Roderick Hudson is a novel by Henry James. Originally published in 1875 as a serial in The Atlantic Monthly, it is a bildungsroman that traces the development of the title character, a sculptor.

Rowland Mallet, a wealthy Bostonian bachelor and art connoisseur, visits his cousin Cecilia in Northampton, Massachusetts, before leaving for Europe. There he sees a Grecian figure he thinks is a remarkable work of art. Cecilia introduces him to the local sculptor, Roderick Hudson, a young law student who sculpts in his spare time. Mallet-who loves art but is without artistic talent himself-sees an opportunity to contribute: he offers to advance Roderick a sum of money against future works which will allow Roderick to join him in moving to Italy for two years. Mallet believes that in Rome, Roderick will be exposed to the kind of artistic influences which will allow his natural talent to fully mature. Roderick is galvanized by the offer, but he fears his highly protective mother's disapproval and urges Mallet to meet with and reassure her. Mallet does so, eventually overcoming the woman's doubts. At the meeting, Mallet is also introduced to Mary Garland, a distant poor cousin of the Hudsons who has been living with them as a companion to Mrs. Hudson. Mallet finds himself unexpectedly attracted to the young woman-to her simplicity, her lack of affectation, her honesty. During a farewell picnic attended by many of the Hudsons' friends and family, Mallet realizes he has fallen in love for the first time in his life. But, because of his natural reserve and imminent departure for two years, he fails to declare his feelings, yet still harbors hopes that something may yet come of the relationship.

The American is a novel by Henry James, originally published as a serial in The Atlantic Monthly in 1876-77 and then as a book in 1877. The novel is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Newman is looking for a world different from the simple, harsh realities of 19th-century American business. He encounters both the beauty and the ugliness of Europe, and learns not to take either for granted. The core of the novel concerns Newman's courtship of a young widow from an aristocratic Parisian family.

In 1868, Christopher Newman, an American businessman, visits Europe on a Grand Tour. Having worked for a living since age ten (interrupted by service in the Union Army during the American Civil War), he has made a large fortune and retired in his thirties, and is now looking to settle down and get married.

At the Louvre in Paris he watches a painter named No mie; he offers to buy the copy she is making, and meets her father, M. Nioche. About the same time a mutual friend introduces Newman to Claire de Cintr , a young widow. Newman hires M. Nioche to teach him French and the two become friendly; Newman, learning that M. Nioche worries about his daughter's future since he is poor, says that he will buy enough paintings from No mie to give her a respectable dowry. Meeting Newman at the Louvre the next day, though, No mie frankly tells him that she has no talent and her paintings are worthless. She scorns the men she could marry even with a dowry, and hints that she would prefer a more exciting life. Newman either doesn't understand the hint or ignores it, and he leaves her to her work. He pays a visit to the Bellegarde estate, where he meets Claire's two brothers: the cheerful Valentin and the aloof Marquis de Bellegarde, who coldly rebuffs him.