After sharing a fully reworked version of the album, Phoenix: La Petite Mort Edition, Pan now release a special, colour vinyl LP edition of it. Originally conceived as a “sleep” mix for Crack Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.

“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.”

Recorded in Zaragoza, Spain and Ridgewood, New York.

Special Thanks to FUGA and Outlands.

Tracklisting on inner sleeve is incorrect and lists the track order from Phoenix: Flames Are Dew Upon My Skin instead.

	Title (Format)	Label	Cat#	Country	Year
New Submission	Phoenix: La Petite Mort Édition (14×File, FLAC, MP3, Album)	Pan (3)	none	US	2021
New Submission	Phoenix: La Petite Mort Édition (14×File, AIFF, Album, 24-bit 44.1 kHz, File, AIFF, Mixed, 24-bit 44.1 kHz)	Pan (3)	none		2021

notes

After sharing a fully reworked version of the album, Phoenix: La Petite Mort Edition, Pan now release a special, colour vinyl LP edition of it. Originally conceived as a “sleep” mix for Crack Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.

“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.”

Recorded in Zaragoza, Spain and Ridgewood, New York.

Special Thanks to FUGA and Outlands.

Tracklisting on inner sleeve is incorrect and lists the track order from Phoenix: Flames Are Dew Upon My Skin instead.

credits

Art Direction – - Daniel Sannwald , - Eartheater
Design – - NMR (3)
Engineer – - Eartheater , - Kiri Stensby , - Santiago Latorre
Ensemble, Arranged By [Chamber Arrangements] – - Ensemble De Cámara CSMA
Guitar, Piano – - Eartheater
Harp – - Marilu Donovan
Lyrics By, Arranged By, Songwriter [Music Written By] – - Eartheater
Mastered By – - Rashad Becker
Mixed By – - Kiri Stensby
Performer [Ensemble] – - Laura Sorribas
Performer [Ensemble], Flute [Flute II] – - Ana Navarro (2)
Performer [Ensemble], Flute [Flute I] – - María del Barrio
Performer [Ensemble], Violin [Violin II] – - Celia Álvarez
Performer [Ensemble], Violin [Violin I] – - Belén Pérez
Photography By – - Daniel Sannwald
Producer – - Eartheater
Violin – - Adam Markiewicz (2) (tracks: B-XIV)

companies

Copyright Pan 3
Phonographic Copyright Pan 3
Lacquer Cut at Ten Eight Seven Mastering