tracks

Ilia's Theme
Main Title
Klingon Battle
Total Logic
Floating Office
The Enterprise
Leaving Drydock
Spock's Arrival
The Cloud
Vejur Flyover
The Force Field
Games
Spock Walk
Inner Workings
Vejur Speaks
The Meld
A Good Start
End Title
Star Trek Theme
Introduction: Nichelle Nichols
Inside Star Trek
William Shatner Meets Captain Kirk
Introduction To Live Show
About Science Fiction
The Origin Of Spock
Sarek's Son Spock
The Questor Affair
The Genesis II Pilot
Cyborg Tools And E.T. Life Forms
McCoy's RX For Life
The Star Trek Philosophy
Asimov's World Of Science Fiction
The Enterprise Runs Around
A Letter From A Network Censor
The Star Trek Dream (Ballad I / Ballad II)
Sign Off: Nichelle Nichols

notes

Includes a 16-page booklet and an opalescent 4-sided cardboard slip-case.

Producer's note: Due to the wide variety of sources used in this project, including live lecture recordings, there are many hiss level/quality changes throughout, along with bias pops, lip smacks, bad analog splices, and background noises.

Star Trek: The Motion Picture:
Original issue: JS 36334, released 1979
First CD issue: CK 36334, released 1986
Recorded at 20th Century Fox Music scoring stage
Disc mastering: Capitol Records Studios

Inside Star Trek:
Tracks 2-5 to 2-7, 2-9 to 2-11, 2-15, 2-16: Recorded May, 1976 in New York.
Tracks 2-3, 2-4, 2-8, 2-12, 2-14, 2-17: Recorded July, 1976 at United Western Studios, Los Angeles.
Track 2-1: Recorded May, 1976 at Columbia Recording Studios, New York
Tracks 2-2, 2-18: Recorded March 1998 at Sony Music Studios, Santa Monica

1-4, 1-5, 1-8, 1-11, 1-12, 1-14, 1-15, 1-17, 2-2, 2-6, 2-10, 2-11 and 2-18 are previously unreleased.

SBM™ Super Bit Mapping

© 1966, 1979 Paramount Pictures Corporation/© 1976, 1998 Sony Music Entertainment Inc./℗ 1979, 1998 Paramount Pictures Corporation, 1974, 1976, 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records, New York, NY.

Track 2-17 lists "Ballad I/Ballad II" whereas the original LP release of "Inside Star Trek", in addition, lists "Ballad III". Includes a 16-page booklet.

Mixing and mastering at Sony Music Studios, NYC.

Producer's note: Due to the wide variety of sources used in this project, including live lecture recordings, there are many hiss level/quality changes throughout, along with bias pops, lip smacks, bad analog splices, and background noises.

Star Trek: The Motion Picture:
Original issue: JS 36334, released 1979
First CD issue: CK 36334, released 1986
Recorded at 20th Century Fox Music scoring stage
Disc mastering: Capitol Records Studios

Ensign Music Corp. (BMI)

Inside Star Trek:
Tracks 2-5 to 2-7, 2-9 to 2-11, 2-15, 2-16: Recorded May, 1976 in New York.
Tracks 2-3, 2-4, 2-8, 2-12, 2-14, 2-17: Recorded July, 1976 at United Western Studios, Los Angeles.
Track 2-1: Recorded May, 1976 at Columbia Recording Studios, New York
Tracks 2-2, 2-18: Recorded March 1998 at Sony Music Studios, Santa Monica

1-4, 1-5, 1-8, 1-11, 1-12, 1-14, 1-15, 1-17, 2-2, 2-6, 2-10, 2-11 and 2-18 are previously unreleased.

SBM™ Super Bit Mapping

© 1966, 1979 Paramount Pictures Corporation/© 1976, 1998 Sony Music Entertainment Inc./℗ 1979, 1998 Paramount Pictures Corporation, 1974, 1976, 1998 Sony Music Entertainment Inc./Manufactured by Columbia Records, New York, NY.

credits

A&R [A&R Coordination] – Patti Matheny
A&R [Legacy A&R] – Steve Berkowitz
Arranged By, Conductor – Charles Calello, (tracks: 2-1)
Art Direction, Design – Ron Jaramillo
Artwork [Front Cover] – Bob Peak (2)
Composed By, Conductor, Producer [Original Soundtrack Recording] – Jerry Goldsmith (tracks: 1-1 to 1-18)
Contractor – Carl Fortina (tracks: 1-1 to 1-18)
Design – Pat Jerina,
Edited By [Music Editor For The Film] – Ken Hall (tracks: 1-1 to 1-18)
Engineer – John Neal (tracks: 1-1 to 1-18)
Engineer [Assistant] – Barry Walter, (tracks: 1-1 to 1-18), Randy Saunders (tracks: 1-1 to 1-18), Terry Brown (16) (tracks: 1-1 to 1-18)
Engineer [Editing Engineer], Executive-Producer – Bruce Botnick (tracks: 1-1 to 1-18)
Engineer [Original Recording Engineers] – Bob Schoppe (tracks: 2-3 to 2-17), George Ball, (tracks: 2-3 to 2-17), Russ Payne (tracks: 2-3 to 2-17), Stan Tonkel (tracks: 2-3 to 2-17)
Interviewer – Gene Roddenberry (tracks: 2-1 to 2-18)
Liner Notes – David Hirsch, Ford A. Thaxton
Mixed By, Mastered By – Darcy M. Proper,
Orchestrated By – Arthur Morton (tracks: 1-1 to 1-18)
Orchestrated By [Additional] – Alexander Courage (tracks: 1-1 to 1-18), Fred Steiner (tracks: 1-1 to 1-18)
Other [For 20th Century Fox Music Department] – Lionel Newman (tracks: 1-1 to 1-18)
Other [For Columbia Records] – Brunce Lundvall (tracks: 1-1 to 1-18), Guy Spellman (tracks: 1-1 to 1-18), Joe Dash (tracks: 1-1 to 1-18), Michael Dilbeck (tracks: 1-1 to 1-18)
Other [For Paramount Pictures Music Department] – Hunter Murtaugh (tracks: 1-1 to 1-18)
Other [Packaging Manager] – Lily Lew
Other [Project Director] – Jessica Sowin
Producer – Didier C. Deutsch (tracks: 2-2, 2-18)
Producer [Associate Producer] – Ford A. Thaxton
Producer [Original Release] – Don DeVito (tracks: 2-1), Ed Naha (tracks: 2-3 to 2-17)
Reissue Producer – Darcy M. Proper, Didier C. Deutsch
Research [A&R Research], Sequenced By – Ford A. Thaxton
Research [Archival Research, Motion Picture Soundtrack] – Jon Naatjes, Stephen Laszlo
Technician [Sony Digital Recording System Consultant] – Rick Plushner (tracks: 1-1 to 1-18), Roger Pryor (tracks: 1-1 to 1-18)
A&R [A&R Coordination] – Patti Matheny
A&R [Legacy A&R] – Steve Berkowitz
Art Direction, Design – Ron Jaramillo
Artwork [Front Cover] – Bob Peak (2)
Composed By, Conductor, Producer [Original Soundtrack Recording] – Jerry Goldsmith (tracks: 1-1 to 1-18)
Contractor – Carl Fortina (tracks: 1-1 to 1-18)
Design – Pat Jerina,
Edited By [Music Editor For The Film] – Ken Hall (tracks: 1-1 to 1-18)
Engineer – John Neal (tracks: 1-1 to 1-18)
Engineer [Assistant] – Barry Walter, (tracks: 1-1 to 1-18), Randy Saunders (tracks: 1-1 to 1-18), Terry Brown (16) (tracks: 1-1 to 1-18)
Engineer [Editing Engineer], Executive-Producer – Bruce Botnick (tracks: 1-1 to 1-18)
Engineer [Original Recording Engineers] – Bob Schoppe (tracks: 2-1 to 2-18), George Ball (2) (tracks: 2-1 to 2-18), Russ Payne (tracks: 2-1 to 2-18), Stan Tonkel (tracks: 2-1 to 2-18)
Interviewer – Gene Roddenberry (tracks: 2-1 to 2-18)
Liner Notes – David Hirsch, Ford A. Thaxton
Mastered By [Disc] – Wally Traugott (tracks: 1-1 to 1-18)
Mixed By, Mastered By – Darcy M. Proper,
Orchestrated By – Arthur Morton (tracks: 1-1 to 1-18)
Orchestrated By [Additional] – Alexander Courage (tracks: 1-1 to 1-18), Fred Steiner (tracks: 1-1 to 1-18)
Other [For 20th Century Fox Music Department] – Lionel Newman (tracks: 1-1 to 1-18)
Other [For Columbia Records] – Brunce Lundvall (tracks: 1-1 to 1-18), Guy Spellman (tracks: 1-1 to 1-18), Joe Dash (tracks: 1-1 to 1-18), Michael Dilbeck (tracks: 1-1 to 1-18)
Other [For Paramount Pictures Music Department] – Hunter Murtaugh (tracks: 1-1 to 1-18)
Other [Packaging Manager] – Lily Lew
Other [Project Director] – Jessica Sowin
Producer [Associate Producer] – Ford A. Thaxton
Producer [Originally] – Don DeVito (tracks: 2-1 to 2-18), Ed Naha (tracks: 2-1 to 2-18)
Reissue Producer – Darcy M. Proper, Didier C. Deutsch
Research [A&R Research], Sequenced By – Ford A. Thaxton
Research [Archival Research, Motion Picture Soundtrack] – Jon Naatjes, Stephen Laszlo
Technician [Sony Digital Recording System Consultant] – Rick Plushner (tracks: 1-1 to 1-18), Roger Pryor (tracks: 1-1 to 1-18)

companies

Manufactured By – Columbia Records
Phonographic Copyright (p) – Paramount Pictures Corporation
Phonographic Copyright (p) – Sony Music Entertainment Inc.
Copyright (c) – Paramount Pictures Corporation
Copyright (c) – Sony Music Entertainment Inc.
Published By – AMRA Inc
Published By – Ensign Music Corp.
Recorded At – Columbia Recording Studios
Recorded At – Sony Music Studios, Los Angeles
Recorded At – Twentieth Century Fox Scoring Stage
Recorded At – United Western Studios
Mixed At – Sony Music Studios, New York City
Mastered At – Sony Music Studios, New York City
Pressed By – DADC
Mixed At – Sony Music Studios, New York City
Mastered At – Sony Music Studios, New York City
Recorded At – Twentieth Century Fox Scoring Stage
Mastered At – Capitol Mastering
Published By – Ensign Music Corp.
Recorded At – United Western Studios
Recorded At – Columbia Recording Studios
Recorded At – Sony Music Studios, Los Angeles
Copyright (c) – Paramount Pictures Corporation
Copyright (c) – Sony Music Entertainment Inc.
Phonographic Copyright (p) – Paramount Pictures Corporation
Phonographic Copyright (p) – Sony Music Entertainment Inc.
Manufactured By – Columbia Records

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