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1. Contrapunctus 1: Simple Fugue On The Subject In Its Original Form
2. Contrapunctus 3: Simple Fugue On The Invented Form Of The Subject
3. Contrapunctus 2: Simple Fugue On The Subject In Its Original Form, Counterpointed With A Dotted Rhythm
4. Contrapunctus 4: Simple Fugue On The Inverted Form Of The Subject
5. Canon alla duodecima in contrapunto alla quinta: Canon At The Twelfth, Two Voices
6. Contrapunctus 5: Counterfugue On A Variation Of The Subject And Its Inversion, In Equal Note Values
7. Contrapunctus 6 a 4 In Stylo Francese: Counterfugue On A Variation Of The Subject And Its Inversion, In Two Different Note Values
8. Contrapunctus 7 a 4 per augment et diminut: Counterfugue On A Variation Of The Subject And Its Inversion, In Three Different Note Values
9. Contrapunctus 8 a 3: Three-Voiced Tripe Fugue On Two New Subjects And A Variation Of The Main Subject
10. Contrapunctus 9 a 4 alla duodecima: Double Fugue On A New Subject And Main Subject
11. Contrapunctus a 3 c: Three-Voiced Mirror Fugue On A Variation Of The Subject And Its Inversion
12. Contrapunctus inversus a 3 c: Complete Inversion Of The Previous Piece
13. Contrapunctus 10 a 4 alla decima: Double Fugue On A New Subject And A Variation Of The Main Subject
14. Contrapunctus inversus 12 a 4: Mirror Fugue On Variants Of The Subject In 3/2 Time
15. Contrapunctus inversus 12 a 4: Complete Inversion Of The Previous Piece
16. Contrapunctus 11 a 4: Triple Fugue On Two New Subjects And A Variation Of The Main Subject
17. Canon alla ottava: Two-Voiced Canon At The Octave
18. Fuga a 3 soggetti: Incomplete Fugue On These New Subjects