tracks

Pines Of Rome
I. Pines Of The Villa Borghese
II. Pines Near A Catacomb
III. Pines Of The Janiculum
IV. Pines Of The Appian Way
The Birds
I. Prelude
II. The Dove
III. The Hen
IV. The Nightingale
V. The Cuckoo
Fountains Of Rome
I. Fountain Of Valle Giulia At Dawn
II. Triton Fountain At Morn
III. Fountain Of Trevi At Mid-day
IV. Villa Medici Fountain At Sunset

notes

Total Playing Time: 54 Minutes

TECHNICAL INFORMATION

Recorded in Atlanta Symphony Hall on May 17, 1983 and September 22, 1984.
Microphones: Schoeps Colette Series
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model S/500 Series
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master. TECHNICAL INFORMATION

Recorded in Atlanta Symphony Hall on May 17, 1983 and September 22, 1984.
Microphones: Schoeps Colette Series
Recorder: Soundstream Digital Tape Recorder
Console: Neotek
Monitor Speakers: ADS Model 1530 bi-amplified, ADS Model C2000 Crossover
Power Amplifiers: Threshold Model S/500 Series
Interconnecting Cables: Audio-Technica
Control Room Acoustic Treatment: Sonex from illbruck/usa
Digital Editing: Sony DAE 1100

During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting or equalization) at any step during production.

Sampling frequency conversion of Telarc's Soundstream digital master to the Compact Disc format was accomplished with the Studer SFC-16 sampling frequency converter. The digital information was not subject to any analog intersteps, thus preserving the integrity of the original digital master.

PURE DIGITAL! All Telarc Compact Discs are produced exclusively from Digital masters made during the recording sessions.

Made in Austria

credits

Art Direction – Ray Kirschensteiner
Composed By – Ottorino Respighi
Conductor – Louis Lane
Edited By – Elaine Martone
Engineer [Recording] – Jack Renner
Liner Notes – Albert M. Petrak
Orchestra – Atlanta Symphony Orchestra
Producer [Recording] – Robert Woods (2)
Art Direction – Ray Kirschensteiner
Composed By – Ottorino Respighi
Conductor – Louis Lane
Edited By – Elaine Martone
Engineer [Recording] – Jack Renner
Liner Notes – Albert M. Petrak
Orchestra – Atlanta Symphony Orchestra
Producer [Recording] – Robert Woods (2)

companies

Phonographic Copyright (p) – Telarc Records
Copyright (c) – Telarc Records
Recorded At – Atlanta Symphony Hall
Glass Mastered At – DADC – DIDX 001659
Made By – Digital Audio Disc Corp.
Phonographic Copyright (p) – Telarc
Copyright (c) – Telarc
Made By – DADC Austria
Recorded At – Atlanta Symphony Hall

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