix) Symphony No. 2 In E Flat Major
Composed By – I Adagio – Allegro Agitato II Larghetto Non Troppo III Scherzo: Allegro Molto IV Finale: Allegro Leggiero Assai Jeux D'enfants, Op. 22
Composed By – I Marche: Trompette Et Tambour II Berceuse: La Poupée III Impromptu: IV Duo: Petit Mari, Petite Femme V Galop: Le Bal La Mer (Trois Esquisses Symphoniques)
Composed By – I De L'aube À Midi Sur La Mer (Très Lent) II Jeux De Vagues (Allegro [Dans Un Rythme Très Souple]) Dialogue Du Vent Et de la Mer (Animé Et Tumultueux) Danse Sacrée Et Danse Profane (Pour Harpe Et Orchestre À Cordes)
Composed By – I Danse Sacrée II Danse Profane Russian Easter Festival Overture, Op. 36 Overture: May Night Le Coq D'or – Suite
Arranged By – I Introduction And Dodonis Sleep (Allegro – Lento) II Tsar Dodon On The Battlefield (Moderato) III Queen Of Shemakha's Dance – King Dodon's Dance (Andantino – Allegretto) IV Wedding Procession – Death Of King Dodon – Finale (Allegro Assai – Allegro Alla Marcia – Allegro Non Troppo) In The Steppes Of Central Asia Fragment De L'Apocalypse, Op. 68 Overture: Ruslan And Ludmila Symphony No. 6 In B Minor, Op. 74 "Pathétique"
Composed By – I Adagio – Allegro Non Troppo – Andante – Moderato Mosso – Andante – Moderato Assai – Allegro Vivo – Andante Come Prima – Andante Mosso II Allegro Con Grazia III Allegro Molto Vivace IV Finale: Adagio Lamentoso – Andante Francesca Da Rimini, Op. 32 (Fantasy After Canto V Of The 'Inferno' From The Divine Comedy - Andante Lugubre – Allegro Vivo – Andante Cantable Non Troppo – Allegro Vivo) Lohengrin: Prelude To Act I Lohengrin: Prelude To Act II Tannhäuser: Overture Tannhäuser: Venusberg Music (Bacchanale) from the Paris version, Act 1, scene 1 Siegfried Idyll Die Walküre: Walkürenritt Les Choéphores, Op. 24 = The Libation Bearers (From Part II Of The Oreseia By Aeschylus)
Baritone Vocals [Oreste] – I Vocifération Funèbre (Chœur, Soprano) II Libation (Soprano, Chœur) III Incantation (Chœur, Oreste, Electre) IV Présages (Recitante, Chœur) V Exhortation (Recitante, Chœur) VI La Justice Et La Lumière (Chœur) VII Conclusion (Recitante, Chœur) Symphony No. 5 'Di Tre Re'
Composed By – I Grave II Allegretto – Adagio – Allegretto III Andante Bacchus Et Ariane, Op. 43 – Suite No. 2
Composed By – Andante Lento (Elle Regarde Avec Étonnement De Tous Côtés) Allegro (Bacchus Danse Seul) Andante (Le Baiser) Allegro Deciso (Le Thiase Défile) Andante (Danse d'Ariane) Moderato E Pesante (Danse D'Ariane Et Te Bacchus) Allegro Brillante (Bacchanale) Allegro Molto Symphonie Fantastique, Op. 14
Composed By – I Rêveries. Passions (Largo – Allegro Agitato Ed Appassionato Assai) II Un Bal (Valse: Allegro Non Troppo) III Scène Aux Champs (Adagio) IV Marche Au Supplice (Allegretto Non Troppo) V Songe D'une Nuit Du Sabbat (Larghetto – Allegro – Ronde Du Sabbat: Poco Meno Mosso) Pictures At An Exhibition
Composed By – I Promenade (Allegro Guisto, Nel Modo Russico; Seza Allegrezza, Ma Poco Sostenuto) II Gnomus (Vivo) III Promenade (Moderato Comodo E Con Delicatezza) IV Il Vecchio Castelle (Andante) V Promenade (Moderato Non Tanto, Pesamente) VI Tuileries (Dispute D'enfants Après Jeux (Allegretto Non Troppo, Capriccioso) VII Bydlo (Sempre Moderato, Pesante) VIII Promenade Tranquillo) IX Ballet Des Poussins Dans Leurs Coques (Scherzino. Vivo Leggiero) X Samuel Goldenberg And Schmuyle (Andante) XI Limoges. Le Marché (La Grande Nouvelle (Allegretto Vivo, Sempre Scherzando) XII Catacombae (Sepulchrum romanum) (Largo) XIII Cum Moruis In Linguia Mortua (Andante Non Troppo, Con Lamento) XIV La Cabane Sur Des Pattes de Poule (Baba-Yaga) (Allengro Con Brio, Feroco – Andante Mosso – Allegro Molto) XV La Grande Porte de Kiev (Allegro Alla Breve. Maestoso. Con Grandezza) Symphony No. 3 In C Major, "Singulière"
Composed By – I Allegro Fuocoso II Adagio – Scherzo (Allegro Assai) – Adagio III Presto Symphony No. 4 In E-flat Major
Composed By – I Allegro Risoluto Adagio Scherzo. Allegro Molto Finale. Allegro Vivace Symphony No. 4 In C Minor, D 417 "Tragic"
Composed By – Adagio Molto – Allegro Vivace Andante Menuetto (Allegro Vivace) Allegro Die Schöpfung Hob, XXI:2
Bass Vocals – Erster Teil = Part I / Die Erster Tag | No. 1 Largo: 'Die Vorstellung Des Chaos' No. 2 Recitativ (Raphael, Uriel): 'Im Anfange Schuf Gott Himmel Und Erde' No. 3 Arie (Uriel) Und Chor: 'Nun Schwanden Vor Dem Heiligen Strahle' Die Zweite Tag | No. 4 Accompagnato-Recitativ (Raphel): No. 4 'Und Gott Machte Das Firmament' No. 5 Solo (Gabriel): 'Mit Staunen Sieht Das Wunderwerk' Der Dritte Tag | No. 6 Rezitativ (Raphael): Und Gott Sprach: Es Sammle Sich Das Wasser' No. 7 Arie (Raphael): 'Rollend In Schäumenden Wellen' No. 8 Rezitativ (Gabriel): 'Und Gott Sprach: Es Bringe Die Erde Gras Hervor' No. 9 Arie (Gabriel): 'Nun Beut Die Flur Das Frische Grün' No. 10 Rezitativ (Uriel): Und Die Himmlischen Heerscharen Verkündigten' No. 11 Chor: 'Stimmt An Die Saiten' Der Vierte Tag | No. 12 Rezitatv (Uriel): ' Und Gott Sprach: Es Sei'n Lichter' No. 13 Accompagnato-Recitativ (Uriel): 'Im Vollen Glanze Steiget Jetzt Die Sonne' No. 14 Chor Und Soli (Gabriel, Uriel, Raphael); 'Die Himmel Erzählen Die Ehre Gottes' Zweiter Teil = Part II / Der Fünfte Tag | No. 15 Rezitativ (Gabriel): 'Und Gott Sprach: Es Bringe Das Wasser' No. 16 Arie (Gabriel): 'Auf Starkem Fittiche' No. 17 Accompagnato-Recitativ (Raphael): 'Und Gott Schuf Grosse Walfische' No. 18 Rezitativ (Raphael):Und Die Engel Rührten Ihr' Unsterblichen Harfen' No. 19 Terzett (Gabriel, Uriel, Raphael) Und Chor: 'In Holder Anmut Stehn' – 'Der Herr Ist Groß In Seiner Macht' Der Scheste Tag | No. 20 Rezitativ (Raphael): 'Und Gott Sprach: Es Bringe Die Erde Hervor Lebende Geschöpfe' No. 21 Accompagnato-Recitativ (Raphael): 'Gleich Öffnet Sich Der Erde Schoß' No. 22 Arie (Raphael): 'Nun Scheint In Vollem Glanze Der Himmel' No. 23 Recitativ (Uriel): Und Gott Schuf Den Menschen Nach Seinem Ebenbilde' No. 24 Arie (Uriel): 'Mit Würd' Und Hoheit Angetan' No. 25 (Rezitativ (Raphael): 'Und Gott Sah Jedes Ding, Was Er Gemacht Hatte' No. 26 Chor Und Terzett (Gabriel, Uriel, Raphael): 'Vollendet Ist Das Große Werk' – 'Zu Dir, O Herr, Blickt Alles Auf' Dritter Teil (Part III) | No. 27 Largo – Accompagnato-Recitativ (Uriel): 'Aus Rosenwolken Bricht' No. 28 Rezitativ (Eva, Adam): 'Von Deiner Güt', O Herr Und Gott' No. 29: Duett (Adam, Eva): 'Nun Ist Die Erste Pflicht Erfüllt' No. 30 Duett (Adam, Eva): 'Holde Gattin, Dir Zur Seite' No. 31 Rezitativ (Uriel): 'O Glücklich Paar Und Glücklich Immerfort' No. 33 Schulss-Chor: ''ingt Dem Herren Alle Stimmen' Mass In C Major, K 317 "Krönungsmesse"
Choir – I Kyrie II Gloria III Credo IV Sanctus V Benedictus VI Agnus Dei Messe Solennelle de Ste. Cécile
Composed By – No. 1 Kyrie | Kyrie Eleison – Christe Eleison – Kyrie Eleison (Moderato Quasi Andantino) No. 2 Gloria | Gloria In Excelsis Deo (Larghetto – Allegro Pompopso) Domine, Fili Unigenite (Andante) Quoniam Tu Solus (Allegro Pomposo) No. 3 Credo | Credo In Unum Deum (Moderato Molto Maestoso) Et Incarnatus Est (Adagio) Et Resurrexit (Moderato Molto Maestoso) No. 4 Offertorium (Adagio Molto) (Orchestra) No. 5 Sanctus – Benedictus | Sanctus, Sanctus, Sanctus, Dominus (Andante [Pas Trop Lent]) Benedictus (Adagio) No. 6 Agnus Dei | Agnus Dei, Qui Tollis Peccata Mundi (Andante Moderato) No. 7 Domine Salvam | No. 1 Prière De L'Église (Largo) No. 7 Domine Salvam: No. 2 Prière De L'Armée (Poco Animato) No. 7 Domine Salvam: No. 3 Prière De la Nation (Très Large) An Interview With Igor Markevitch
Interviewee – Introduction Ellenville Festival Rite Of Spring Composer Recording Work With Students Future Activities
CD 1 Total timing: 67:13 Recording Locations: Salle de la Mutualité, Paris, France, 17 & 19-21 December 1959 (Mozart); Rudolfinum, Prague, Czech Republic, 7-8 December 1962 (Cherubini) Original Deutsche Grammophon Releases: 138 131 (Mozart); 138 795 (Cherubini) ℗ 1961 (Mozart), 1963 (Cherubini) Deutsche Grammophon GmbH, Berlin STEREO
CD 2 Total timing: 73:32 Recording Location: Jesus-Christus-Kirche, Berlin, Germany, 22-28 February 1954 (Mozart 34, 38); Théâtre des Champs-Elysées, Paris, France, 28 October & 6 November 1957 (Mozart 35); Salle Pleyel, Paris, France, 7 June 1958 (Gluck) Original Deutsche Grammophon Releases: 18 176 (Mozart 34, 38), 19 169 (Mozart 35 and Gluck) ℗ 1961 (Mozart), 1963 (Cherubini) Deutsche Grammophon GmbH, Berlin MONO (Mozart) ‧ STEREO (Gluck)
CD 3 total timing: 75:25 Recording Locations: Jesus-Christus-Kirche, Berlin, Germany 26–28 February 1954 (Schubert), 19, 20 December 1954 (Cimarosa); Théâtre des Champs-Elysées, Paris, France, 29, 30 October 1957 (Haydn); Polydor-Studio, Paris, France, 4–5 December 1958 (Mozart) Original Deutsche Grammophon Releases: 138 131 (Mozart; see disc 1); 19 169 (Haydn; see CD 2); 37 138 (Cimarosa); 18 221 (Schubert) ℗ 1955 (Schubert), 1956 (Cimarosa), 1959 (Haydn), 1960 (Mozart) Deutsche Grammophon GmbH, Berlin MONO (Haydn, Cimarosa, Schubert) ‧ STEREO (Mozart)
CD 4 Total timing: 56:24 Recording Location: Polydor-Studio, Paris, France, 25 November 1958 (Coriolan), 26 November 1958 (Egmont, Leonore, Zur Namensfeier), 28 November 1958 (Die Weihe des Hauses), 29 November 1958 (Fidelio) Original Deutsche Grammophon Releases: 138 039 (Leonore, Coriolan, Fidelio, Die Weihe des Hauses); 138 032 (Zur Namensfeier) ℗ 1959 Deutsche Grammophon GmbH, Berlin STEREO
CD 5 Total timing: 47:23 Recording Location: Manhattan Center, New York, USA, 19-21 December 1956 & 30 January 1957 Original Deutsche Grammophon Release: 18 350 ℗ 1957 Deutsche Grammophon GmbH, Berlin MONO
CD 6 Total timing: 42:35 Recording Location: Théâtre des Champs-Elysées, Paris, France, 21-25 October 1957 & 8 November 1957 Original Deutsche Grammophon Release: 18 468 ℗ 1958 (Cherubini) Deutsche Grammophon GmbH, Berlin MONO
CD 7 total timing: 44:11 Recording Location: Manhattan Center, New York, United States, 19-21 December 1956 Original Deutsche Grammophon Release: 18 364 ℗ 1958 Deutsche Grammophon GmbH, Berlin MONO
CD 8 Total timing: 78:18 Recording Locations: Jesus-Christus-Kirche, Berlin, Germany, 8-15 December 1955 (Berlioz); Polydor-Studio, Paris, France, 20-24 November 1958 (Brahms) Original Deutsche Grammophon Release: 138 032 (Brahms; see CD 4); 18 299 ℗ 1956 (Berlioz), 1959 (Brahms) Deutsche Grammophon GmbH, Berlin STEREO (Brahms) ‧ MONO (Berlioz)
CD 9 Total timing: 70:34 Recording Location: Salle de la Mutualité, Paris, France, 11-17 January 1961 (Berlioz), 17-18 (Cherubini, Auber) January 1961 Original Deutsche Grammophon Releases: 138 712 (Berlioz); 447 406-2 (Cherubini, Auber) ℗ 1962 (Berlioz), 1995 (Cherubini, Auber)M Deutsche Grammophon GmbH, Berlin STEREO
CD 10 Total timing: 52:13 / CD 11 Total timing: 60:56 Recording Location: Salle de la Mutualité, Paris, France, 4-6 & 12-14 May 1959 Original Deutsche Grammophon Release: 138 099-100 ℗ 1960 Deutsche Grammophon GmbH, Berlin STEREO
CD 12 Total timing: 78:28 Recording Locations: Théâtre des Champs-Elysées, Paris, France, 8, 10, 11 November 1957 (Gounod, Bizet); Salle de la Mutualité, Paris, France, 2 March (Debussy: Danses), 2-3 May 1959 (Debussy: La Mer) Original Deutsche Grammophon Release: 18 469 (Gounod, Bizet); 138 073 (Debussy) ℗ 1957 (Gounod, Bizet), 1959 (Debussy) Deutsche Grammophon GmbH, Berlin MONO (Gounod, Bizet) ‧ STEREO (Debussy)
CD 13 Total timing: 69:59 Recording Locations: Salle Pleyel, Paris, France, 12 November 1957 (Russian Easter Festival Overture), 8-10 (Le Coq d’or), 11 (May Night) June 1958; Salle de la Mutualité, Paris, France, 15 December 1959 (Borodin, Glinka), 23 May 1960 (Lyadov) Original Deutsche Grammophon Releases: 19 170 (Russian Easter Festival Overture); 133 006 (Stereo version of 19 170 with Le Coq d’or, May Night), 136 225 (Borodin, Lyadov, Glinka) ℗ 1959 (Rimsky-Korsakov), 1960 (Borodin), 1961 (Lyadov, Glinka) Deutsche Grammophon GmbH, Berlin MONO (Russian Easter Festival Overture) ‧ STEREO (May Night, Le Coq d'or, Borodin, Lyadov, Glinka)
CD 14 Total timing: 69:02 Recording Locations: Jesus-Christus-Kirche, Berlin, Germany, 1-4 December 1953; Salle de la Mutualité, Paris, France, 9, 15 December 1959 Original Deutsche Grammophon Releases: 18 193 (Symphony No. 6); 136 225 (Francesca da Rimini; see CD 13) ℗ 1954 (Symphony), 1961 (Francesca da Rimini) Deutsche Grammophon GmbH, Berlin MONO (Symphony No. 6) ‧ STEREO (Francesca da Rimini)
CD 15 Total timing: 62:16 Recording Locations: Salle Pleyel, Paris, France, 12, 13 June 1958 (Tannhäuser: Overture), 13 June 1958 June 1958 (Lohengrin: Prelude to Act I), 19 November 1958 (Lohengrin: Prelude to Act II); Jesus-Christus-Kirche, Berlin, Germany, 7-8 December 1954 (Siegfried Idyll), 14-15 December 1954 (Tannhäuser: Venusberg Music), 19-20 December 1954 (Die Walküre) Original Deutsche Grammophon Releases: 133 010 (Lohengrin Preludes to Acts I & II, Tannhäuser: Overture); 19 024 (Tannhäuser: Venusberg Music, Siegfried Idyll, Die Walküre) ℗ 1955 (Tannhäuser: Venusberg Music, Siegfried Idyll, Die Walküre), 1960 (Lohengrin, Tannhäuser: Overture) Deutsche Grammophon GmbH, Berlin MONO (Tannhäuser: Venusberg Music, Siegfried Idyll, Die Walküre) ‧ STEREO (Lohengrin, Tannhäuser: Overture)
CD 16 Total timing: 73:32 Recording Locations: Salle Wagram, Paris, France, 16, 18–19, 22 March 1957 (Milhaud), 25-27 March 1957 (Honegger); Salle de la Mutualité, Paris, France 2-3 December 1958 (Roussel) Original Deutsche Grammophon Releases: 18 385 (Milhaud, Honegger); 138 073 (Roussel; see CD 12) ℗ 1957 (Milhaud, Honegger), 1960 (Roussel) Deutsche Grammophon GmbH, Berlin MONO (Milhaud, Honegger) ‧ STEREO (Roussel)
CD 17 Total timing: 79:16 Recording Location: Jesus-Christus-Kirche, Berlin, Germany, 23-29 November 1953 (Berlioz), 21-25 February 1953 (Mussorgsky) Original Deutsche Grammophon Releases: 18 167 (Berlioz); 16 061 (Mussorgsky) ℗ 1953 (Mussorgsky), 1954 (Berlioz) Deutsche Grammophon GmbH, Berlin MONO
CD 18 Total timing: 78:11 Recording Location: Jesus-Christus-Kirche, Berlin, Germany, December 1954 (Schubert), December 1955 (Berwald) Original Deutsche Grammophon Releases: 18 317 (Berwald); 18 221 (Schubert; see CD 3) ℗ 1955 (Schubert), 1956 (Berwald) Deutsche Grammophon GmbH, Berlin MONO
CD 19 Total timing: 75:29 / CD 20 Total timing: 57:18 Recording Location: Jesus-Christus-Kirche, Berlin, Germany, 18-21 February 1954 (Mozart); 6-11 May 1955 (Haydn) Original Deutsche Grammophon Release: 16 096 (Mozart); 18 489-490 (Haydn) ℗ 1955 Deutsche Grammophon GmbH, Berlin MONO
CD 21 Total timing: 67:00 Recording Location: Rudolfinum, Prague, Czech Republic, 26-29 June 1965 (Gounod); Recorded: Fine Recording Studios, New York, USA, 2 August 1957 (Interview: Decca Tape DS2673) Original Deutsche Grammophon Release: 139 111 (Gounod); 474 400-2 (Interview) ℗ 1966 (Gounod), 2003 (Interview) Deutsche Grammophon GmbH, Berlin STEREO (Gounod) ‧ MONO (Interview)
credits
Art Direction – - Raymond Bannerman Booklet Editor – - Adam Freeman (2) , - Bruce Raggatt Edited By – - Eva Keilholz (tracks: 19-1 to 19-26, 20-1 to 20-6), - Günter Hermanns (tracks: 2-5 to 2-7, 3-7 to 3-13, 4-1 to 4-4, 8-1 to 8-4, 15-2, 15-4, 15-6, 18-8 to 18-11), - Hans-Peter Schweigmann (tracks: 6-1 to 6-5, 12-1 to 12-9, 17-6 to 17-20), - Heinz Reinicke (tracks: 2-8 to 2-11, 6-1 to 6-5, 12-1 to 12-9), - Helmut Elbl (tracks: 2-1 to 2-4, 14-1 to 14-4, 17-1 to 17-5, 20-7 to 20-11), - Helmut Najda (tracks: 1-1 to 1-7), - Karlheinz Westphal * (tracks: 14-1 to 14-4), - Rolf Peter Schröder (tracks: 9-1 to 9-7, 21-1 to 21-14), - Werner Grimme (tracks: 8-5 to 8-8)Engineer [Balance Engineer] – - Alfred Steinke (tracks: 2-1 to 2-7, 3-10 to 3-13, 15-4, 17-6 to 17-20, 18-8 to 18-11, 19-1 to 19-26, 20-1 to 20-6), - Günter Hermanns (tracks: 9-1 to 9-7, 10-1 to 10-14, 11-1 to 11-16, 21-1 to 21-14), - Harald Baudis (tracks: 13-8), - Harro-Hell Michna (tracks: 3-4 to 3-6, 16-1 to 16-10), - Heinrich Keilholz (tracks: 2-8 to 2-11, 5-1 to 5-4, 6-1 to 6-5, 7-1 to 7-4, 12-1 to 12-9, 15-5, 16-1 to 16-10, 20-7 to 20-11), - Heinz Wildhagen (tracks: 1-1 to 1-7), - Karlheinz Westphal * (tracks: 14-1 to 14-4, 17-1 to 17-5), - Thomas Frost (tracks: 5-1 to 5-4, 7-1 to 7-4), - Walter Alfred Wettler (tracks: 1-8 to 1-13, 3-1 to 3-3, 13-7, 13-9, 14-5), - Werner Grimme (tracks: 15-5, 18-1 to 18-7), - Werner Heidrich (tracks: 3-7 to 3-9, 15-3, 15-6), - Werner Wolf (tracks: 2-12 to 2-14, 3-1 to 3-3, 4-1 to 4-4, 8-1 to 8-4, 12-10 to 12-14, 13-1 to 13-6, 15-1 to 15-3, 16-11 to 16-19)Engineer [Recording Engineer] – - Guenther Dieckmann * (tracks: 21-1 to 21-14)Executive-Producer – - Prof. Elsa Schiller * (tracks: 9-1 to 9-7, 10-1 to 10-14, 11-1 to 11-16), - Günter Hermanns (tracks: 16-11 to 16-19, 18-1 to 18-7), - Hans-Peter Schweigmann (tracks: 16-1 to 16-10), - Otto Gerdes (tracks: 21-1 to 21-14)Liner Notes – - Peter Quantrill Management [Executive Producer Of This Edition] – - Alan Newcombe Management [Executive Producer] – - Cyrus Meher-Homji Producer [Recording Producer] – - Hans Ritter (tracks: 3-1 to 3-3, 4-1 to 4-4, 8-1 to 8-4, 9-1 to 9-7, 10-1 to 10-14, 11-1 to 11-16, 12-10 to 12-14, 13-8, 15-2, 16-11 to 16-19), - Hans Weber (tracks: 1-1 to 1-7, 21-1 to 21-14), - Heinz Reinicke (tracks: 2-8 to 2-14, 3-4 to 3-6, 6-1 to 6-5, 12-1 to 12-9), - Karl-Heinz Schneider (tracks: 1-8 to 1-13, 2-12 to 2-14, 3-1 to 3-3, 13-1 to 13-7, 13-9, 14-5, 15-1, 15-3, 15-6, 16-1 to 16-10), - Klaus Fischer-Dieskau (tracks: 18-1 to 18-7), - Thomas Frost (tracks: 5-1 to 5-4, 7-1 to 7-4), - Wolfgang Lohse (tracks: 2-1 to 2-7, 3-7 to 3-13, 8-5 to 8-8, 14-1 to 14-4, 15-4, 15-6, 17-1 to 17-20, 18-8 to 18-11, 19-1 to 19-26, 20-1 to 20-12)Product Manager – - Cassandra Paz
companies
Marketed By Universal Classics amp Jazz Phonographic Copyright Universal Music Australia Pty Ltd Copyright Universal Music Australia Pty Ltd Made By Technicolor, Australia Recorded At Salle de la Mutualit, Paris Recorded At Rudolfinum Recorded At JesusChristusKirche, Berlin Recorded At Thtre des Champslyses Recorded At Salle Pleyel Recorded At Polydor Studio Paris Recorded At Fine Recording Studios
