description
Cantiam Lieti Cantiamo
E D'un Bel Matin D'amore
Quella Bella A Biancha Mano
Una Leggiadra Nimpha
Venite Amanti Insieme
Divini Occhi Sereni
Con L'angelico Riso
Madonna, Il Tuo Bel Viso
Fuggi, Fuggi, Cor Mio
Si Liet' E Grata Morte
Se La Dura Durezza
Ahimè, Ahimè, Dov'è 'l Bel Viso
Madonna, S'io V'offendo
Il Bianco E Dolce Cigno
Donne, Venete Al Ballo
Morir Non Può Il Mio Cuore
Se La Mia Vita
Mia Benigna Fortuna
Ancor Che Col Partire
O Sonno
Chi La Gagliarda
Madonna Mia Fa
Medici Nui Siamo
Quando Sarà Mai Quel Zorno
Matona, Mia Cara
Tri Ciechi Siamo
O Grief Even On The Bud
When Lo By Break Of Morning
April Is In My Mistress' Face
Thule, The Period Of Cosmographie: The First Part
Thule, The Period Of Cosmographie: The Second Part
Sweet Nimphe Come To Thy Lover
Sweet Honey Sucking Bees: The First Part
Sweet Honey Sucking Bees: The Second Part
Miraculous Love's Wounding
Adew Sweet Amarillis
Weepe O Mine Eyes
The Silver Swan
O Care Thou Wilt Dispatch Me: The First Part
O Care Thou Wilt Dispatch Me: The Second Part
Since Robin Hood
Fire And Lightning
Strike It Up Tabor
See, See, The Shepherd's Queen
Come Sable Night
Sweet Suffolke Owl
In Nets Of Golden Wires
Draw On Sweet Night
Ave Rex Noster
Inter Vestibulum Et Altare
Magnificat
Tierra I Çielos Se Quexavan
Vox Dilecti Mei
Di, Por Que Museres En Cruz
Clamabat Autem Mulier
Stabat Mater
Triste España Sin Ventura
Dindirin, Dindirin
Passame Por Dios, Barquero
Si La Noche Haze Escura
Mas Vale Trocar
A La Caça, Sus, A Caça
Nuna Fue Pena Mayor
O Dulce Y Triste Memoria
Cucu, Cucu
La Tricotea
Oy Comamos Y Bebamos
In Ilhuicac Cihuapile
Salve Regina
Pater Noster
Parce Mihi, Domine
Magnificat
Memento Mei, Deus
O Quam Suavis Est, Domine
Ave Virgo Sanctissima
Transfige, Dulcissime Domine
Salve Regina
Dios Itlazo Nantzine
Mass For Four Voices
I: Kyrie
II: Gloria
III: Credo
IV: Sanctus - Benedictus
V: Agnus Dei
Mass For Three Voices
I: Kyrie
II: Gloria
III: Credo
IV: Sanctus - Benedictus
V: Agnus Dei
Mass For Five Voices
I: Kyrie
II: Gloria
III: Credo
IV: Sanctus - Benedictus
V: Agnus Dei
De Lamentatione Hieremiae
Christe Qui Es Et Dies / Precamur
Laetentur Coeli
Ave Verum Corpus
CD1: Recorded at Abbey Road Studio No.1, IV.1991; (P) 1992 Parlophone Records Limited.
CD2: Recorded at Abbey Road Studio No.1, V.1987; (P) 1988 Parlophone Records Limited.
CD3 & CD4: Recorded at The Priory Church of St Mary and St Blaise, Boxgrove, Chichester, Sussex, I.1991; (P) 1991 Parlophone Records Limited.
CD 5 & CD6: Recorded in London, St. James Church (Clerkenwell), 3-7 X.1983; (P) 1984 Parlophone Records Limited.
(P) 1984, 1988 & 1992 Parlophone Records Limited.
This compilation (P) & (C) 2016 Parlophone Records Limited.
Manufactured and printed in the EU.
Clamshell cardboard box contain 6 CDs in separate, original cover artwork, cardboard wallets and a 20p. booklet with track listings and essay but no texts.
Notes:
CD1 is a reissue of
Italian Renaissance Madrigals.
CD2 is a reissue of
"Draw On Sweet Night" English Madrigals.
CD5 & CD6 are reissues of
Masses • Lamentations • Motets.
Alto Vocals
–
David James (13)
Baritone Vocals, Conductor
–
Paul Hillier (tracks: 1-1 to 2-22, 5-1 to 6-8)
Bass Vocals
–
Gordon Jones (2) (tracks: 3-1 to 4-11),
Michael George (3) (tracks: 6-6, 6-9)
Compiled By
–
Rolf Gertler
Composed By
–
Adrian Willaert (tracks: 1-22),
Alonso De Mondéjar (tracks: 3-1, 3-18),
Alonso Lobo (tracks: 4-7),
Alonso de Alba (tracks: 3-8, 3-18),
Anonymous (tracks: 3-4, 3-10, 3-12),
Antonio Caprioli (tracks: 1-2 to 1-4),
Cipriano De Rore (tracks: 1-18 to 1-20),
Cristóbal de Morales (tracks: 4-3 to 4-5),
Francesco Patavino (tracks: 1-15),
Francisco De Millán (tracks: 3-16),
Francisco De Peñalosa (tracks: 3-2, 3-3),
Francisco Guerrero (tracks: 4-8),
Giovane Domenico da Nola (tracks: 1-21, 1-23, 1-26),
Giovanni Gastoldi (tracks: 1-1),
Hernando Franco (tracks: 4-1, 4-6, 4-11),
Jacques Arcadelt (tracks: 1-11 to 1-14),
Johannes de Urreda (tracks: 3-15),
John Bennet (tracks: 2-11),
John Ward (5) (tracks: 2-19),
John Wilbye (tracks: 2-7, 2-8, 2-10, 2-22),
Juan De Lienas (tracks: 4-2),
Juan Del Encina (tracks: 3-9, 3-13, 3-17, 3-19),
Juan Gutiérrez De Padilla (tracks: 4-9),
Loyset Compère (tracks: 1-5),
Luca Marenzio (tracks: 1-16),
Lucas Fernández (tracks: 3-6, 3-14),
Maddalena Casualna (tracks: 1-16),
Martin de Rivaflecha (tracks: 3-5),
Orlando Gibbons (tracks: 2-12),
Pedro De Escobar (tracks: 3-7, 3-11),
Pedro De Escobar (tracks: 4-10),
Philippe Verdelot (tracks: 1-6 to 1-10),
Thomas Morley (tracks: 2-1 to 2-3, 2-6, 2-9, 2-16, 2-21),
Thomas Tomkins (tracks: 2-18),
Thomas Vautor (tracks: 2-20),
Thomas Weelkes (tracks: 2-4, 2-5, 2-13 to 2-15, 2-17),
William Byrd (tracks: 5-1 to 6-9)
Engineer
–
Mark Vigars (tracks: 2-1 to 2-22),
Neville Boyling (tracks: 5-1 to 6-9),
Simon Rhodes (tracks: 1-1 to 1-26, 3-1 to 4-11)
Ensemble
–
The Hilliard Ensemble
Liner Notes
–
Simon Heighes
Painting [Cover Photo / Portrait of Simonetta Vespucci as Nymph]
–
S. Botticelli,
Photography By [Cover Photo]
–
akg-images
Producer
–
David Groves (tracks: 2-1 to 2-22),
Gerd Berg (tracks: 5-1 to 6-9),
Simon Woods (tracks: 1-1 to 1-26, 3-1 to 4-11)
Soprano Vocals
–
Gillian Fisher (tracks: 1-1 to 2-22, 6-1 to 6-5, 6-7, 6-8),
Lynne Dawson (tracks: 1-1 to 2-22)
Tenor Vocals
–
John Potter (2) (tracks: 1-1 to 4-11),
Leigh Nixon (tracks: 5-1 to 5-5, 6-1 to 6-9),
Mark Padmore (tracks: 4-2, 4-3, 4-5, 4-7, 4-8, 4-10),
Paul Elliott (tracks: 5-1 to 6-9),
Rogers Covey-Crump (tracks: 1-1 to 4-11)
Copyright (c)
–
Parlophone Records Ltd.
Record Company
–
Warner Music Group
Recorded At
–
Abbey Road Studios
Recorded At
–
Priory Church Of St. Mary And St. Blaise, Boxgrove, Chichester, Sussex
Recorded At
–
Church Of St. James, Clerkenwell, London
Pressed By
–
Optimal Media GmbH
Designed At
–
Supernova (6)