BLISTERED BAGS OF FODDER SWAYING: WORKS 1980

CONTROLLED BLEEDING

description

tracks

Skin Evening
Paris Lights
Ribs In Scavenger's Sack
Death In The Cameroon
Hybler Bees Respond To Stimulous
Chest Cavity Dance Beat
Dredging Phil
Platitude
Air / Sand
Untitled Return
Roast's On
Mindarnoking Orch.
Herd Scarpe
Mindarnoking Scrape
Niger Life (Note: This Niger, As In The River)
Ants / Rake
Humming Lymphnodes / Seated
Vocal Chant #1
Firelight
Letters To The Life Cycle Pt. 1
Dry Lungs
Slithering Blade
Music For Earth And Water Pt. 3
Headcrack Pt.1 (Music For Four Guitars)
Moonshards
Headcrack Pt. 2
Vocal Chant #2
Headcrack Pt. 3
Untitled #1
Untitled #2
Untitled (The Missing Headcrack Piece - Total Noise Remix)
Horde
Rebirth In Cameroons
Hot Bread / Mic-O-Bay-U
In The Box
Under Burned Hills
Shaved Sound
Between Tides
The Scorched Ground
After The Rain
Untitled #1
Untitled #2
Untitled #3
Untitled #4
Chain
Inland II
Break / Curd
Gun Bent Back
Brained By Funk
By The Drain (FUJD)
After The Heat
Untitled
Rhythm To Body Bag
Scat Duet
Scat Party Fuck
Land Filter
Whispers (In The Moisture)
Boiling Eggs (Part 1)
Head Sand
Boiling Eggs (Reprise)
Widening The Holes (In The Floor)
The Oven Song
Underside Of Lung Trees
Letters To The Life Cycle (Part 1)
Saddled In The Trench
Music For Last Words
The Ties That Bind
Widening The Holes (Curd Mix)
Scat Duet (Curd Mix)
Curb Life
Deep Paths
Under Heaven
Bright Shadows
In Blind Embrace
Near The Water (Vocal Mix)
An Awakening
The Turning
The Shallow Sky
After Separation
Voices Of The Dead
The Peacock (Music For Four Guitars)
In Dark Waters
Confirmation (Part One)
Scourging Ground
Faith
Tides Of Heaven
Byways
A Silken Barb
The Vigil
Healing Time
Confirmation Part Two - Germany
Ash And Stone
...On Eating Garbage
Music For Earth And Water (Parts 1-3)
Near The Fire (Instrumental Version)
Red Stigmata
Under Heaven
The Groan
In Subcrisis
Music For Glass And Bone
The Hidden Section
Glass On Wire
Loop Cycle

NOTES

Vinyl-sized bound book containing 10 CDs and 24 pages, including artwork reproductions and an essay by Paul Lemos.

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