tracks

Streichquartett Nr. 1 (1931)
I. Rubato, Quasi Recitativo. Presto
II. Andante
III. Vivo
Streichquartett Nr. 2 (1937)
I. Allegro
II. Andante
III. Presto
Streichtrio (1954)
I. Andante
II. Allegro Molto
Folk-music Traditions Of Hungarian Village Residents
Laments For The Dead As Examples Of Vocal Music In Male Communities
In Our Time Art And Music Totally Devoid Of Organic Associations To The Wider World
Music Has Lost Its Connection To Life
Béla Bartók: Escape Into Man Kind, Experiencing An Intact, Integrated Culture
The Old Ways And Their Histories, Influences And Roots
Oral Tradition Dating Back More Than 3000 Years
Defining Characteristics Of The Old Hungarian Style
Introduction To A Field Recording From Kalotaszeg, Transylvania
Song "Virág ökröm"
Song "Édesanyám Volt Az Oka Mindennek"
In Moldavia: Background Information On The Csángo
Three Songs From A Set Of Dance Songs: Analysis, Information, Texts
Song "Kisétálék Kis Kertembe..."
Song "Menyecske, Menyecske..."
Song "Piros, Piros Szekfü.."
Transylvania, A Treasure Trove Of Folk Ballads
One Of The Best-known Székler Folk Ballads In Its Csángo Incarnation
Ballad "The Story Of Molnár Anna"
Folk Ballads Extraordinary Genuine Stories: The Ballad Of Fehér László
Two Hungarian Versions Of The Ballad In Old Style
Ballad "Fehér László" (version 1)
Ballad "Fehér László" (version 2)
Koós József, A Master Shepherd From Borsosberény
Free Improvisation On The Bagpipes
Free Improvisation On The Shepherd's Flute
Two Versions Of A Song In Free Rubato Style
Song "Dudaszó Hallatszik" (version 1, Voice)
Song "Dudaszó Hallatszik" (version 2, Flute)
Song With Bagpipes: Subject Matter
Song "Aki Dudás Akar Lenni (version 7, Voice)
Song "Aki Dudás Akar Lenni (version 2, Bagpipes)
A Pig Farmer's Song Characteristics, Subject Matter
A Pig Farmer's Song "Megy A Kanász A Parton..." (version 1, Voice)
A Pig Farmer's Song "Megy A Kanász A Parton..." (version 2, Bagpipes)
Most Instruments Are Skillfully Handcrafted (hurdy-gurdy, Zithers, Etc.)
Musical Examples With Hurdy-gurdy And Zither: Introduction To Celebrated Folk And Dance Songs In Old Style
Song "Tula Tiszán, Átokházán Születtem..." (version 1, Voice)
Song "Tula Tiszán, Átokházán Születtem..." (version 2, Hurdy-gurdy)
Song "Tul A Tiszán, Átokházán Születtem..."
Dance Melody In Dorian Mode
Dance Melody "Cigány, Cigány Mér Vagy Cigány..." (version 1, Voice)
Dance Melody "Cigány, Cigány Mér Vagy Cigány..." (versions 2 And 3, Hurdy-gurdy)
Song In Tempo Giusto, In Old Style, Three Versions
Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 1, Voice)
Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 2, Hurdy-gurdy)
Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 3, Zither)
The Same Group With Three Versions Of Another Song
Song "Áristombade Kemények Az ágyak..." (version 1, Voice)
Song "Áristombade Kemények Az ágyak..." (version 2, Zither)
Song "Áristombade Kemények Az ágyak..." (version 3, Hurdy-gurdy)
A Peculiar Instrument: The So-called"long Flute"
Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 1, Long Flute)
Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 2, Voice)
Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 3, Long Flute)
Differences Between The New And Old Styles: Sound And Melodies
Introduction To Songs In The New Style Of Hungarian Folk Music
Example Of A Song In New Style. An Example Of A Pattern Melody, Something New Rooted In Something Old
A Colourful Collection Of New Songs
With Claudio Veress In The Music Room Of Lerbermatt High School In Bern
The Eventful Career Of His Father Sándor Veress
Retreat: The Composer's Studio On The Gerechtigkeitsgasse
His Father's Letters From America And Australia: Icons Of His Childhood
The Late 1940s: No Way To Relocate To The USA - Communist-party Membership Undesirable
Claudio Veress The Student - His Father Allowed Him To Have A Say In His Approach To Homework
The String Quartets And The String Trio: Sándor Veress And The Hungarian String Quartet
The Many Stations Of Sándor Veress On His Path Into Exile
1930: Field Research In Moldavia I
Berlin 1933: New Impulses From The '20s In The Realms Of Music Education And Public Education
London, An Education Project And The Tradition Of Early-childhood Education
Enid Blake, The First Wife Of Sándor Veress
Ilse von Alpenheim: Mother Of Claudio Veress And Advocate Of The Piano Music Of Sándor Veress
Electric: Sándor Veress And His Special Affinity For Painting, As Well As His Synaesthesia Spoken Word
Claudio Veress And The Continuation Of A Family Tradition. Roots, Exile, Finding His Own Calling
In The Household Of A Historian: The Father Of Sándor Veress
Sándor Veress And His Concept Of Music
1930 Field Research In Moldavia II
The Special Relationship Between Sándor Veress And Béla Bartók
From Folk Traditions To Twelve-tone Music Broad European Horizons
Teacher-pupil Relationships: Veress - Ligeti, Holliger
The Second Half Of His Life, In Exile: To A Certain Extent, Isolated Artistically
The Personal Musical Language Of Veress
Art And Liberty: "Art Is Not A Police State"
Back To The Roots: Claudio Veress And His Hungarian Origins
His Grandfather And The Spirit Of Engineering - Gyroscope And Märklin Model Railroads
Passionate About Visual Art And Literature
Existential Questions
The Composer's Final Two Years
Spreading Awareness Of His Works In Switzerland And Abroad
Sándor Veress And Personal Restraint Promoting Himself Was The Last Thing On His Mind
Folk Music In Moldavia: Has It Become A Thing Of The Past In The Meantime?

credits

Artwork, Engineer [Balance], Booklet Editor, Edited By, Producer, Sound Designer [Sound Dramatisation] – Ingo Schmidt-Lucas
Booklet Editor, Edited By, Liner Notes, Sound Designer [Sound Dramatisation], Speech – Mirjam Wiesemann
Composed By, Liner Notes, Speech – Sándor Veress
Ensemble – DoelenKwartet Rotterdam, (tracks: 1-1 to 1-8)
Liner Notes – Egbert Hiller, Karl Amadeus Hartmann
Liner Notes, Speech – Claudio Veress
Photography By – Béla Szabó, Gyula László, Ilse von Alpenheim, Karoly Forgacs, Louis Haagman, Magyar Képszolgálat, Martina Leymann, Melinda Berlász, Olga Szalay
Producer [Production Assistant] – Frank Kämpfer

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