inventive bodies of work from 20th-century Latin America, Mario Levrero's writing is distinguished by its bounteous imagination. In none other of the author's books is this imagination so clearly on display as in The Thinking-About-Gladys Machine, his 1970 debut collection of stories. It gathers a variety of Levrero's earliest and most formally inventive publications, ranging from dazzling single paragraph micro-fictions à la Donald Barthelme to adventurous Lewis Carroll-esque tales of forty pages' length.

From the shocking surreal twists of 'Beggar Street' to the Escher-like grammatical maze of 'The Boarding House', via the pseudo-fairy tale classic 'The Basement', this book explores uncanny domestic spaces, using the structures of the stories themselves as tools for re-inventing narrative possibility.