description
Naubatu R-rașdi, Mīzānu L-quddāmi (First And Second Part)
Naubatu L-māyati, Mīzānu L-Basīt · Naubatu L-māyati, Mīzānu L-quddāmi
Cumbees
Diferencias Sobre las Folias
Sinfonia
Passeggiata
Prélude
Allemande
Sarabande
Passecaiglia
Menuet
La Jota
Arpeggiata
Toccata
Volte
Ballo
Gagliarda
Corrente
Capona
Kapsberger
Canarios
Colascione
Villa Di Spagna
Susane Ung Jour
Xacaras
Festa, Riso, Gioco, E Giola
Lumi, Potete Piangere
Questi Vaghi Concenti
Canto D'amore
Recercada Quinta Sobre El Passamezzo Antiguo
Vorrei Baciarti, O Filii
Mascherata Della Malinconia, & Allegrezza
Damigella Tutta Bella · O Rosett, Che Rosetta
Sonata In Dialogo Detta La Viena
A Quest'Olmo
Chiacona
Sia Maledetto Amore · Sia Benedetto Amore
L'innamorato · Il Bell'humore · Amor Vittorioso
Festa, Riso, Gioco, E Gioia
Téttix
Psaphródita
Bíos
Kýthera
Naí
Kleis
Pýr Elgin-Aulós
Phýlla
Mania
O Tékos
Kálamos Aulós
Lýkos
Órigmos Short Aulós
Melítta
Makróteros Týmpanon
Théognis
Diálogos II
Dóra
Kroúsis Symposions-Aulós
Ónar
Pollá
Una Ramika De Ruda · Una Ramika De Ruda · Una Ramika De Ruda
A Kasar El Rey
Morikos
Nani Nani
Quien Huviesse Tal Ventura · Gerineldo
Abenamar
La Rosa Enflorese
Tre Fontane
Oi Yano, Yano
Jalla Mân
Firassu In Si B
Quannu Passu
Son Tre Corone
Saltarello
Laudemus Virginem / Bektashi Nefes
Stella Splendens
Isabella
Osman Paša
Mey Balaban Taksim
Mevlana
Nani, Nani, Nani
Non Sofre Santa Maria
Vox Nostra Resonet
Congaudeant Catholici
℞ Iacobe Virginei ... ℣. Tu Prece Continua
Gratulantes Celebremus Festum
℞ Huic Iacobo ... ℣. Tristis Est Anima Mea
Ad Superni Regis Decus
℞Cum Vidissent Autem ... ℣. Et Conversus Ihesus
Nostra Phalans Plaudat Leta
℞ Misit Herodes ... ℣. Occidit Autem Iacobum
Alleluia. Vocavit Ihesus Iacobum
Exultet Celi Curia. Fulget Dies.
In Hac Die Laudes Cum Gaudio
Iacobe Sancte, Tuum Repetito
Cunctipotens Genitor Deus, Omnicreator, Eleyson
Rex Immense, Pater Pie, Eleyson
℞ Dum Esset ... ℣. Sicut Enim Vox Tonitrui
Annua Gaudia, Iacobe Debita
℞ O Adiutor ... ℣. Qui Subvensis Periclitantibus ... Portum In Ultimo
Regi Perhennis Glorie
Jocundetur Et Letetur
Benedicamus Domino
Gauterius Prefatus
Magister Droardus Trecensis
Idem Droardus
Dum Pater Familias
Mater Patris Et Filia
Maria, Virgo Virginum
Ex Illustri Nata Prosapia
Audi, Pontus; Audi, Tellus
Mundi Dolens De Iactura
Ave, Maria, Gracia Plena
O Plena Gracia
Virgo Sidus Aureum
Catholicorum Concio
Untitled
Quis Dabit Capiti Meo Aquam
O Monialis Concio Burgensis
Resurgentis Domini
Rex Obiit Et Labitur Castelle Gloria
Plange, Castella Misera
Benedicamus Domino Cum Cantico
Stabat Iuxta Christi Crucem
Benedicamus Virgini Matri
Qui Nos Fecit Ex Nichilo
Verbum Patris Hodie
Benedicamus - Hic Est Enim Precursor
Salve Regina Glorie
Casta Catholica/Da, Dulcis Domina
In Hoc Desto Gratissimo
Plalla Chorus In Novo Carmina/Eximie Pater Egregie
O, Plangant Nostri Prelati
Fa Fa Mi Fa Mi Re/Ut Re Mi Ut Re Mi
O Gloriosa Dei Genitrix
Por Nos, Virgen Madre
Como O Nome Da Virgen
Sobelos Fondos Do Mar
Nenbre-sse-te, Madre De Deus, Maria
Dized', Ai Trobadores
Malsdito, Seja Quen Non Loara
Quantos Me Creveren Loarán
Quen Bõa Dona Querrá
Pero Que Seja A Gente
Humils, Forfaitz, Repres E Penedens
Santa Maria, Strela Do Dia
Pois Que Deus Quis Da Virgen Fillo
Macar Poucos Cantares Acabei E Con Son
"Kharjas" In The Andalusian Style
Que Faray, Mamma?
Meu Sīdī Ibrāhīm
Gar Si Yes Devina
Garid Vos Ay Yermanellas
En Todo Logar Á Poder
Chitarrone, Classical Guitar [baroque guitar], Guitar [xarana]
–
Lee Santana (tracks: 3-1 to 3-23)
Choir
–
Balthasar-Neumann-Chor (tracks: 4-1 to 4-14)
Classical Guitar [baroque guitar], Guitar [xarana]
–
Steve Player (tracks: 3-1 to 3-23)
Composed By
–
Francesco Corbetta (tracks: 3-5 to 3-9),
Giovanni Girolamo Kapsberger (tracks: 3-11 to 31)
Ensemble
–
Balthasar-Neumann-Ensemble (tracks: 4-1 to 4-14)
Flute [aulos], Cymbal [kymbala], Lyre [barbitos], Percussion [seistron], Music Director
–
Conrad Steinmann (tracks: 5-1 to 5-21)
Flute, Percussion [kettle drums}], Voice
–
Mustafa Doğan Dikmen
Goblet Drum [Darābukka], Voice
–
Hāǧǧ Abdelahad Amri, (tracks: 1-1 to 2-1)
Lute, Lute [longnecked lute], Percussion
–
Mehmet Cemal Yeşilçay (tracks: 6-1 to 6-7)
Lute, Voice
–
محمد بوزوبع (tracks: 1-1 to 2-1)
Music Director
–
Thomas Hengelbrock (tracks: 4-1 to 4-14),
Hāǧǧ Abdelkarim Rais, (tracks: 1-1 to 2-1)
Percussion
–
Ahmet Kadri Rizeli (tracks: 6-1 to 6-7)
Percussion, Lute [renaissance lute]
–
Vladimir Ivanoff (tracks: 6-1 to 6-7)
Psaltery
–
İhsan Özer (tracks: 6-1 to 6-7)
Rabab, Voice
–
Hāǧǧ Abdelkarim Rais, (tracks: 1-1 to 2-1)
Soprano Vocals
–
Arianna Savall (tracks: 5-1 to 5-21)
Tar (Drum), Voice
–
Hāǧǧ Muḥammad Tazi, (tracks: 1-1 to 2-1)
Tenor Vocals
–
Giovanni Cantarini (tracks: 5-1 to 5-21)
Trumpet [salphinx], Drum [tympana], Cymbal [kymbala], Crotales [krotala]
–
Massimo Cialfi (tracks: 5-1 to 5-21)
Viola da Gamba, Viol [treble viol], Viol [lirone], Classical Guitar [baroque guitar]
–
Hille Perl (tracks: 3-1 to 3-23)
Violin, Voice
–
Sidi Samlali, (tracks: 1-1 to 2-1)
Voice
–
Fadia El-Hage (tracks: 6-1 to 6-7),
Muḥammad Baǧdub, (tracks: 1-1 to 2-1)
Voice, Bagpipes
–
Belinda Sykes (tracks: 6-1 to 6-7)
Zither [qānūn], Voice
–
Saleḥ Cherki