UNCLE MEAT

ZAPPA, FRANK

description

tracks

Uncle Meat: Main Title Theme
The Voice Of Cheese
Nine Types Of Industrial Pollution
Zolar Czakl
Dog Breath, In The Year Of The Plague
The Legend Of The Golden Arches
Louie Louie (At The Royal Albert Hall In London)
The Dog Breath Variations
Sleeping In A Jar
Our Bizarre Relationship
The Uncle Meat Variations
Electric Aunt Jemima
Prelude To King Kong
God Bless America (Live At The Whisky A Go Go)
A Pound For A Brown On The Bus
Ian Underwood Whips It Out (Live On Stage In Copenhagen)
Mr. Green Genes
We Can Shoot You
"If We'd All Been Living In California..."
The Air
Project X
Cruising For Burgers
King Kong Itself (As Played By The Mothers In A Studio)
King Kong (Its Magnificence As Interpreted By Dom DeWild)
King Kong (As Motorhead Explains It)
King Kong (The Gardner Varieties)
King Kong (As Played By 3 Deranged Good Humor Trucks)
King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival... The Underwood Ramifications)

NOTES

This is Official Release #6.
Source: Original 1968 Analog Stereo Master Digital Transfer

For best sonics (the original edit master for Uncle Meat unfortunately in sections suffers from oxide loss due to tape age and bad storage conditions), a new hi-res digital patchwork edit master was created in 2013 with all damaged sections restored from safeties in The Vault - Joe Travers.

Contains 12-page 30x30cm full-color book with photo-montages, illustrations & text.

Recorded Oct 1967 through to Feb 1968.
Many overdubs. Clarinets fed through 'Maestro' device, set at 'Oboe D'Amour' with variable speed oscillator [V.S.O.]. Two Pultec Filters, two Lang Equalizers & three Melchor Compressors built into console at Apostolic Studio, N.Y.C.
Recorded on prototype Scully 12-track at 30 ips. Percussion overdubs at Sunset Sound.

This soundtrack album originally released 1969.

FZ27 This is Official Release #6.
Source: Original 1968 Analog Stereo Master Digital Transfer

For best sonics (the original edit master for Uncle Meat unfortunately in sections suffers from oxide loss due to tape age and bad storage conditions), a new hi-res digital patchwork edit master was created in 2013 with all damaged sections restored from safeties in The Vault - Joe Travers.

Contains 12-page 30x30cm full-color book with photo-montages, illustrations & text.

Recorded Oct 1967 through to Feb 1968.
Many overdubs. Clarinets fed through 'Maestro' device, set at 'Oboe D'Amour' with variable speed oscillator [V.S.O.]. Two Pultec Filters, two Lang Equalizers & three Melchor Compressors built into console at Apostolic Studio, N.Y.C.
Recorded on prototype Scully 12-track at 30 ips. Percussion overdubs at Sunset Sound.

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