with horror? In her newest nonfiction collection, Jehanne Dubrow interrogates the ethical questions that arise when we aestheticize atrocity. The daughter of US diplomats, she weaves memories of growing up overseas among narratives centered on art objects created while working under oppressive regimes. Ultimately Exhibitions is a collection concerned with how art both evinces and elicits emotion and memory and how, through the making and viewing of art, we are--for better or for worse--changed.