tracks

Concerto For Clarinet And Orchestra (1947)
Rather Fast
Ostinato. Fast
Quiet
Gay
Concerto For Horn And Orchestra (1949)
Moderately Fast
Very Fast
Very Slow / Moderately Fast / Fast / Lively / Very Slow
Concerto For Trumpet, Bassoon, And Strings (1949)
Allegro Spiritoso
Molto Adagio / Allegro Pesante
Vivace
Concerto For Flute, Oboe, Clarinet, Bassoon, Harp, And Orchestra (1949)
Moderately Fast
Grazioso
Rondo. Rather Fast
Violin Concerto (1939)
Mäßig Bewegte Halbe
Langsam
Lebhaft
Kammermusik No 4 Op. 36/3 (For Violin Solo And Large Chamber Orchestra) (1925)
Signal, Breite Majestätische Halbe
Sehr Lebhaft
Nachtstück, Mäßig Schnelle Achtel
Lebhafte Viertel
So Schnell Wie Möglich
Tuttifäntchen, Orchestral Suite, Christmas Fairy Tale (1922)
Vorspiel. Langsam, Jedoch Fließend
Lied. Leicht Bewegt
Intermezzo. Munter
Lied. Langsam
Marsch. Nicht Schnell
Musik Zum Kaspertheatre. Lustig
Tanz Der Holzpuppen. Allegretto
Lied. Langsam
Melodram. Schnell - Sehr Langsam - Langsam - Sehr Langsam
Wiegenlied. Langsam.
Schlußlied. Breit, Freudig
Kammermusik No 5 Op. 36/4 (1927) (For Viola Solo And Large Chamber Orchestra)
Schnelle Halbe
Langsam
Mäßig Schnell
Variante Eines Militärmarsches
Konzertmusik Op. 48 (1929/30) (For Viola And Large Chamber Orchestra)
Lebhaft
Ruhig Gehend
Lebhaft
Leicht Bewegte
Sehr Lebhaft
Der Schwanendreher (1935) (Concerto For Viola And Small Orchestra After Old Folk Songs)
Zwischen Berg Und Tiefem Tal
Nun Laube, Lindlein Laube. Fugato. Der Gutzgauch Auf Dem Zaune Saß
Variationen: Seid Ihr Nicht Der Schwanendreher?
Trauermusik (For Viola And String Orchestra) (1936)
Langsam
Ruhig Und Bewegt
Lebhaft
Choral: Vor Deinen Thron Tret Ich Hiermit
Kammermusik No. 6 Op. 46,1 For Viola D'Amore And Orchestra
Mäßig Schnell, Majestätische
Langsam
Mäßig Schnell, Bewegt
Lebhaft, Wie Früher
Kammermusik No. 7 Op. 46,2 For Organ And Orchestra
Nicht Zu Schnell
Sehr Langsam Und Ganz Ruhig
(Ohne Tempobezeichnung)
Organ Concerto (1962)
Crescendo
Allegro Assai
Canzonetta And Two Ritornelli
Phantasy On Veni Creator Spiritus

notes

T.T.: 322'11 [4 CDs in Box]
CD1 T.T.: 69'33
CD2 T.T.: 67'58
CD3 T.T.: 76'23
CD4 T.T.: 60'54

Note of Error -- Total Time as given on back sleeve of slipcase for Volume 3 (4 CDs) is identical to the Total Time as given on back sleeve slipcase for Volume 2 (5 CDs) of this Hindemith series of recordings. The timing for this Volume 3 is likely a misprint. The four discs of Volume 3 time out to approximately 274'48.

Recordings: 1990-1997 ℗ 2001
CD1 Recording: 28-30 January 1993 (1-4), 5-9 July 1993 (5-7), 14/15 December 1990 (8-10), 24/25 June 1994 (11-13) ℗ 1997
CD2 Recording: April 1-2 & 7-9, 1997, Studio 420 Ferry Road Drisbane ℗ 1999
CD3 Recording: July 15 & 23, 1997, July 29 - August 1997, Studio 420 Ferry Road Brisbane ℗ 1997
CD4 Recording: 19.-21.12.1994 (1-4), 20.-22.06.1995 5-11), Sendesaal Hessischer Rundfunk Frankfurt ℗ 1999

Note of Error -- In Recording Credits for CD2, as given on back sleeve, Studio 420 Ferry Road is identified as being in "Drisbane" rather than the correct "Brisbane".

Made in Germany

4 CDs in a cardboard slipcase. Each CD is packaged in a jewel case (CDs 1 and 4, black-tray; CDs 2 and 3, clear-tray) and comes with a booklet of German, English and French liner notes.

CD1: Complete Wind Concertos
CD2: Violin Concerto / Kammermusik 1-4 Op. 36,3 / Tuttifäntchen Suite
CD3: Kammermusik 5 Op. 36,4 / Konzertmusik Op. 48 / Der Schwanendreher / Trauermusik
CD4: Two Organ Concertos / Concerto for Violin d'amore

Note -- Rosalinde Haas plays an Organ (CD 4, 5-11) built by Förster & Nicholaus 1957, Großer Sendesaal / Hessischer Rundfunk Frankfurt

Note of Error - Track numbering error in CD3 documentation. Booklet page 2 correctly identifies tracks 1 to 9 as tracks for Kammermusik No 5 (1 to 4) and Konzertmusik Op. 48 (5 to 9). Booklet page 3 continues track listing with track 14 as the next track, for Der Schwanendreher (erroneously 14 to 16) and for Trauermusik (erroneously 17 to 20) -- the actual next track number is 10, Der Schwanendreher (10-12) and Trauermusik (13 to 16). Back inlay sleeve numbering does not include each individual track, but correctly identifies Der Schwanendreher as beginning with track 10 and Trauermusik as beginning with Track 13.

credits

Co-producer – Australian Broadcasting Corporation (tracks: 2-1 to 3-16), CPO, Hessischer Rundfunk (tracks: 1-1 to 1-13, 4-1 to 4-11)
Composed By – Paul Hindemith
Conductor – Werner Andreas Albert
Cover [Painting: "Grau - Violett", Architektur 1985] – Eugen Batz (tracks: CD4 Booklet Cover)
Cover [Painting: "Hymne an den Kosmos" (1972)] – Max Ackermann (tracks: CD 1 Booklet Cover)
Cover [Painting: 1959] – Eugen Batz (tracks: CD 2 Booklet Cover)
Cover [Painting: 1971] – Eugen Batz (tracks: CD 3 Booklet Cover)
Design – Carrée 53 (tracks: CD 1), Olaf Rothe (tracks: CD 2, CD 3, CD 4), TS (7) (tracks: CD 1)
Edited By – Jim Atkins (tracks: 2-1 to 2-19), Stephen Snelleman (tracks: 2-1 to 3-16)
Engineer [Recording] – Christoph Claßen (tracks: 4-1 to 4-11), Detlev Kittler (tracks: 1-1 to 1-13), Gary Yule (tracks: 2-1 to 3-16)
Liner Notes – Michael Kube (2), Wolfgang Lessing
Liner Notes [English Translation] – Susan Marie Praeder
Liner Notes [French Translation] – Sophie Liwszyc
Orchestra – Queensland Symphony Orchestra (tracks: 2-1 to 3-16), Radio-Sinfonie-Orchester Frankfurt (tracks: 1-1 to 1-13, 4-1 to 4-11)
Photography By – Andreas Kirsch, Galerie Döbele, Paul Hartwein, Tom Psomotragos
Recording Supervisor – Christoph Claßen (tracks: 1-11 to 1-13, 4-5 to 4-11), Hans Bernhard Bätzing (tracks: 1-1 to 1-4, 1-8 to 1-10), Richard Hauck (tracks: 1-5 to 1-7, 4-1 to 4-4), Stephen Snelleman

companies

Copyright (c) – VG Bild-Kunst
Phonographic Copyright (p) – cpo
Published By – Schott (2)
Recorded At – ABC Studio 420, Brisbane
Recorded At – Sendesaal Hessischer Rundfunk

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