tracks

Installation No.3 Pt.1
Wooden Blocks And Brass Sheet
Aerophones 1
Monochord
Aerophone 2
Motors And Metal Rods 1
Aerophone 3
Serpentine Gallery Installation
Installation For The Film "Clocks Of The Midnight Hours"
Stone Circle 1
Motors And Metal Rods 2
Centriphone - Amplified And Filtered
Hydrophone String Installation
Half Speed Metal Installation
Stone Circle 2
Two Aeolian Arcs
Strings - Interior And Exterior
2 Aeolian Harp Pt.1
Wooden Blocks
2 Aeolian Harps Pt.2
Aerophone 4
Motor And Strings
Aerophone 5
Installation No.3 Pt.2
Aerophone 6
Aeolean Arc And Strings
Aerophone 7
Friction Tubes
Aeolian Flutes
Wire On Paper
Aeolian Flutes And Aeolian Harp
Installation
Aeolian Flutes 2
Whirled Music
Swung Aeolian Flutes And Grass Blade

notes

1-1, 2-7 Ikon Gallery, Birmingham (1979)
1-2, 1-10, 1-15, 2-2, 2-13 Metropole Gallery, Folkestone (2008)
1-3, 1-5, & 1-7 were recorded in mono in Wiltshire, UK (1975)
1-8 (1976)
1-9 film directed by Simon Reynell
1-10 Metropole Gallery, Folkstone (2008)
1-11, 2-1, 2-3 (1980)
1-12 & 1-14 (1973)
1-13, 2-5 Llanfylin, Wales (1976)
1-16 (1974)
1-17 (2009)
2-4, 2-6, 2-8, 2-10, 2-12 recorded on the beach at Slapton Sands, Devon, for film "Clocks of the midnight hours", directed by Simon Reynell (1990)
2-15 Waterloo Gallery, London (1981)
2-16 (1975)
2-17 (1990)
2-18 Hadley Wood (1979)
All recordings made in and around London unless otherwise stated.
Special thanks to Peter Cusack, Dave Hunt, Simon Reynell and David Toop.

credits

Compiled By – Clive Graham
Engineer [Analogue Tapes Transferred By] – Syngen Brown
Liner Notes – Max Eastley
Photography By [Image Credits] – Matt Rowe (4), Max Eastley, Pamela Marre, Roberto Masotti
Producer, Design [Designed By] – Clive Graham
Recorded By – Clive Graham (tracks: 1-2, 1-10, 1-15, 2-2, 2-13), Max Eastley (tracks: 1-1, 1-3 to 1-7, 1-11, 1-12 to 1-14, 1-16, 2-1, 2-3, 2-5, 2-7, 2-9, 2-112-14 to 2-16, 2-18), Ray Beckett (tracks: 1-9, 2-4, 2-6, 2-8, 2-10, 2-12, 2-17)

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