Reviewer Nicole Cooley calls the book an "investigation of the 'dark places' of both body and landscape. A close look at Southern girlhood and a landscape of mountains, mined, stripped, empty. An investigation of bodies and violence...a brilliant excavation of landscape, language, and escape."
Matt Donovan, author of The Dug-Up Gun Museum, adds, "This is a searing, breathtaking book, a kaleidoscopic exploration of place and self that's fueled by interjections of astonishment and grief. These poems push against the conventions of language, commingling the colloquial with scraps from the literary canon and sifting obsessively through shards of memory as they grapple toward a truth 'as plain and massive as the sky.'"