ound the mythology or Paris as a city that has called out to African-American artists. Like James Baldwin, Langston Hughes, and Josephine Baker before her, Youngblood's heroine leaves her home, in the American South, nurturing a dream of finding artistic emancipation in the City of Light. She experiments freely, inhabiting different incarnations - artist's model, poet's helper, au pair, teacher, thief, and lover - to keep body and soul together, to stay afloat, heal the wounds of her broken heart, discover her sexual self, and, finally, to wrestle her dreams of becoming a writer into reality.