rning from unsettling dreams, he found himself changed in his bed into a monstrous vermin."
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece,
The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing--though absurdly comic--meditation on human feelings of inadequacy, guilt, and isolation,
The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction.
As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."