The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. Classified as both gothic fiction and a ghost story, the novella focuses on a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted.

In the century following its publication, The Turn of the Screw became a cornerstone text of academics who subscribed to New Criticism. The novella has had differing interpretations, often mutually exclusive. Many critics have tried to determine the exact nature of the evil hinted at by the story. However, others have argued that the brilliance of the novella results from its ability to create an intimate sense of confusion and suspense within the reader.

The novella has been adapted numerous times in radio drama, film, stage, and television, including a 1950 Broadway play, the 1961 film The Innocents, and a 2020 modern adaptation named The Turning.

Washington Square is a short novel by Henry James. Originally published in 1880 as a serial in Cornhill Magazine and Harper's New Monthly Magazine, it is a structurally simple tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. James was not a great fan of Washington Square. He tried to read it over for inclusion in the New York Edition of his fiction (1907-1909) but found that he could not, so the novel was not included. Readers, though, have sufficiently enjoyed the book to make it one of the more popular of James's works. Indeed, and has since been used in schools all over the world.

The novel is told in the first person omniscient point of view, and the narrator often offers comments directly to the reader ("though it is an awkward confession to make about one's heroine, I must add she was something of a glutton", Chapter II)

The novel begins at a distance from the characters, describing the background of the Sloper family. It then recounts in detail the story of Catherine's romance with Morris Townsend. When Morris jilts her, the focus shifts back to a long view. As the narrator puts it: "Our story has hitherto moved with very short steps, but as it approaches its termination it must take a long stride." The final few chapters are taken once more in short steps, ending with the striking vignette of Catherine's refusal of Morris.

Roderick Hudson is a novel by Henry James. Originally published in 1875 as a serial in The Atlantic Monthly, it is a bildungsroman that traces the development of the title character, a sculptor.

Rowland Mallet, a wealthy Bostonian bachelor and art connoisseur, visits his cousin Cecilia in Northampton, Massachusetts, before leaving for Europe. There he sees a Grecian figure he thinks is a remarkable work of art. Cecilia introduces him to the local sculptor, Roderick Hudson, a young law student who sculpts in his spare time. Mallet-who loves art but is without artistic talent himself-sees an opportunity to contribute: he offers to advance Roderick a sum of money against future works which will allow Roderick to join him in moving to Italy for two years. Mallet believes that in Rome, Roderick will be exposed to the kind of artistic influences which will allow his natural talent to fully mature.