BOOK OF HEADS

ZORN, JOHN / RIBOT, MARC

description

tracks

Étude # 1
Étude # 2
Étude # 3
Étude # 4
Étude # 5
Étude # 6
Étude # 7
Étude # 8
Étude # 9
Étude # 10
Étude # 11
Étude # 12
Étude # 13
Étude # 14
Étude # 15
Étude # 16
Étude # 17
Étude # 18
Étude # 19
Étude # 20
Étude # 21
Étude # 22
Étude # 23
Étude # 24
Étude # 25
Étude # 26
Étude # 27
Étude # 28
Étude # 29
Étude # 30
Étude # 31
Étude # 32
Étude # 33
Étude # 34
Étude # 35

NOTES

Recorded March 19, 1995 at Shelly Palmer Studio, NYC.
Mastered at Foothill Digital.

On Étude #8, Ribot plays a six-note melody while dragging a violin bow across the strings.
On #14, he plays a few random notes for thirty seconds.
On #16, he knocks on the body and plays a few bent notes.
On #21, he sounds like he's pulling the guitar apart, string by string.
On #23, the acoustic guitar becomes electric — and it sounds like a power drill.
(The drill sound returns on #27, a very violent track.)
On #32, he plays different musical styles — funk, surf, and rock and roll.

© ℗ 1995 Tzadik Recorded March 19, 1995 at Shelly Palmer Studio, NYC.
Mastered at Foothill Digital.

On Étude #8, Ribot plays a six-note melody while dragging a violin bow across the strings.
On #14, he plays a few random notes for thirty seconds.
On #16, he knocks on the body and plays a few bent notes.
On #21, he sounds like he's pulling the guitar apart, string by string.
On #23, the acoustic guitar becomes electric — and it sounds like a power drill.
(The drill sound returns on #27, a very violent track.)
On #32, he plays different musical styles — funk, surf, and rock and roll.

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