SYMPHONIE FANTASTIQUE (HYBR)

BERLIOZ / TORONTO MENDELSSOHN CHOIR / DAVIS

description

tracks

Fantaisie Sur La Tempête De Shakespeare
Prologue. Andante Non Troppo Lento – [ ] – Tempi I Senza Rallentare –
La Tempête. Allegro Assai, Ma Primo Poco Ritenuto – Poco A Poco Animato –
L'Action. Un Poco Meno Mosso – Meno Mosso –
Le Dénoument. Tempo I. Più Animato Con Fuoco – Presto
Symphonie Fantastique, Op. 14
I Rêveries (Dreams). Largo – Passions (Passions). Allegro Agitato E Appassionato Assai – Religiosamente
II Un Bal (A Ball). Valse. Allegro Non Troppo
III Scène Aux Champs (Scene In The Country). Adagio
IV Marche Au Supplice (March To The Scaffold). Allegro Non Troppoo
V Songe D'une Nuit Du Sabbat (Dream Of A Witches' Sabbath). Larghetto – Allegro – Allegro Assai – Allegro – Dies Irae – Ronde Du Sabbat. Un Peu Retenu – Dies Irae Et Ronde Du Sabbat Ensemble

NOTES

Recording venue Roy Thomson Hall, Toronto, Ontario, Canada; 20 – 22 September 2018
Comes in a standard jewel case with transparent tray, with 36-page booklet
Liner notes in English, German and French
Front cover Préparatifs pour le sabbat des sorcières (Preparation for the Witches' Sabbath) (first half of the ninteenth century) by anonymous French painter / Musée d'art et d'histoire de Meudon, Meudon, France / Archives Charmet / Bridgeman Images
℗ 2019 Chandos Records Ltd.
© 2019 Chandos Records Ltd.
Recorded in 32-bit / 352.8 kHz
Country of origin UK
TT 70:08

Additional tracklist information:
– Index track for 1 to 4: (1830 – 31) (Fantasy On Shakespeare's The Tempest) for Chorus, Orchestra, and Piano Four Hands. Final movement from Lélio, ou Le etour à la vie, Op. 14bis. Monodrame lyrique. Dedicated to His son, Louis Berlioz
– Index track for 5 to 9: (1830) en cinq parties 8Fantasy Symphony in Five Movements). Épisodes de la vie d'un artiste (Episode in an Artist's Life). Dedicated to His Majesty Nicholas I, Emperor of Russia

Photos:
– © Dario Acosta Photography (Sir Andrew Davis, booklet p. 9 & back)
– © Jag Gundu / TSO (Performance session, booklet p. 16/17, 22/23 & 30/31)

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