FRANK FREEMAN'S DANCE CLUB (OGV)
FRANK FREEMAN'S DANCE CLUB (OGV)
CAPTAIN BEEFHEART
product information
Condition: New, UPC: 8117020142220, Publication Date: 04/15/2013, Type: VINYL LP, Style: POP/ROCK,

description

tracks

Rollin' And Tumblin'
Well Well Well
Electricity
Neon Meate Dream Of A Octafish
Kandy Korn
Sure 'Nuff 'N Yes I Do
Moody Liz
Yer Gonna Need Somebody On Your Bond

NOTES

The group are mis-titled on this release. Tracks, such as A4, were not written or performed until 1969 onward, long after the band "Captain Beefheart And His Magic Band" had left Frank Freeman's.

Limited to 500 copies. This here release is a reissue, limited to 500 numbered copies on green vinyl.

Issued on 180g green vinyl in a gatefold sleeve, that has the original Frank Freeman Beefheart UK 1968 gig poster reproduced on the cover.
Only 4 tracks are actually taken from this live performance; A1, A3, B1 & B4 - the remainder from other sources.
The 4 Freeman tracks previously featured on the Captain Beefheart & His Magic Band* - Grow Fins: Rarities (1965-1982) CD package (& Grow Fins vinyls).
Track A1, although traditional, was first popularized by Willie Newbern and then mainly attributed to McKinley Morganfield.
Track B4, again traditionally-sourced, was popularized by Blind Willie Johnson. The group are miss-titled on this release. Tracks, such as A4, were not written or performed until 1969 onward, long after the band "Captain Beefheart And His Magic Band" had left Frank Freeman's.

A 20 April 2013 Record Store Day issue, limited to 1,000 numbered copies.
Issued on 180g purple vinyl in a gatefold sleeve, that has the original Frank Freeman Beefheart UK 1968 gig poster reproduced on the cover.
Only 4 tracks are actually taken from this live performance; A1, A3, B1 & B4 - the remainder from other sources.
The 4 Freeman tracks previously featured on the Captain Beefheart & His Magic Band* - Grow Fins: Rarities (1965-1982) CD package (& Grow Fins vinyls).
Track A1, although traditional, was first popularized by Willie Newbern and then mainly attributed to McKinley Morganfield.
Track B4, again traditionally-sourced, was popularized by Blind Willie Johnson.

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