rgenerational grief, Miller Oberman's new collection of poetry, Impossible Things, explores his experiences as both a transgender child and father. Oberman weaves in passages from his own deceased father's unpublished memoir to engage with the mysterious drowning of his eldest brother, Joshua, at age two, a tragedy that cast a shadow over his childhood. He depicts his own youth and parenthood in the context of his father's trauma, employing queer and trans theory and experimental poetic forms to challenge and expand discourse around fatherhood and masculinity. Oberman moves beyond an attempt to solve the mystery of Joshua's death and interrogates how much we can ever know about our forebears or understand their impacts on our lives. Impossible Things offers a necessary intervention into the well-worn terrain of fatherhood/boyhood memoir and functions as a living elegy, communicating with the past, the dead, and the unknowable while speaking to the possibilities for healing intergenerational trauma.