description
Amor Und Psyche (1943)
Nobilissima Visione (1937/38)
Einleitung Und Rondo
Marsch Und Pastorale
Passacaglia
Philharmonisches Konzert (1932)
Thema
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Symphonic Metamorphosis Of Themes By Carl Maria Von Weber (1943)
Allegro
Turandot, Scherzo: Moderato-Lebhaft
Andantino
Marsch
Lustige Sinfonietta Op. 4 (1916)
Die Galgenbrüder
Intermezzo
Palmström
Rag Time [Wohltemperiert] (1921)
Symphonic Dances (1937)
Langsam - Mäßig Bewegte Ganze Takte
Lebhaft; Breit - Das Frühere Zeitmaß
Sehr Langsam
Mäßig Bewegt, Mit Kraft; Lebhaft - Wie Am Anfang
Nuschi - Nuschi Dances Op. 20 (1920/21)
Sehr Lebhaft
Mäßig Lebhaft - Sehr Lebhaft - Breiter
Allegro Marziale
Concerto Music For Strings And Brass Op. 50 (1930)
Part 1
Part 2
Symphony "The Harmony Of The World" (1951)
Musica Instrumentalis
Musica Humanae
Musica Mundana
Ouverture "Neues Vom Tage" (1928-1930)
Symphony In B Flat For Concert Band (1951)
Moderately Fast, With Vigor - Molto Agitato
Andantino Grazioso - Fast And Gay
Fugue. Rather Broad - Fast, Energetic
Symphony In E Flat (1940)
Sehr Lebhaft
Sehr Langsam
Lebhaft
Mäßig Schnelle Halbe
Prelude "When Lilacs Last In The Door-yard Bloom'd", A Requiem For Those We Love (1946)
Symphony "Mathis Der Maler" (1933/34)
Engelkonzert. Ruhig Bewegt - Ziemlich Lebhafte Halbe
Grablegung. Sehr Langsam
Versuchung Des Heiligen Antonius. Sehr Langsam, Frei Im Zeitmaß - Sehr Lebhaft
Sinfonia Serena (1946)
Moderately Fast
Geschwindmarsch By Beethoven. Paraphrase. Wind Instruments Only. Rather Fast
Colloquy. String Orchestra In Two Sections. Quiet
Finale. Gay
Konzert Für Orchester Op. 38 (1925)
Mir Kraft, Mäßig Schnelle Viertel, Ohne Pathos Und Stets Lebendig
Sehr Schnelle Halbe
Marsch Für Holzbläser. Nicht Zu Langsame Viertel
Basso Ostinato. Schnelle Viertel
Sinfonietta In E (1949/1950)
Fast
Adagio And Fugato
Intermezzo Ostinato. Presto
Recitative And Rondo
Pittsburgh Symphony (1958)
Molto Energico
Slow March - Allegro Assai - Moderato
Ostinato. Allegro Moderato
Marsch Über Den Alten "Schweizerton" (1960)
T.T.: 6h'24'08 [6 CDs in Box]
CD1 T.T.: 72'15
CD2 T.T.: 62'13
CD3 T.T.: 63'56
CD4 T.T.: 57'29
CD5 T.T.: 64'58
CD6 T.T.: 63'22
Recordings: 1987-1992 ℗ 1993
CD1 Recording: 8/88, 10/87. 10/88, 9/87 ℗ 1991
CD2 Recording: 8/89, 9/89 ℗ 1991
CD3 Recording: 1/89, 3/87. 8/89 ℗ 1991
CD4 Recording Date: 8/91, 9/89 ℗ 1993
CD5 Recording: Eugene Goossens Hall, Sydney 4 & 8/92 ℗ 1991
CD6 Recording Dates: 3/92, 4/92 ℗ 1993
Made in Germany
Each CD is packaged in a black-tray jewel case and comes with a booklet of German, English and French liner notes. Back page of each booklet features a different photo of the composer.
Co-producer
–
Australian Broadcasting Corporation,
CPO
Composed By
–
Paul Hindemith
Conductor
–
Werner Andreas Albert
Cover [Painting: "Diptychon Rot"]
–
Max Ackermann
Design
–
Carrée 53
Edited By [Tape Editor]
–
Jim Atkins (tracks: 3-1 to 3-8)
Engineer [Recording]
–
Allan MacLean, (tracks: 5-1 to 5-8),
Dennis Martin (tracks: 1-1 to 2-8),
Gary Yule (tracks: 1-1 to 2-8),
Jim Atkins (tracks: 4-1 to 4-8, 6-1 to 6-12)
Engineer [Sound]
–
Dennis Martin (tracks: 1-1, 2-1 to 2-8),
Robert Hobson (tracks: 1-1 to 2-8)
Liner Notes
–
Hartmut Lück
Liner Notes [English Translation]
–
Susan Marie Praeder
Liner Notes [French Translation]
–
Sophie Liwszyc,
Sylvie Gomez
Orchestra
–
Melbourne Symphony Orchestra (tracks: 3-1 to 4-8, 6-1 to 6-12),
Queensland Symphony Orchestra Brisbane, (tracks: 1-1 to 2-8),
Sydney Symphony Orchestra, (tracks: 5-1 to 5-8)
Producer
–
Olwen Jones (tracks: 1-1 to 2-8),
Stephen Snelleman (tracks: 3-1 to 6-12)
Producer [Technical]
–
Jim Atkins
Copyright (c)
–
VG Bild-Kunst
Phonographic Copyright (p)
–
cpo
Published By
–
Schott (2)