y narrative at the intersection of the real and the imagined, recreating what is perceived. It is a way of delicately uncovering the fragments of thoughts and ideas, sculpting them through textual layering of the depth of flow and the fading of the tangible. Within these pages there is a collection of poems, titled MA - space of time, suggesting that which arises in-between. It can also be characterized as an event not visible but rather felt, in the way that it captures and directs one's attention, creating a spatial breath with-in which one imagines the extensions of the proposed. It is subtle in nature and deeply suggestive. It felt only natural to write intuitively, to be guided by the ebb and flow of thought characterizing the ephemeral nature of existence. After all, poems are sensorial compositions whose intention is to touch and possibly capture all the senses. Body. Feeling. Perception. Intention. Consciousness.""