investigatory debut collection of essays, BRIGHT ARCHIVE, place and space are inextricably linked through an imaginative exploration of the patterns, shapes, and systems that alternately organize and disrupt our ordinary intimacies. From a recollection of a summer spent working in an Italian commune to the business of mollusks in Minor's grandparents' hometown in Iowa; from the history of the mapping of the Mississippi River to the mythologies of the image of "the lean;" from studies of soffits and hidden spaces to the freedom found at the top of an island birch tree, these essays reach beyond the classically confined trajectories of literary nonfiction. Using elements of memoir, concrete poetry, archival research, interview, performance, and design in a radiant kaleidoscope of storytelling, the essays in BRIGHT ARCHIVE delight in challenging the reader's habits of interaction with the page and its possibilities.