tracks

Love Minus Zero / No Limit - Take 2 (1/13/1965)
I'll Keep It With Mine - Take 1 (1/13/1965)
Bob Dylan's 115th Dream - Take 2 (1/13/1965)
She Belongs To Me - Take 1 (1/13/1965)
Subterranean Homesick Blues - Take 1 (1/14/1965)
Outlaw Blues - Take 2 (1/13/1965)
On The Road Again - Take 4 (1/14/1965)
Farewell, Angelina - Take 1 (1/13/1965)
If You Gotta Go, Go Now - Take 2 (1/15/1965)
You Don't Have To Do That - Take 1 (1/13/1965)
California - Take 1 (1/13/1965)
Mr. Tambourine Man - Take 3 (1/15/1965)
It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8 (6/15/1965)
Sitting On A Barbed Wire Fence - Take 2 (6/15/1965)
Medicine Sunday - Take 1 (10/5/1965)
Like A Rolling Stone - Take 5 (6/15/1965)
Like A Rolling Stone - Take 11 (6/16/1965)
Desolation Row - Take 2 (8/4/1965)
Desolation Row - Take 1 (8/4/1965)
Tombstone Blues - Take 1 (7/29/1965)
Positively 4th Street - Take 5 (7/29/1965)
Can You Please Crawl Out Your Window? - Take 1 (7/30/1965)
Just Like Tom Thumb's Blues - Take 2 (8/2/1965)
Highway 61 Revisited - Take 3 (8/2/1965)
Queen Jane Approximately - Take 5 (8/2/1965)
Visions Of Johanna - Take 5 (11/30/1965)
She's Your Lover Now - Take 6 (1/21/1966)
Lunatic Princess - Take 1 (1/27/1966)
Leopard-Skin Pill-Box Hat - Take 8 (2/14/1966)
One Of Us Must Know (Sooner Or Later) - Take 19 (1/25/1966)
Stuck Inside Of Mobile With The Memphis Blues Again - Take 13 (2/17/1966)
Absolutely Sweet Marie - Take 1 (3/7/1966)
Just Like A Woman - Take 4 (3/8/1966)
Pledging My Time - Take 1 (3/8/1966)
I Want You - Take 4 (3/10/1966)
Highway 61 Revisited - Take 7 (8/2/1965)
Love Minus Zero/No Limit - Take 2, Acoustic
I'll Keep It With Mine - Take 1, Piano Demo
Bob Dylan's 115th Dream - Take 2, Solo Acoustic
She Belongs To Me - Take 1, Solo Acoustic
Subterranean Homesick Blues - Take 1, Alternate Take
Outlaw Blues - Take 2, Alternate Take
On The Road Again - Take 4, Alternate Take
Farewell, Angelina - Take 1, Solo Acoustic
If You Gotta Go, Go Now - Take 2, Alternate Take
You Don't Have To Do That - Take 1, Solo Acoustic
California - Take 1, Solo Acoustic
Mr. Tambourine Man - Take 3, With Band, Incomplete
It Takes A Lot To Laugh, It Takes A Train To Cry - Take 8, Alternate Take
Like A Rolling Stone - Take 5, Rehearsal
Like A Rolling Stone - Take 11, Alternate Take
Sitting On A Barbed-Wire Fence - Take 2, Unreleased Take
Medicine Sunday - Take 1
Desolation Row - Take 2, Piano Demo
Desolation Row - Take 1, Alternate Take
Tombstone Blues - Take 1, Alternate Take
Positively 4th Street - Take 5, Alternate Take
Can You Please Crawl Out Your Window? - Take 1, Alternate Take
Just Like Tom Thumb's Blues - Take 3, Rehearsal
Highway 61 Revisited - Take 3, Alternate Take
Queen Jane Approximately - Take 5, Alternate Take
Visions Of Johanna - Take 5, Rehearsal
She's Your Lover Now - Take 6, Rehearsal
Lunatic Princess - Take 1
Leopard-Skin Pill-Box Hat - Take 8, Alternate Take
One Of Us Must Know (Sooner Or Later) - Take 19, Alternate Take
Stuck Inside Of Mobile With The Memphis Blues Again - Take 13, Alternate Take
Absolutely Sweet Marie - Take 1, Alternate Take
Just Like A Woman - Take 4, Alternate Take
Pledging My Time - Take 1, Alternate Take
I Want You - Take 4, Alternate Take
Highway 61 Revisited - Take 7, False Start

notes

180-gram 3-LP set featuring unreleased studio recordings from 1965 and 1966, packaged in heavy-stock slipcase. Contains 60-page 12" x 12" booklet with photographs, notes and credits.

Each LP housed in separate jacket (88875124431JK1, 88875124431JK2, 88875124431JK3) and printed inner sleeve (88875124431SV1, 88875124431SV2, 88875124431SV3).

Includes two CDs (cat. #s 88875124431D1, 88875124431D2) in separate sleeves (88875124431JK4, 88875124431JK5) inserted in box, with slightly different track listing than LPs.

Track times not listed on LPs or CDs.

© & ℗ 2015 Columbia Records, a division of Sony Music Entertainment/Distributed by Sony Music Entertainment

All tracks previously unreleased except:
A2, Biograph; B1, The Bootleg Series Volumes 1 - 3 [Rare & Unreleased] 1961-1991.

Hype sticker (cat. # 88875124431S1) affixed to shrink:
"3-LP set on 180-gram vinyl featuring the best of Bob Dylan’s unreleased studio recordings from 1965 and 1966,
Includes songs from the sessions for 'Bringing It All Back Home', 'Highway 61 Revisited' and 'Blonde On Blonde'"

B7 title: "Sitting On A Barbed Wire Fence"
CD1-16 title: "Sitting On A Barbed-Wire Fence" 180-gram 3-LP set featuring the best of Bob Dylan’s unreleased studio recordings from 1965 and 1966. Contains 60 page 12"x12" book
All tracks previously unreleased except:
LP 1 Side A track 2, Biograph; LP 1 Side B track 1, The Bootleg Series, Volumes 1-3

Recording Dates:
1/13/1965: A1 to A4, A6, B1, B3, B4
1/14/1965: A5, A7
1/15/1965: B2, B5
6/15/1965: B6, B7, C1
6/16/1965: C2
7/29/1965: D1, D2
7/30/1965: D3
8/2/1965: D4, D5, E1
8/4/1965: C3, C4
10/5/1965: B8
11/30/1965: E2
1/21/1966: E3
1/25/1966: F1
1/27/1966: E4
2/14/1966: E5
2/17/1966: F2
3/7/1966: F3
3/8/1966: F4, F5
3/10/1966: F6
8/2/1965: F7

Photographs:
Pages 2, 30, 42 and book cover: Jerry Schatzberg; inside front cover, pages 4-5, 6 (upper left), 10,23, 32-33: Daniel Kramer; page 6 (right column): Björn Larsson; pages 6 (bottom row), 8-9, 38-39: Jean-Marie Périer; pages 7, 34-35: Rex Features; pages 12, 36: Getty Images; Pages 14-15, 18-19, 20, 28-29, 41: Eugene Smith; pages 16, 37: Jan Persson; page 17: Dale Smith; page 25: John Rudoff; pages 26-27 Nat Finkelstein; pages 40-41, 49, 52-53 (background): Don Hunstein; pages 44-45: Mark Makin; page 46: courtesy of Arie de Reus; page 47: Jean-Pierre Leloir; page 51: Rowland Scherman; pages 54-55 Tony Frank.

credits

Art Direction – Geoff Gans
Design, Layout – Bryan Lasley
Editor [Editorial Supervision] – Jeremy Holiday
Lacquer Cut By – RKS,
Liner Notes – Bill Flanagan (2), Sean Wilentz
Liner Notes [Additional] – Ben Rollins
Mastered By [Vinyl Masters Cut By] – Ryan Smith (2)
Mixed By – Steve Addabbo
Mixed By [Rough Mixes] – Damian Rodriguez (2)
Other [Warp Drive] – Diane Lapson
Photography By РArie de Reus, Bj̦rn Larsson (5), Dale Smith (7), Daniel Kramer (2), Don Hunstein, Getty Images, Jan Persson (4), Jean-Marie P̩rier, Jean-Pierre Leloir, Jerry Schatzberg, John Rudoff, Mark Makin, Nat Finkelstein, Rex Features, Rowland Scherman, Tony Frank, Eugene Smith,
Producer [Bootleg Series] – Steve Berkowitz
Producer [Bootleg Series], Compiled By – Jeff Rosen
Producer [Original Recordings] – Bob Johnston (tracks: B6 to B8, C3 to F7), Tom Wilson (2) (tracks: A1 to A7, B1 to B5, C1 to C2)
Production Manager [Production Team] – Callie Gladman, Debbie Sweeney, Will Schwartz (3)
Project Manager – Jeroen van der Meer
Research – Glenn Korman, Parker Fishel
Research [Sony Music Archives] – Matt Kelly (2), Tom Tierney (4)
Written-By – Bob Dylan
Art Direction, Design [Package Design] – Geoff Gans
Compiled By – Jeff Rosen
Design, Layout – Bryan Lasley
Edited By [Editorial Supervision] – Jeremy Holiday
Liner Notes – Bill Flanagan (2), Sean Wilentz
Liner Notes [Additional] – Ben Rollins
Mastered By [Vinyl] – Ryan Smith (2)
Mixed By – Steve Addabbo
Mixed By [Rough Mixes] – Damian Rodriguez
Photography By РBj̦rn Larsson (5), Dale Smith (7), Daniel Kramer (2), Don Hunstein, Getty Images, Jan Persson (4), Jean-Marie P̩rier, Jean-Pierre Leloir, Jerry Schatzberg, John Rudoff, Mark Makin, Nat Finkelstein, Rex Features, Rowland Scherman, Tony Frank, Eugene Smith,
Photography By [Courtesy Of] – Arie de Reus
Producer [Bootleg Series] – Jeff Rosen, Steve Berkowitz
Producer [Original Recordings] – Bob Johnston, Tom Wilson (2)
Project Manager – Jeroen van der Meer
Research – Glenn Korman, Parker Fishel
Written-By – Bob Dylan

companies

Phonographic Copyright (p) – Columbia Records
Copyright (c) – Columbia Records
Distributed By – Sony Music Entertainment
Lacquer Cut At – Sterling Sound
Mastered At – Record Technology Incorporated – 24359
Glass Mastered At – Sony DADC – DIDX-1075637
Glass Mastered At – Sony DADC
Distributed By – Sony Music Entertainment
Manufactured By – Sony DADC – A0102571286-0102
Manufactured By – Sony DADC – A0102571286-0202
Phonographic Copyright (p) – Columbia Records
Copyright (c) – Columbia Records
Made By – Sony Music Entertainment International Services GmbH
Mastered At – Sterling Sound
Pressed By – Optimal Media GmbH

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