tracks

Music For 18 Musicians
Pulses
Section I
Section II
Section IIIA
Section IIIB
Section IV
Section V
Section VI
Section VII
Section VIII
Section IX
Section X
Section XI
Pulses
Different Trains
America - Before The War
Europe - During The War
After The War
Tehillim
Part I: Fast
Part II: Fast
Part III: Slow
Part IV: Fast
Eight Lines
You Are (Variations)
You Are Wherever Your Thoughts Are
Shiviti Hashem L'negdi (I Place The Eternal Before Me)
Explanations Come To An End Somewhere
Ehmor M'aht, V'ahsay Harbay (Say Little And Do Much)
New York Counterpoint
Fast
Slow
Fast
Cello Counterpoint
Electric Counterpoint
Fast
Slow
Fast
Triple Quartet
First Movement
Second Movement
Third Movement
Come Out
Proverb
The Desert Music
First Movement (Fast)
Second Movement (Moderate)
Third Movement, Part One (Slow)
Third Movement, Part Two (Moderate)
Third Movement, Part Three (Slow)
Fourth Movement (Moderate)
Fifth Movement (Fast)
Music For Mallet Instruments, Voices, And Organ
Drumming
Part I
Part II
Part III
Part IV

notes

Release to celebrate Steve Reich's 70th birthday. Tracks 1-1 to 1-14 recorded October 1996 at the Hit Factory, New York. Mixed November 1996 and January 1997 at the Hit Factory, New York.
Originally released on Nonesuch 79448, "Music for 18 Musicians".
℗ 1994 Nonesuch Records

Tracks 2-1 to 2-3 recorded August-September 1988 at Russian Hill Recording, San Francisco, CA.
Originally released on Nonesuch 79176, "Different Trains / Electric Counterpoint".
℗ 1989 Nonesuch Records

Tracks 2-4 to 2-7 recorded August 1993 at Wisseloord Studios, Hilversum, The Netherlands. Additional recording at The Hit Factory, New York. Edited and mixed at SoundByte Productions, New York.
Originally released on Nonesuch 79295, "Tehillim / Three Movements".
℗ 1994 Nonesuch Records

Track 2-8 recorded June 1996 at the Hit Factory, New York. Mixed October 1996 at the Hit Factory, New York.
Originally released on Nonesuch 79481, "New York Counterpoint / Eight Lines / Four Organs"
℗ 1997 Nonesuch Records

Tracks 3-1 to 3-4 recorded March 29 & 30, 2005, at Studio A, Capitol Studios, Hollywood, CA.
Originally released on Nonesuch 79891, "You Are (Variations)".
℗ 2005 Nonesuch Records

Tracks 3-5 to 3-7 recorded January 1996 at the Hit Factory, New York. Mixed October 1998 at the Hit Factory, New York.
Originally released on Nonesuch 79481, "New York Counterpoint / Eight Lines / Four Organs"
℗ 1997 Nonesuch Records

Track 3-8 recorded Sept 29 & 30, 2003, at John Kilgore Sound & Recording, New York, NY.
Originally released on Nonesuch 79891, "You Are (Variations)".
℗ 2005 Nonesuch Records

Tracks 3-9 to 3-11 recorded September-October 1987 at Power Station, New York.
Originally released on Nonesuch 79176, "Different Trains / Electric Counterpoint".
℗ 2005 Nonesuch Records

Tracks 3-12 to 3-14 recorded March-April 1999 and August 2000 at Skywalker Sound. Mixed at Masque Sound.
Originally released on Nonesuch 79546, "Triple Quartet".
℗ 2001 Nonesuch Records

Track 4-1 originally released on Nonesuch 79169, "Early Works: Come Out / Piano Phase / Clapping Music / It's Gonna Rain".
℗ 1987 Nonesuch Records

Track 4-2 recorded June 1998 at the Hit Factory, New York.
Originally released on Nonesuch 79430, "Proverb / Nagoya Marimbas / City Life".
℗ 1996 Nonesuch Records

Tracks 4-3 to 4-9 recorded October 1984 at RCA Studio A, New York.
Originally released on Nonesuch 79101, "The Desert Music".
℗ 1985 Nonesuch Records

Track 5-1 recorded November 1988 at CTS Studios, London. Edited and mixed at New York Digital Recording, Inc., New York.
Originally released on Nonesuch 79220, "The Four Sections / Music for Mallet Instruments, Voices, and Organ".
℗ 1990 Nonesuch Records

Tracks 5-2 to 5-5 recorded May 1987 at RCA Studio A, New York.
Originally released on Nonesuch 79170, "Drumming".
℗ 1987 Nonesuch Records

Music published by Hendon Music Inc. / Boosey & Hawkes (BMI).

This compilation ℗ & © 2006 Nonesuch Records Inc. for the United States and WEA International Inc. for the world outside of the United States.
Manufactured in the E.U.

Packaging: five single digipaks numbered Disc 1 to Disc 5, housed in a card slipcase. Comes with a 52 pp. booklet.

credits

Alto Vocals – Alice Murray (tracks: 3-1 to 3-4), Amy Fogerson (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14, 5-1 to 5-5), Kim Switzer (tracks: 3-1 to 3-4), Nancy Sulahian (tracks: 3-1 to 3-4), Sarona Farrell (tracks: 3-1 to 3-4), Tracy Van Fleet (tracks: 3-1 to 3-4)
Bass – Donald Palma (tracks: 4-3 to 4-9), Oscar Hildago, (tracks: 3-1 to 3-4)
Cello – Delores Bing (tracks: 3-1 to 3-4), Greg Passelink, (tracks: 2-8), Jeanne LeBlanc (tracks: 1-1 to 1-14), Jennifer Culp (tracks: 3-12 to 3-14), Joan Jeanrenaud (tracks: 2-1 to 2-3), Mark Stewart (4) (tracks: 2-8), Maurice Grant, (tracks: 3-1 to 3-4), Maya Beiser (tracks: 3-8), Roger LeBow (tracks: 3-1 to 3-4), Sharon Prater (tracks: 4-3 to 4-9)
Clarinet – Evan Ziporyn (tracks: 1-1 to 1-14, 2-8, 3-5 to 3-7), Helen Goode-Castro (tracks: 3-1 to 3-4), James Faschia (tracks: 3-1 to 3-4), Larry Hughes (tracks: 3-1 to 3-4), Leslie Scott (tracks: 1-1 to 1-14), Michael Lowenstern (tracks: 2-8)
Flute – Geri Ratella, (tracks: 3-1 to 3-4), Sara Weisz (tracks: 3-1 to 3-4)
Guitar – Pat Metheny (tracks: 3-9 to 3-11)
Maracas, Marimba, Glockenspiel – Thad Wheeler (tracks: 1-1 to 1-14, 5-1 to 5-5)
Maracas, Piano – Philip Bush (tracks: 1-1 to 1-14)
Marimba – John Magnussen (tracks: 3-1 to 3-4), Mike Englander (tracks: 3-1 to 3-4), Tom Raney (2) (tracks: 3-1 to 3-4), Wade Culbreath (tracks: 3-1 to 3-4)
Marimba, Glockenspiel – Ben Harms (tracks: 5-2 to 5-5), Gary Schall (tracks: 5-2 to 5-5), Glen Velez (tracks: 5-2 to 5-5)
Marimba, Piano, Xylophone, Glockenspiel – Garry Kvistad (tracks: 1-1 to 1-14, 5-1)
Marimba, Xylophone, Vibraphone – Russell Hartenberger, (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
Mezzo-soprano Vocals – Ananda Goud (tracks: 2-4 to 2-7), Yvonne Benschop (tracks: 2-4 to 2-7)
Oboe – Joan Elardo (tracks: 3-1 to 3-4), Joel Timm (tracks: 3-1 to 3-4)
Piano – Brian Pezzone, (tracks: 3-1 to 3-4), Gloria Cheng (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14), Lisa Edwards (2) (tracks: 3-1 to 3-4), Vicki Ray (tracks: 3-1 to 3-4)
Piano, Marimba – Steve Reich (tracks: 1-1 to 1-14, 5-1 to 5-5)
Piano, Organ [Electric] – Edmund Niemann (tracks: 1-1 to 1-14, 2-8, 4-2), Nurit Tilles (tracks: 1-1 to 1-14, 2-8, 4-2, 5-1)
Piccolo Flute – Mort Silver (tracks: 5-2 to 5-5)
Piccolo Flute, Flute – David Fedele (tracks: 2-8), Patti Monson (tracks: 2-8)
Soprano Vocals – Allison Zelles (tracks: 4-2), Andrea Fullington (tracks: 4-2), Barbara Borden (tracks: 2-4 to 2-7), Cheryl Bensman Rowe (tracks: 1-1 to 1-14, 4-3 to 4-9), Claire Fedoruk (tracks: 3-1 to 3-4), Emily Lin (tracks: 3-1 to 3-4), Marie Hodgson (tracks: 3-1 to 3-4), Marion Beckenstein (tracks: 1-1 to 1-14), Phoebe Alexander (tracks: 3-1 to 3-4), Rachelle Fox (tracks: 3-1 to 3-4), Rebecca Armstrong (tracks: 1-1 to 1-14, 5-1), Sonja Rasmussen (tracks: 4-2), Tania Batson (tracks: 3-1 to 3-4), Tannie Willemstijn (tracks: 2-4 to 2-7)
Tenor Vocals – Alan Bennett (3) (tracks: 4-2), Fletcher Sheridan (tracks: 3-1 to 3-4), Joseph Golightly, (tracks: 3-1 to 3-4), Kevin St.Clair (tracks: 3-1 to 3-4), Pablo Cora (tracks: 3-1 to 3-4), Paul Elliott (tracks: 4-2), Sean McDermott (tracks: 3-1 to 3-4), Shawn Kirchner (tracks: 3-1 to 3-4)
Viola – Darren McCann, (tracks: 3-1 to 3-4), Francesca Martin (tracks: 4-3 to 4-9), Hank Dutt (tracks: 2-1 to 2-3, 3-12 to 3-14), Catherine Reddish, (tracks: 3-1 to 3-4), Martha Mook, (tracks: 2-8), Ron Lawrence (tracks: 2-8), Victoria Miskolcsky, (tracks: 3-1 to 3-4)
Violin – David Harrington (tracks: 2-1 to 2-3, 3-12 to 3-14), Deborah Redding (tracks: 4-3 to 4-9), Elizabeth Lim (tracks: 1-1 to 1-14), Gregor Kitzis (tracks: 2-8), Jacqueline Carrasco (tracks: 2-8), John Sherba (tracks: 2-1 to 2-3, 3-12 to 3-14), Julie Rogers (2) (tracks: 3-1 to 3-4), Elizabeth Knowles, (tracks: 2-8), Ralph Morrison (tracks: 3-1 to 3-4), Samuel Fischer (tracks: 3-1 to 3-4), Steve Scharf (tracks: 3-1 to 3-4), Susan Reddish (tracks: 3-1 to 3-4), Tamara Hatwan (tracks: 3-1 to 3-4), Todd Reynolds (tracks: 2-8)
Voice [Long Tones] – Pamela Wood Ambush (tracks: 5-1 to 5-5)
Xylophone, Marimba – Tim Ferchen, (tracks: 1-1 to 1-14, 5-1)
Xylophone, Marimba, Vibraphone – Bob Becker (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
Xylophone, Piano, Vibraphone – James Preiss (tracks: 1-1 to 1-14, 5-1 to 5-5)
Alto Vocals – Alice Murray (tracks: 3-1 to 3-4), Amy Fogerson (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14, 5-1 to 5-5), Kim Switzer (tracks: 3-1 to 3-4), Nancy Sulahian (tracks: 3-1 to 3-4), Sarona Farrell (tracks: 3-1 to 3-4), Tracy Van Fleet (tracks: 3-1 to 3-4)
Bass – Donald Palma (tracks: 4-3 to 4-9), Oscar Hildago, (tracks: 3-1 to 3-4)
Cello – Delores Bing (tracks: 3-1 to 3-4), Greg Passelink, (tracks: 2-8), Jeanne LeBlanc (tracks: 1-1 to 1-14), Jennifer Culp (tracks: 3-12 to 3-14), Joan Jeanrenaud (tracks: 2-1 to 2-3), Mark Stewart (4) (tracks: 2-8), Maurice Grant, (tracks: 3-1 to 3-4), Maya Beiser (tracks: 3-8), Roger LeBow (tracks: 3-1 to 3-4), Sharon Prater (tracks: 4-3 to 4-9)
Clarinet – Evan Ziporyn (tracks: 1-1 to 1-14, 2-8, 3-5 to 3-7), Helen Goode-Castro (tracks: 3-1 to 3-4), James Faschia (tracks: 3-1 to 3-4), Larry Hughes (tracks: 3-1 to 3-4), Leslie Scott (tracks: 1-1 to 1-14), Michael Lowenstern (tracks: 2-8)
Conductor – Bradley Lubman, (tracks: 2-8), Grant Gershon (tracks: 3-1 to 3-4), Michael Tilson Thomas (tracks: 4-3 to 4-9), Paul Hillier (tracks: 4-2), Reinbert de Leeuw (tracks: 2-4 to 2-7)
Coordinator [Editorial, For Nonesuch Records] – Robert Edridge-Waks
Coordinator [Production, For Nonesuch Records] – Eli Cane
Coordinator [Production] – Jennifer Keats (tracks: 2-1 to 2-3, 3-9 to 3-11), Karina Beznicki (tracks: 2-4 to 2-7)
Design – John Gall
Edited By [Editing Assistance] – Jeanne Velonis (tracks: 1-1 to 1-14, 2-8 to 3-8, 4-2), Karl Heriem, (tracks: 4-2)
Edited By, Mixed By – Rudolph Werner, (tracks: 4-3 to 4-9), John Newton (tracks: 4-3 to 4-9), Judith Sherman (tracks: 2-4 to 2-7, 5-1 to 5-5), Karl-August Naegler (tracks: 4-3 to 4-9), Paul Zinman (tracks: 5-2 to 5-5), Steve Reich (tracks: 2-4 to 2-7, 4-3 to 5-5), Wolf-Dieter Karwatki, (tracks: 4-3 to 4-9)
Engineer [Additional Recording, Assistant] – Andy Grassi (tracks: 2-4 to 2-7)
Engineer [Mix, Assistant] – Ben Fowler (tracks: 2-1 to 2-3), Geraldo Lopez (tracks: 4-2), Greg Thompson (tracks: 1-1 to 1-14), Tony Black (tracks: 1-1 to 1-14, 2-8, 3-5 to 3-7)
Engineer [Mix] – John Kilgore (tracks: 1-1 to 1-14), Rob Eaton (tracks: 2-1 to 2-3)
Engineer [Pro Tools] – Jimmy Hoyson (tracks: 3-1 to 3-4)
Engineer [Recording, Assistant] – Bob Levy (tracks: 3-12 to 3-14), Chris Hilt (tracks: 1-1 to 1-14), Dann Thompson (tracks: 3-12 to 3-14), Gary Solomon (tracks: 3-9 to 3-11), Glen Marchese (tracks: 1-1 to 1-14), Greg Thompson (tracks: 2-8, 4-2), Kevin Stone (tracks: 2-8), Michael Ahearn (tracks: 2-1 to 2-3), Tony Black (tracks: 3-5 to 3-7)
Engineer [Recording] – Dick Lewzey (tracks: 5-1), Hans Bedecker, (tracks: 2-4 to 2-7), Jan Folkson (tracks: 3-8), John Kilgore (tracks: 1-1 to 1-14, 2-8 to 3-7, 3-12 to 3-14, 4-2), Les Brockman, (tracks: 2-1 to 2-3), Paul Goodman (tracks: 4-3 to 4-9, 5-2 to 5-5), Rob Eaton (tracks: 3-9 to 3-11)
Engineer [Second] – Bruce Monical (tracks: 3-1 to 3-4)
Executive-Producer – Robert Hurwitz
Flute – Geri Ratella, (tracks: 3-1 to 3-4), Sara Weisz (tracks: 3-1 to 3-4)
Guitar – Pat Metheny (tracks: 3-9 to 3-11)
Liner Notes [Notes By] – Alex Ross (3), David Robertson (5)
Maracas, Marimba, Glockenspiel – Thad Wheeler (tracks: 1-1 to 1-14, 5-1 to 5-5)
Maracas, Piano – Philip Bush (tracks: 1-1 to 1-14)
Marimba – John Magnussen (tracks: 3-1 to 3-4), Mike Englander (tracks: 3-1 to 3-4), Tom Raney (2) (tracks: 3-1 to 3-4), Wade Culbreath (tracks: 3-1 to 3-4)
Marimba, Glockenspiel – Ben Harms (tracks: 5-2 to 5-5), Gary Schall (tracks: 5-2 to 5-5), Glen Velez (tracks: 5-2 to 5-5)
Marimba, Piano, Xylophone, Glockenspiel – Garry Kvistad (tracks: 1-1 to 1-14, 5-1)
Marimba, Xylophone, Vibraphone – Russell Hartenberger, (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
Mezzo-soprano Vocals – Ananda Goud (tracks: 2-4 to 2-7), Yvonne Benschop (tracks: 2-4 to 2-7)
Mixed By – John Kilgore (tracks: 3-1 to 3-4, 3-8, 3-12 to 3-14), Judith Sherman (tracks: 3-1 to 3-4, 3-12 to 3-14), Steve Reich (tracks: 3-1 to 3-4, 3-12 to 3-14)
Oboe – Joan Elardo (tracks: 3-1 to 3-4), Joel Timm (tracks: 3-1 to 3-4)
Performer – Bang On A Can (tracks: 2-8), Kronos Quartet (tracks: 2-1 to 2-3, 3-12 to 3-14), Los Angeles Master Chorale (tracks: 3-1 to 3-4), Schönberg Ensemble (tracks: 2-4 to 2-7), Percussion Group The Hague, (tracks: 2-4 to 2-7), Steve Reich And Musicians (tracks: 1-1 to 1-14, 4-3 to 5-5), Chorus And Members Of The Brooklyn Philharmonic, (tracks: 4-3 to 4-9), Theatre Of Voices (tracks: 4-2)
Performer [With Members Of] – The Steve Reich Ensemble, (tracks: 4-2)
Photography By [Photograph Of Steve Reich] – Jeffrey Herman
Piano – Brian Pezzone, (tracks: 3-1 to 3-4), Gloria Cheng (tracks: 3-1 to 3-4), Jay Clayton (tracks: 1-1 to 1-14), Lisa Edwards (2) (tracks: 3-1 to 3-4), Vicki Ray (tracks: 3-1 to 3-4)
Piano, Marimba – Steve Reich (tracks: 1-1 to 1-14, 5-1 to 5-5)
Piano, Organ [Electric] – Edmund Niemann (tracks: 1-1 to 1-14, 2-8, 4-2), Nurit Tilles (tracks: 1-1 to 1-14, 2-8, 4-2, 5-1)
Piccolo Flute – Mort Silver (tracks: 5-2 to 5-5)
Piccolo Flute, Flute – David Fedele (tracks: 2-8), Patti Monson (tracks: 2-8)
Producer – Rudolph Werner, (tracks: 4-3 to 4-9), Judith Sherman (tracks: 1-1 to 4-2, 5-1 to 5-5), Steve Reich (tracks: 4-1 to 4-9, 5-2 to 5-5)
Producer [Production Assistant] – David Oakes (tracks: 3-9 to 3-11), Jeanne Velonis (tracks: 1-1 to 1-14), Sidney Chen (tracks: 1-1 to 1-14, 2-8, 4-2)
Soprano Vocals – Allison Zelles (tracks: 4-2), Andrea Fullington (tracks: 4-2), Barbara Borden (tracks: 2-4 to 2-7), Cheryl Bensman Rowe (tracks: 1-1 to 1-14, 4-3 to 4-9), Claire Fedoruk (tracks: 3-1 to 3-4), Emily Lin (tracks: 3-1 to 3-4), Marie Hodgson (tracks: 3-1 to 3-4), Marion Beckenstein (tracks: 1-1 to 1-14), Phoebe Alexander (tracks: 3-1 to 3-4), Rachelle Fox (tracks: 3-1 to 3-4), Rebecca Armstrong (tracks: 1-1 to 1-14, 5-1), Sonja Rasmussen (tracks: 4-2), Tania Batson (tracks: 3-1 to 3-4), Tannie Willemstijn (tracks: 2-4 to 2-7)
Supervised By [Production, For Nonesuch Records] – Karina Beznicki
Tenor Vocals – Alan Bennett (3) (tracks: 4-2), Fletcher Sheridan (tracks: 3-1 to 3-4), Joseph Golightly, (tracks: 3-1 to 3-4), Kevin St.Clair (tracks: 3-1 to 3-4), Pablo Cora (tracks: 3-1 to 3-4), Paul Elliott (tracks: 4-2), Sean McDermott (tracks: 3-1 to 3-4), Shawn Kirchner (tracks: 3-1 to 3-4)
Viola – Darren McCann, (tracks: 3-1 to 3-4), Francesca Martin (tracks: 4-3 to 4-9), Hank Dutt (tracks: 2-1 to 2-3, 3-12 to 3-14), Catherine Reddish, (tracks: 3-1 to 3-4), Martha Mook, (tracks: 2-8), Ron Lawrence (tracks: 2-8), Victoria Miskolcsky, (tracks: 3-1 to 3-4)
Violin – David Harrington (tracks: 2-1 to 2-3, 3-12 to 3-14), Deborah Redding (tracks: 4-3 to 4-9), Elizabeth Knowles (tracks: 2-8), Elizabeth Lim (tracks: 1-1 to 1-14), Gregor Kitzis (tracks: 2-8), Jacqueline Carrasco (tracks: 2-8), John Sherba (tracks: 2-1 to 2-3, 3-12 to 3-14), Julie Rogers (2) (tracks: 3-1 to 3-4), Ralph Morrison (tracks: 3-1 to 3-4), Samuel Fischer (tracks: 3-1 to 3-4), Steve Scharf (tracks: 3-1 to 3-4), Susan Reddish (tracks: 3-1 to 3-4), Tamara Hatwan (tracks: 3-1 to 3-4), Todd Reynolds (tracks: 2-8)
Voice [Long Tones] – Pamela Wood Ambush (tracks: 5-1 to 5-5)
Xylophone, Marimba – Tim Ferchen, (tracks: 1-1 to 1-14, 5-1)
Xylophone, Marimba, Vibraphone – Bob Becker (tracks: 1-1 to 1-14, 4-2, 5-1 to 5-5)
Xylophone, Piano, Vibraphone – James Preiss (tracks: 1-1 to 1-14, 5-1 to 5-5)

companies

Phonographic Copyright (p) – Nonesuch Records
Phonographic Copyright (p) – Nonesuch Records Inc.
Phonographic Copyright (p) – WEA International Inc.
Copyright (c) – Nonesuch Records Inc.
Copyright (c) – WEA International Inc.
Manufactured By – Warner Music Manufacturing Europe
Published By – Hendon Music, Inc.
Published By – Boosey & Hawkes
Recorded At – The Hit Factory
Recorded At – Russian Hill Recording
Recorded At – Wisseloord Studios
Recorded At – Capitol Studios
Recorded At – John Kilgore Sound & Recording
Recorded At – Power Station
Recorded At – Skywalker Sound
Recorded At – RCA Studio A
Recorded At – CTS Studios
Mixed At – The Hit Factory
Mixed At – SoundByte Productions
Mixed At – Masque Sound
Mixed At – New York Digital Recording, Inc.
Edited At – New York Digital Recording, Inc.
Edited At – SoundByte Productions
Record Company – Warner Music Group

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